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In Barlaam martyrem

Basilius Caesariensis · khazarzar

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Summary

This work is a hagiographical encomium of the martyr Barlaam, attributed to Basil of Caesarea. The Greek title 'Βαρλαὰμ μάρτυρα' indicates a formal panegyric, likely delivered on Barlaam's feast day. Barlaam's martyrdom is traditionally placed under Emperor Diocletian (early 4th century). Basil's authorship, if genuine, dates the sermon to the late 370s, during his episcopate in Cappadocia. The attribution is disputed; some scholars consider it spurious. The text survives in multiple manuscript families, complicating reconstruction. Barlaam's cult was widespread in the Byzantine East; his feast is celebrated on November 19. The encomium was used liturgically and later included in Byzantine menologia, ensuring its transmission.

The encomium is significant as a witness to the development of Byzantine hagiography and the cult of martyrs in the 4th century. It illustrates the rhetorical and theological strategies used to present martyrs as athletes of Christ, emphasizing struggle and victory. The work's disputed authorship highlights the complexities of attributing early Christian texts. Its inclusion in menologia ensured its influence on later Byzantine piety and liturgy.

Historical context

The encomium is set in the context of the Diocletianic Persecution (early 4th century), when Barlaam was martyred. If genuinely by Basil of Caesarea, it was composed in the late 370s in Cappadocia, a region central to early Christian asceticism and theological development. Basil was a key figure in the development of Byzantine liturgy and hagiography. The work belongs to the genre of hagiographical encomium, a formal panegyric delivered on a saint's feast day. Its transmission through multiple manuscript families and inclusion in Byzantine menologia (liturgical collections of saints' lives) indicates its liturgical use and wide circulation. The attribution to Basil is not universally accepted; some scholars consider it spurious or of uncertain authorship. The text reflects hagiographical topoi, such as standardized torture scenes and divine intervention, which may be literary conventions rather than historical facts.

Apparatus · what the pipeline recorded

Annotation and terms

28 commentary units 6 background5 structure4 scripture4 term4 reception2 parallel2 sense1 caution 0 derived notes 8 open questions 5 narrative
What the kinds mean

Pipeline notes

  • coverageNo English translation could be identified: a language model asked twice could not name one, though it could not rule one out either. That is not proof that none exists — translations in dissertations, recent books and other modern languages are easily missed.
  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: history/hagiography in ancient Greek; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 5 narrative.
  • sourceSource edition: khazarzar — Migne PG text (public domain); khazarzar host and the digitising project state no licence for this layer

