Work dossier · summary and historical context
Gregory of Nyssa's De paradiso, composed in the late 4th century (c. 390s), is a Greek treatise on the Garden of Eden that engages contemporary Origenist debates over literal versus allegorical interpretation of Genesis. Gregory insists on Eden's historical reality while interpreting it typologically, a nuance often lost in modern summaries. The work survives in a single manuscript tradition, preserved in Migne's Patrologia Graeca (PG 44, cols. 269–328). It was cited by John of Damascus in the 8th century and later Byzantine commentators, but was not included in the standard catena tradition on Genesis, limiting its influence. The Khazarzar edition is a digital transcription of Migne without critical apparatus.
De paradiso is significant for its nuanced allegorical method, which insists on the historical reality of Eden while interpreting it typologically, a position often misread as anti-literal. It engages key Origenist debates and influences later Byzantine commentators, though its exclusion from the catena tradition limited its broader impact. The work also reflects Gregory's distinctive theological aesthetics, notably the term 'philokalia' (love of beauty) as a divine attribute.
Gregory of Nyssa (c. 335–c. 395) wrote De paradiso late in life, likely in the 390s, within the context of 4th-century Origenist controversies over the interpretation of Genesis. The work reflects Gregory's Cappadocian milieu, where allegorical and literal readings of Scripture were hotly debated. The Greek text survives in a single manuscript tradition, with no early Latin translation; the edition by Khazarzar relies on the 19th-century critical edition by J. P. Migne (PG 44, cols. 269–328). De paradiso was cited by John of Damascus in the 8th century and later by Byzantine commentators, but it was not included in the standard catena tradition on Genesis, limiting its influence. The Khazarzar text is a digital transcription of Migne, not a fresh collation of manuscripts.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||