Work dossier · summary and historical context
This work is a hagiographical encomium on the martyr Mammas (Mamas) of Caesarea, traditionally attributed to Basil of Caesarea (c. 330–379). The Greek text, preserved in the Khazarzar digital edition based on Migne's Patrologia Graeca, lacks a critical edition and full manuscript collation. The encomium likely dates from the late 4th or early 5th century, consistent with Cappadocian hagiography. It was used in Byzantine liturgical contexts for the feast of Saint Mammas (September 2) and influenced later compilations like the Menologion of Symeon Metaphrastes. The historical identity of Mammas is uncertain, and the work's reliability is limited by its hagiographic genre.
This encomium is significant as a witness to the cult of Saint Mammas in Cappadocia and the development of Byzantine hagiography. It exemplifies the rhetorical and liturgical strategies of Cappadocian fathers, influencing later compilations like the Menologion. Its uncertain attribution highlights the challenges of authorship in early Christian literature.
The encomium is set in late 4th- to early 5th-century Cappadocia, a region in Asia Minor where Basil of Caesarea was a prominent bishop and theologian. The work reflects the local veneration of Saint Mammas, a martyr whose cult was popular in Cappadocia, often associated with healing and protection. The text was transmitted through Byzantine liturgical manuscripts, eventually included in the Patrologia Graeca (19th century) and later digitized by Khazarzar. The attribution to Basil is traditional but unconfirmed; the style and content align with Cappadocian hagiography, but the work may be a later composition. The encomium was used in the Byzantine liturgical calendar for the feast of Saint Mammas (September 2) and influenced later hagiographical compilations, such as the Menologion of Symeon Metaphrastes. No critical edition exists, and the manuscript tradition is not fully collated, limiting textual analysis.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||