Work dossier · summary and historical context
The homily on the miraculous image of Christ at Kamoulia, attributed to Gregory of Nyssa, is a liturgical and hagiographic text that blends narrative with theological reflection on the nature of icons. It recounts the discovery of an acheiropoietos image in Cappadocia and uses rhetorical devices typical of Greek patristic homiletics. The work survives only in later manuscripts, with earliest witnesses from the 9th–10th centuries, and its attribution to Gregory is uncertain. It was cited in Byzantine iconodule debates, notably at the Second Council of Nicaea (787), as patristic support for icon veneration, shaping later Orthodox theology.
The homily is significant for its role in Byzantine iconodule debates, providing patristic authority for icon veneration at the Second Council of Nicaea (787). It reflects the development of the acheiropoietos tradition and the theological linking of icons to the Incarnation. Its disputed authorship highlights the complexities of attributing late antique texts to earlier Church Fathers.
The text is traditionally dated to the late 4th century, during Gregory of Nyssa's episcopate, but the Kamoulian image tradition is first attested in the 6th century, suggesting the homily may be a later composition retrojected onto Gregory. It survives only in later manuscripts (9th–10th centuries), raising questions of authenticity and possible interpolation. The work is written in Greek and belongs to the genre of homily, with a liturgical register typical of Byzantine menologia. Its transmission is tied to iconodule circles, as it was cited at the Second Council of Nicaea (787) to support the veneration of images. The source edition (khazarzar) lacks critical apparatus, making verification of the text's stemma difficult.
Apparatus · what the pipeline recorded
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