Work dossier · summary and historical context
This homily by John Chrysostom, 'In ascensionem domini nostri Jesu Christi,' is a festal oration for the Feast of the Ascension, celebrating Christ's bodily assumption into heaven. Composed in Greek during Chrysostom's Antiochene period (c. 386–397), it employs epideictic rhetoric to expound the theological significance of the Ascension. The text survives in multiple Greek manuscripts, often grouped with Chrysostom's other festal homilies, and its authenticity is generally accepted. It was read in Byzantine liturgical tradition on the Ascension feast and influenced later hymnography, including the canon of John of Damascus. The edition lacks a critical apparatus; users should consult the Clavis Patrum Graecorum for manuscript witnesses.
This homily is a key witness to the development of Ascension theology in the late 4th century, emphasizing Christ's bodily assumption as a salvific event. It reflects Chrysostom's rhetorical skill and pastoral concerns, linking the feast to the veneration of martyrs and relics. Its influence on Byzantine hymnography, especially the canon of John of Damascus, demonstrates its lasting impact on Eastern Christian liturgy and theology.
The homily dates to John Chrysostom's Antiochene period (c. 386–397), when he served as a presbyter in Antioch. Antioch was a major center of Antiochene theology, emphasizing literal and historical exegesis. The community was diverse, with Nicene and Arian factions, and Chrysostom's preaching often addressed liturgical feasts to reinforce orthodox doctrine. The Feast of the Ascension, celebrated 40 days after Easter, was well-established by the late 4th century, though its precise origins are debated. The homily's epideictic style reflects the rhetorical training of the Second Sophistic, common in late antique Christian oratory. The text was transmitted in Greek manuscripts, often in collections of Chrysostom's festal homilies, and was used in Byzantine liturgical practice. Its influence on later hymnography, particularly by John of Damascus, underscores its enduring theological and liturgical significance.
Apparatus · what the pipeline recorded
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