Work dossier · summary and historical context
De salute animae (On the Salvation of the Soul) is a Greek homily attributed to John Chrysostom, likely delivered during his Antiochene presbyterate (c. 386–397) or early Constantinopolitan episcopate (398–404). The work exhorts spiritual vigilance against worldly attachments, using vivid eschatological imagery—such as a fearful judge and nakedness at judgment—to underscore the transience of life. It draws on Ecclesiastes and Psalms, reflecting Chrysostom's rhetorical style and ascetic-moral concerns. Transmitted among Byzantine monastic florilegia, the text survives in a digital edition (khazarzar) of uncertain manuscript basis, possibly derived from Migne's Patrologia Graeca. Its lack of critical apparatus and unverified variant readings caution against definitive textual conclusions.
De salute animae exemplifies Chrysostom's pastoral rhetoric and ascetic theology, emphasizing spiritual vigilance and the vanity of worldly pursuits. It contributes to understanding late antique Christian homiletics and monastic spirituality. The work's transmission in Byzantine florilegia highlights its enduring moral appeal, while its absence from Latin and Syriac traditions marks its cultural boundaries. The text's uncertain manuscript basis, however, limits its use for critical scholarship.
The homily dates to the late 4th or early 5th century, a period when Chrysostom was active in Antioch (c. 386–397) and Constantinople (398–404). The community was Greek-speaking Christian, likely urban and ascetically inclined, as Chrysostom's moral homilies targeted both lay and monastic audiences. The genre is a homily, part of Chrysostom's corpus of ascetic-moral exhortations. Transmission occurred through Byzantine monastic florilegia and later Greek manuscripts, such as 10th-century Athos codices, but the khazarzar edition's source is unspecified. The work is not cited in major medieval Latin or Syriac catenae, suggesting limited influence beyond Greek circles. Its relation to other Chrysostom works is thematic, echoing his frequent warnings against worldly vanity and eschatological judgment. The lack of external evidence for a precise date or manuscript tradition underscores caution.
Apparatus · what the pipeline recorded
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