Work dossier · summary and historical context
This homily, attributed to John Chrysostom, is a festal oration on the Annunciation that employs typological exegesis of the Old Testament and praise of the Virgin Mary. Its rhetorical structure features antithesis and direct address, characteristic of Chrysostom's style. The attribution is disputed, and the work is not included in the standard CPG list of authentic works. It likely dates from the 5th or 6th century, possibly composed for a Marian feast in Constantinople. The text survives in multiple Greek manuscripts, often grouped with other spurious Chrysostomica. The khazarzar edition reproduces a single manuscript witness without critical apparatus, limiting scholarly assessment.
This homily is significant for understanding the development of Marian theology and liturgical practice in the post-Ephesian Byzantine church. It influenced later hymnography for the Annunciation feast and reflects the typological exegesis that framed Mary as the new Eve. Its disputed attribution highlights the challenges of authenticating Chrysostom's corpus and the fluidity of authorship in late antique homiletic traditions.
The homily likely dates from the 5th or 6th century, a period when Marian feasts, including the Annunciation (March 25), were being established in Constantinople and the wider Byzantine world. The use of the title 'Theotokos' and epithets like 'most glorious Lady' reflect post-Ephesian (431 CE) Marian piety, suggesting composition after the Council of Ephesus, which affirmed Mary as Theotokos. The text's typological parallels between Eve and Mary, and its anti-Arian overtones, align with patristic traditions from Irenaeus and Justin Martyr. The homily survives in multiple Greek manuscripts, often in collections of spurious Chrysostomica, indicating its wide liturgical use despite doubts about authorship. The khazarzar edition, lacking critical apparatus, does not clarify the manuscript basis or editorial decisions.
Apparatus · what the pipeline recorded
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