Work dossier · summary and historical context
John Chrysostom's homily 'De oratione' (Concerning Prayer) is an exhortation on the necessity and power of prayer, framed as urgent preparation for divine judgment. Drawing on scriptural calls to repentance, Chrysostom employs vivid metaphors—treasure, harbor, healing-place—to praise prayer, then shifts to a diatribe against the sinner's excuses, labeling self-deprecation as satanic. The work reflects his Antiochene pastoral style, emphasizing parrhesia (boldness) before God. Surviving in medieval Greek manuscripts from the 10th century onward, it was excerpted in Byzantine prayer anthologies and cited by ascetic writers as a model of contemplative prayer, though it never entered the standard liturgical lectionary. No modern critical edition exists; the khazarzar edition lacks a critical apparatus and collation of variants.
De oratione exemplifies Chrysostom's pastoral rhetoric and his emphasis on prayer as a transformative spiritual practice. Its use in Byzantine prayer anthologies and citation by ascetic writers highlight its influence on contemplative traditions. The homily also illustrates the adaptation of scriptural calls to repentance in late antique preaching, and its survival in medieval manuscripts attests to its enduring value in Orthodox spirituality.
The homily is traditionally assigned to Chrysostom's Antiochene period (c. 386–397), based on internal references to local liturgical practice, but no external witness fixes the year. Antioch was a major center of early Christianity, where Chrysostom served as a presbyter and renowned preacher before becoming bishop of Constantinople. The work belongs to the genre of the homily, a scriptural exposition delivered to a congregation, and its Greek text reflects the Koine of late antiquity. Transmission is indirect: the earliest surviving manuscripts date no earlier than the 10th century, and the khazarzar edition follows a single printed source without collation of variants. The homily was excerpted in Byzantine prayer anthologies and cited by later ascetic writers as a model of contemplative prayer, indicating its reception in monastic circles, though it never entered the standard liturgical lectionary. No modern critical edition exists, limiting its use for textual criticism.
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