Work dossier · summary and historical context
This homily, attributed to Hesychius of Jerusalem (d. after 450), is a Greek festal sermon for Palm Sunday, combining exegesis of the raising of Lazarus with the entry into Jerusalem. It survives in a single medieval manuscript tradition, likely from a Palestinian or Constantinopolitan liturgical collection, and is known through a 10th-century witness transcribed by Khazarzar. The text employs rhetorical similes and scriptural citations, including a transliteration of the Coptic plural for 'palm branches' (βάϊα). Its exegesis influenced later Byzantine hymnography, particularly the kanons of Kosmas the Melodist. No critical edition or modern translation exists, and the Khazarzar edition lacks a critical apparatus, manuscript sigla, or annotation of theological terms.
This homily is a key witness to the development of Palm Sunday liturgy and exegesis in the early Byzantine tradition. Its influence on later hymnography, especially the kanons of Kosmas the Melodist, underscores its role in shaping festal theology. The text also illustrates the transmission of Greek patristic works through Coptic liturgical collections, highlighting cross-cultural exchange in late antique Christianity.
The homily belongs to the late 4th or early 5th century, a period of florid Greek preaching centered on the Jerusalem liturgy. Hesychius of Jerusalem, a presbyter and prolific exegete, likely composed it for the Palm Sunday celebration, which by then was a well-established feast in the Jerusalem church. The text reflects the liturgical practices of the Jerusalem patriarchate, where the Lazarus narrative and the palms were commemorated in a single festal reading. The work survives in a single medieval manuscript tradition, probably transmitted through Palestinian or Constantinopolitan liturgical collections, and later appeared in Coptic liturgical contexts. The Khazarzar edition, based on a 10th-century witness, does not provide a critical apparatus, making verification of the transcription against the source impossible. The homily's exegesis and rhetorical style align with Hesychius's known works, though its anti-Chalcedonian context is not explicitly developed here.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||