Work dossier · summary and historical context
De paradiso (On Paradise) by Gregory of Nyssa is a late fourth-century Greek treatise on the Garden of Eden, interpreting Genesis 1–2 through an allegorical and theological lens. The work survives in a single recension (LF) transmitted via medieval manuscripts, with the Khazarzar edition based on Migne's Patrologia Graeca, itself dependent on a 17th-century copy. Gregory engages Origen's exegesis, responds to Arian and Eunomian debates, and contrasts the two creation accounts to argue for the garden's special divine origin. The text influenced later Byzantine commentators and medieval Latin discussions of Eden.
De paradiso is a key example of late fourth-century Alexandrian-influenced exegesis, showing how Gregory of Nyssa adapted Origen's allegorical method to defend Nicene orthodoxy. Its contrast of the two Genesis creation accounts and its analogy between the special formation of humanity and the garden's divine planting shaped later Byzantine and medieval Latin reflections on Eden. The work's transmission history, reliant on a single recension, highlights the fragility of patristic texts.
Gregory of Nyssa (c. 335–c. 395) wrote De paradiso late in his career, likely in the 380s, in Cappadocia (Asia Minor). The work belongs to the Greek patristic tradition and reflects the post-Nicene theological milieu, engaging with Origen's allegorical exegesis of Genesis and countering Arian and Eunomian subordinationist views. The text survives in a single recension (LF) transmitted through medieval manuscripts; the Khazarzar edition reproduces the Greek text from Migne's Patrologia Graeca (PG 44), which itself depends on a 17th-century copy. No critical apparatus is provided, and variant readings from other manuscript families are not recorded. The work was cited by John of Damascus in the 8th century and later by Byzantine commentators, and it influenced medieval Latin discussions of Eden through Latin translations of the Greek Fathers.
Apparatus · what the pipeline recorded
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