Work dossier · summary and historical context
This homily, attributed to Eustathius of Antioch (c. 324–330), offers a christological interpretation of the raising of Lazarus, emphasizing the unity of Christ's divine and human natures against Arian subordinationism. The text survives only in fragments and later catenae, with the earliest manuscript witnesses dating to the 10th century. The khazarzar edition compiles these fragments without a critical apparatus, making verification of reconstructions difficult. The homily adapts John 12:1-2, adding details such as Martha serving and Lazarus reclining, which are not in the canonical Gospels. It uses vivid imagery like 'prison of Hades' and 'unwelcoming swaddling clothes' to depict Lazarus's release, reflecting early Christian apocalyptic traditions. The work was cited by later anti-Arian writers, including Cyril of Alexandria, and was included in Byzantine liturgical collections for Lazarus Saturday.
This homily is a rare witness to early fourth-century Antiochene christology, directly engaging with the Arian controversy. Its emphasis on the unity of Christ's natures anticipates later Nicene orthodoxy. The work's survival in fragments and its citation by Cyril of Alexandria demonstrate its influence in anti-Arian polemic. The homily also provides insight into the development of Lazarus Saturday liturgy and the use of apocryphal or elaborated details in patristic preaching.
The homily is set during the episcopate of Eustathius at Antioch (c. 324–330), a period marked by the aftermath of the Council of Nicaea (325) and the ongoing Arian controversy. Eustathius was a staunch Nicene opponent of Arian subordinationism, which denied the full divinity of Christ. The homily's christological language, using terms like 'Logos' and 'hypostasis', reflects the technical vocabulary of the Nicene debate, predating later Chalcedonian definitions. The text survives only in fragmentary form, compiled from catenae and manuscript witnesses no earlier than the 10th century, indicating a complex transmission history. Its inclusion in Byzantine liturgical collections for Lazarus Saturday suggests continued use in Eastern Christian worship. The homily's adaptation of biblical narrative and use of apocalyptic imagery situates it within early fourth-century Antiochene exegetical traditions, though the precise date of composition remains unknown.
Apparatus · what the pipeline recorded
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