Work dossier · summary and historical context
De sancta trinitate is a catechetical exposition of the Trinity attributed to John Chrysostom, employing biblical proof-texts and anti-Arian polemic in a homiletic register. The work survives in multiple Greek manuscripts, but its authenticity is contested; some scholars consider it a later compilation drawing on Chrysostom's genuine homilies. No firm date can be assigned, though if authentic it belongs to Chrysostom's Antiochene period (c. 386–397). The theological vocabulary suggests a post-Nicene context, possibly late 4th century. The treatise was cited in medieval Byzantine florilegia on the Trinity but never achieved the authority of Chrysostom's major dogmatic works. The khazarzar edition lacks critical apparatus, making verification of the text's stemmatic basis impossible.
De sancta trinitate is significant as a witness to late 4th-century Trinitarian theology and the reception of Chrysostom's thought. It illustrates how catechetical and homiletic traditions were adapted for anti-heretical polemic. The work's contested authenticity highlights broader issues of pseudepigraphy and compilation in patristic literature, and its inclusion in Byzantine florilegia shows its role in shaping later Orthodox Trinitarian discourse.
The work is attributed to John Chrysostom (c. 347–407), a prominent preacher and theologian of the late 4th century, active in Antioch and later Constantinople. If authentic, it would date to his Antiochene period (c. 386–397), when he delivered many catechetical homilies. The treatise reflects the post-Nicene Trinitarian controversies, polemicizing against Arians (who denied the full divinity of the Son) and Macedonians (who denied the divinity of the Holy Spirit). Its homiletic style and use of biblical proof-texts align with Chrysostom's known methods, but several passages echo verbatim from his genuine homilies on the Gospel of John, raising the possibility of later compilation. The work survives in multiple Greek manuscripts and was included in medieval Byzantine florilegia, but its contested attribution and lack of a critical edition limit certainty about its origin and transmission.
Apparatus · what the pipeline recorded
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