Work dossier · summary and historical context
Cyril of Alexandria's *Thesaurus de sancta et consubstantiali trinitate* is a Greek theological treatise defending the consubstantiality of the Trinity, composed during the Nestorian controversy of the 430s. The work refutes Arian and Eunomian interpretations by arguing that the Father's exclusive claim to being the only true God does not exclude the Son, but only false gods. It survives in a single manuscript tradition, with the earliest witness a 10th-century codex, and was cited as authoritative at the Second Council of Constantinople (553). The Khazarzar edition lacks a critical apparatus, obscuring textual variants. The work's structure, marked by repeated headings like Ἄλλο, suggests a compilation of distinct arguments or excerpts.
The *Thesaurus* is a key text in the development of Trinitarian doctrine, providing a systematic defense of consubstantiality that influenced later conciliar definitions and patristic florilegia. Its citation at the Second Council of Constantinople underscores its authority in Eastern Orthodox theology. The work also illustrates Cyril's exegetical method and his engagement with Arian and Eunomian arguments, making it valuable for studying 5th-century Christological and Trinitarian controversies.
Cyril of Alexandria (c. 376–444) wrote this treatise in Greek during the Nestorian controversy, likely in the 430s, to defend Trinitarian orthodoxy against Arian and Eunomian subordinationist views. The work reflects the theological debates of the post-Nicene period, where the consubstantiality of the Son and Holy Spirit with the Father was contested. The text survives in a single manuscript tradition, with the earliest witness a 10th-century codex; later editions, including those used by Khazarzar, rely on 17th- and 18th-century printed collations. The work was cited at the Second Council of Constantinople (553) as authoritative and excerpted by John of Damascus in his *Expositio fidei*. Its polemical context shapes scriptural citations, which are tailored to counter specific adversaries. The repeated heading Ἄλλο suggests a compilation of separate notes or excerpts, possibly from different stages of composition.
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