Work dossier · summary and historical context
This work is a homily by John Chrysostom on the parable of the ten virgins (Matthew 25:1–13), delivered in a liturgical setting. Chrysostom blends moral exhortation with allegorical interpretation, emphasizing themes of transience, judgment, and almsgiving. The homily survives in numerous Greek manuscripts and was widely copied in Byzantine catenae and florilegia, reflecting its authority in Eastern monastic and liturgical tradition. The source edition (khazarzar) does not specify its manuscript basis or provide critical apparatus, so textual variants and editorial choices remain unclear. For precise analysis, consultation of the original Greek is recommended.
This homily exemplifies Chrysostom's hortatory and exegetical style, blending moral exhortation with allegorical interpretation of scripture. It was widely influential in Byzantine monastic and liturgical tradition, as evidenced by its inclusion in catenae and florilegia. The homily's themes of transience, judgment, and almsgiving resonate with broader early Christian eschatological and ascetic concerns.
The homily is attributed to John Chrysostom (c. 347–407) and likely belongs to his series of homilies on the Gospel of Matthew, delivered during his Antiochene period (c. 386–397). Antioch was a major center of early Christian exegesis, and Chrysostom served as a presbyter there before becoming bishop of Constantinople. The homily was delivered in a liturgical setting, probably during Holy Week, as the parable of the ten virgins was traditionally read on Holy and Great Wednesday. The text was widely copied in Greek manuscripts and cited in Byzantine catenae and florilegia, indicating its enduring authority in Eastern monastic and liturgical tradition. The source edition (khazarzar) does not specify which manuscript(s) it follows, and no critical apparatus is provided, so the textual basis is unclear. The homily's eschatological themes and bridal imagery (Christ as bridegroom) reflect early Christian apocalyptic expectations and the Song of Songs tradition.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||