Work dossier · summary and historical context
This homily, traditionally attributed to John Chrysostom (c. 347–407), is the second of two sermons for the feast of the Ascension. It survives in Greek manuscripts within the Chrysostom corpus, but its authenticity is disputed and it is not included in all major collections. The text was used in Byzantine liturgical contexts for Ascension, though its theological influence is limited. The edition on khazarzar lacks critical apparatus, and the manuscript basis is unspecified. The homily employs rhetorical devices typical of Chrysostom, such as anaphora, and develops the theme of Christ’s enthronement at the right hand of God, reflecting anti-Arian concerns. It likely originated in Antioch or Constantinople in the late 4th century.
This homily illustrates the early Christian interpretation of the Ascension as Christ’s enthronement, a theme with anti-Arian implications. It also showcases Chrysostom’s rhetorical style, including anaphora and engagement with the congregation. Though of disputed authorship, it contributes to understanding the development of Ascension liturgy and theology in the late 4th century.
The homily is assigned to the feast of the Ascension, which by the late 4th century was celebrated in major Christian centers such as Antioch and Constantinople. John Chrysostom served as a presbyter in Antioch (386–397) and later as bishop of Constantinople (398–404), and his homilies often addressed the liturgical calendar. The text’s emphasis on Christ’s enthronement (τὸν θρόνον τὸν πατρικόν) reflects contemporary anti-Arian polemic, asserting the full divinity of Christ. The homily survives in Greek manuscripts of Chrysostom’s works, but its authenticity has been questioned; it is absent from some critical editions. Its transmission is tied to Byzantine liturgical collections, where it was used for Ascension, but its manuscript tradition is not fully documented. The khazarzar edition provides no critical apparatus, so the Greek text should be verified against standard editions.
Apparatus · what the pipeline recorded
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