Work dossier · summary and historical context
This work is a hagiographic encomium attributed to John Chrysostom, praising the martyr Drosis (Droside) and exhorting the congregation to emulate her faith. It survives in a single Greek manuscript tradition with lacunae and scribal corrections, the earliest copies dating from the 10th century. The cult of Drosis was localized in Antioch and later Constantinople, and the encomium was read on her feast day (October 22) in some Byzantine liturgical traditions. The text's primary aim is pastoral and spiritual, not historical, and its attribution to Chrysostom is debated.
The work exemplifies the genre of hagiographic encomium in late antique and Byzantine Christianity, illustrating how local martyr cults were promoted through liturgical preaching. Its disputed attribution to Chrysostom highlights the complexities of authorship in the patristic corpus. The text's survival in a single, late manuscript tradition underscores the fragility of such local hagiographic traditions.
The work is traditionally attributed to John Chrysostom (c. 349–407), but its authenticity is disputed. The martyrdom of Drosis is often placed in the early 4th century under Diocletian or Galerius, though no firm external evidence confirms this. The Greek text survives in a single manuscript tradition, with the earliest copies no earlier than the 10th century, and the edition by khazarzar relies on a collation of several late Byzantine copies. The cult of Saint Drosis was localized in Antioch and later Constantinople, and the encomium was read on her feast day (October 22) in some Byzantine liturgical traditions, but it never achieved widespread canonical status in the Eastern Church. The text's genre is hagiographic encomium, not historical chronicle, and its primary aim is to praise the martyr and exhort the audience to imitate her faith.
Apparatus · what the pipeline recorded
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