Work dossier · summary and historical context
De Melchisedech is a Greek homily traditionally attributed to John Chrysostom, likely composed during his Antiochene period (c. 386–397). The work interprets the enigmatic figure of Melchisedech from Genesis 14, typologically linking him to Christ, a theme later developed in Hebrews 7. The homily survives in multiple manuscripts, though the khazarzar edition relies on a single witness without critical apparatus. It reflects Chrysostom's exegetical method, anti-Jewish polemic, and rhetorical strategies, including nautical imagery and appeals to Pauline authority. The text was transmitted in Greek and later translated into Syriac and Latin, but was not part of the standard liturgical cycle of Chrysostom's Genesis homilies.
De Melchisedech illustrates Chrysostom's exegetical method and rhetorical skill, bridging Old Testament typology and New Testament Christology. It was influential in later Byzantine commentary on Hebrews 7 and transmitted across linguistic traditions. The homily also exemplifies the anti-Jewish polemic common in Chrysostom's works, providing insight into fourth-century Christian-Jewish relations.
The homily is traditionally dated to Chrysostom's Antiochene period (c. 386–397), based on stylistic parallels with his other Old Testament homilies, though no external witness fixes the year. Antioch was a major center of Antiochene exegesis, emphasizing literal and historical interpretation, yet Chrysostom here employs typology to connect Melchisedech to Christ, prefiguring later commentary on Hebrews 7. The Greek text survives in multiple manuscripts, but the khazarzar edition provides no manuscript sigla, stemma, or indication of whether it collates the 10th-century Parisinus or later copies. The homily was transmitted in Greek and later translated into Syriac and Latin, cited by Byzantine commentators. Its anti-Jewish rhetoric reflects Chrysostom's polemical context, not historical fact. Attribution to Chrysostom is traditional but not critically verified in this edition.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||