Work dossier · summary and historical context
This encomium by John Chrysostom honors unnamed Christian martyrs, celebrating their courage and divine reward. It employs vivid antitheses and scriptural allusions to contrast earthly suffering with heavenly glory, reflecting late fourth-century Antiochene rhetoric and the cult of martyrs. The homily survives in Greek, transmitted through Byzantine liturgical manuscripts, and is traditionally dated to Chrysostom's presbyterate in Antioch (c. 386–397). The digital edition by khazarzar, based on PG 50, lacks critical apparatus and modernizes punctuation, limiting its use for textual criticism. No English translation or commentary accompanies the edition.
This encomium exemplifies Chrysostom's rhetorical skill and the late antique Christian emphasis on martyrdom as a model of faith. It reflects the integration of scriptural typology (e.g., the 'unfading crown') into popular piety and the liturgical use of homilies for saint veneration. The work also illustrates the development of the martyr cult in Antioch, connecting local practice to broader Christian traditions.
The homily was likely composed in Antioch during John Chrysostom's presbyterate (c. 386–397), a period of vibrant Christian oratory and martyr veneration. Antioch was a major center of Antiochene theology, known for its literal exegesis and rhetorical homilies. The encomium belongs to the genre of martyr panegyric, common in the late fourth century as the cult of saints flourished. It was transmitted in Greek through Byzantine liturgical collections, often read for general martyr feasts, though not tied to a specific saint. The text survives in Patrologia Graeca 50, based on medieval manuscripts, but the khazarzar edition lacks a stemma or variant apparatus. The homily's language and themes align with Chrysostom's other works, but no external evidence fixes its exact date.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||