Work dossier · summary and historical context
The Homilia i de Hypapante, attributed to Hesychius of Jerusalem, is a Greek homily for the Feast of the Presentation of Christ in the Temple (Hypapante, February 2). It survives in a single medieval manuscript tradition, with the Khazarzar edition based on a 17th-century copy rather than the original 5th-century text. The homily interweaves Gospel narrative (Luke 2:22-24) with commentary, emphasizing Christ's submission to Mosaic law and the purification ritual. It was used in Byzantine Orthros and influenced later hymnography, notably the kontakion of Romanos the Melodist. The text breaks off mid-sentence, suggesting a lacuna in the manuscript tradition. Attribution to Hesychius is traditional but unconfirmed, and the homily's theology aligns with 5th-century Jerusalem liturgy.
This homily is a key witness to the development of the Hypapante feast in Byzantine liturgy and theology. Its influence on Romanos the Melodist highlights its role in shaping later hymnography. The text's fragmentary survival and uncertain attribution underscore the challenges of studying early Christian homiletics and manuscript transmission.
The homily is traditionally attributed to Hesychius of Jerusalem (d. after 450), a presbyter and exegete active in 5th-century Jerusalem. The Feast of Hypapante, celebrating the presentation of Christ in the Temple, was established in Jerusalem by the late 4th century and spread throughout the Byzantine world. The homily reflects the liturgical and theological concerns of the Jerusalem church, particularly the emphasis on Christ's fulfillment of Mosaic law. It survives in a single medieval manuscript tradition, with the Khazarzar edition reproducing a 17th-century copy; the original 5th-century text is lost. No external witness securely dates the homily, and variant readings from other manuscripts (e.g., Patmos 212) have not been collated. The homily was later incorporated into Byzantine Orthros and influenced Romanos the Melodist's kontakion on the same theme.
Apparatus · what the pipeline recorded
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