Work dossier · summary and historical context
This work, attributed to John Chrysostom (c. 347–407), is a homily on the Pauline dictum that heresies must exist. Likely dating to his Antiochene period (c. 386–397) or early Constantinopolitan years, it survives in Greek manuscripts without a critical edition. The text opens with a paraphrase of 1 Corinthians 11:19 and uses the metaphor of a 'spiritual theater' to frame preaching as moral formation. Chrysostom contrasts a previous sermon on Jeremiah with the current one on Paul, linking them as complementary treatments of the congregation's needs. The work is not used in Byzantine liturgy or canon law but appears in patristic florilegia and modern scholarship.
This homily illustrates Chrysostom's exegetical and rhetorical techniques, including his use of Pauline paraphrases and the 'spiritual theater' metaphor. It also shows his pastoral concern for addressing heresy within the congregation. The work's limited reception highlights the selective transmission of Chrysostom's corpus, and its uncertain textual basis underscores the need for critical editions of patristic texts.
The homily is attributed to John Chrysostom, a prominent preacher and theologian of the late fourth century. Chrysostom served as a presbyter in Antioch (c. 386–397) and later as bishop of Constantinople (398–404). The work's exact date is unknown, but its style and themes align with his Antiochene period, when he delivered many exegetical homilies. The text survives in multiple Greek manuscripts, but no critical edition exists, and the source edition (khazarzar) does not provide a manuscript stemma or apparatus. The homily was not incorporated into Byzantine liturgy or canon law, suggesting a limited liturgical reception. Its transmission is primarily through patristic florilegia and modern scholarly citation. The work reflects Chrysostom's exegetical method of weaving Pauline language into his own arguments and his concern with doctrinal precision and moral formation.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||