Term index

CopticRenderingCountFirst
no glossary terms recorded
khazarzar-basilius-caesariensis-in-barlaam-martyrem:1 · narrativehigh
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ΟΜΙΛΙΑ ΙΖʹ. Εἰς Βαρλαὰμ μάρτυρα. Πρότερον μὲν τῶν ἁγίων οἱ θάνατοι κοπετοῖς ἐκοσμοῦντο καὶ δάκρυσιν· ἔκλαυσε σφοδρῶς Ἰωσὴφ τὸν Ἰακὼβ τεθνεῶτα, ἐκόψαντο καὶ τὴν Μωϋ σέως τελευτὴν οὐ μικρῶς Ἰουδαῖοι· πολλοῖς καὶ τὸν Σαμουὴλ τετιμήκασι δάκρυσι· νῦν δὲ ταῖς τῶν ὁσίων τελευταῖς ἐνσκιρτῶμεν. Ἡ γὰρ τῶν λυπηρῶν μετὰ τὸν σταυρὸν μεταβέβληται φύσις. Οὐκέτι θρήνοις τοὺς τῶν ἁγίων δορυφοροῦμεν θανάτους, ἀλλ' ἐνθέοις χορείαις τοῖς ἐκείνων ἐπορχούμεθα τάφοις. Ὕπνος γὰρ τοῖς δικαίοις ὁ θάνατος. Μᾶλλον δὲ πρὸς κρείττονα ζωὴν ἐκδημία. Ἐντεῦθεν σκιρτῶσι σφαττόμενοι μάρτυρες. Ὁ γὰρ τῆς μακαριωτέρας ζωῆς πόθος τὴν τῆς σφαγῆς ὀδύνην νεκρὰν ἀπεργάζεται. Οὐ βλέπει τοὺς κινδύνους, ἀλλὰ τοὺς στεφάνους ὁ μάρτυς· οὐ φρίττει τὰς πληγὰς, ἀλλ' ἀριθμεῖ τὰ βραβεῖα· οὐχ ὁρᾷ τοὺς κάτω μαστιγοῦντας δημίους, ἀλλὰ τοὺς ἄνωθεν εὐφημοῦντας ἀγγέλους φαντάζεται· οὐ σκοπεῖ τῶν κινδύνων τὸ πρόσκαιρον, ἀλλὰ τὸ τῶν ἐπάθλων αἰώνιον. Λαμπρὸν καὶ παρ' ἡμῖν ἤδη τὸν ἀῤῥαβῶνα καρποῦνται, ταῖς παρὰ πάντων ἐνθέοις εὐφημίαις κροτούμενοι, καὶ μυρίους ἐκ τάφων σαγηνεύοντες δήμους. Τοῦτο δὴ τὸ τῷ γενναίῳ τήμερον Βαρλαὰμ πεπραγμένον. Ἤχησε γὰρ ἡ πολεμικὴ τοῦ μάρτυρος σάλπιγξ, καὶ τοὺς τῆς εὐσεβείας ὁπλίτας, ὡς ὁρᾶτε, συνήγαγεν. Ὁ τοῦ Χριστοῦ κείμενος ἀθλητὴς ἐκηρύχθη, καὶ τὸ τῆς Ἐκκλησίας ἀνεπτέρωσε θέατρον. Καὶ ὡς ἔλεγε τῶν πιστῶν ὁ Δεσπότης· Ὁ πιστεύων εἰς ἐμὲ, κἂν ἀποθάνῃ, ζήσεται· τέθνηκεν ὁ γενναῖος Βαρλαὰμ, καὶ συγκροτεῖ πανηγύρεις· κατανάλωται τάφῳ, καὶ συγκαλεῖ πρὸς ἑστίασιν. Νῦν ἡμῖν ἀναβοῆσαι καιρός· Ποῦ σοφός;
English
Homily 17. On the Martyr Barlaam. Formerly, the deaths of the saints were accompanied by lamentations and tears; Joseph wept bitterly for the dead Jacob, and the Jews mourned the death of Moses not a little; they also honored Samuel with many tears. But now we exult at the deaths of the holy ones. For the nature of sorrowful things has changed after the Cross. No longer do we attend the deaths of the saints with dirges, but we dance with inspired choruses at their tombs. For death is sleep for the righteous; rather, it is a departure to a better life. Hence, martyrs leap for joy even as they are slaughtered. For the desire for a more blessed life renders the pain of slaughter lifeless. The martyr does not see the dangers, but the crowns; he does not shudder at the blows, but counts the prizes; he does not look at the torturers scourging him below, but imagines the angels praising him from above; he does not consider the temporariness of the dangers, but the eternity of the rewards. Already among us they enjoy a bright pledge, being applauded with inspired praises from all, and drawing countless multitudes from their tombs. This is precisely what the noble Barlaam has accomplished today. For the war trumpet of the martyr has sounded, and has gathered the soldiers of piety, as you see. The athlete of Christ, now laid low, has been proclaimed, and has lifted the theater of the Church on high. And as the Lord of the faithful said, "He who believes in me, even if he dies, shall live"; the noble Barlaam has died, and he assembles festivals; he has been consumed by the tomb, and he summons to a feast. Now it is time for us to cry out, "Where is the wise man?
khazarzar-basilius-caesariensis-in-barlaam-martyrem:2 · narrativehigh
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ποῦ γραμματεύς; ποῦ συζητητὴς τοῦ αἰῶνος τούτου; Ἄγροικος ἡμῖν σήμερον ὁ ἀήττητος τῆς εὐσεβείας διδάσκαλος, ὂν εἷλκε μὲν τύραννος ὡς εὐάλω τον θήραμα, ἔγνω δὲ μετὰ τὴν πεῖραν ὁπλίτην ἀχείρωτον· ὃν ἐγέλα μὲν παρακεκομμένα φθεγγόμενον, ἔφριξε δὲ ἀγγελικὰ νεανιευόμενον. Οὐ γὰρ συνεβαρβάριζεν ὁ τρόπος τῷ τῆς γλώττης ὀργάνῳ, οὐδὲ ταῖς συλλαβαῖς συγχωλεύων ὁ λογισμὸς ἑω ρᾶτο· ἀλλ' ἦν δεύτερος Παῦλος, μετὰ τοῦ Παύ λου φθεγγόμενος· Εἰ καὶ ἰδιώτης τῷ λόγῳ, ἀλλ' οὐ τῇ γνώσει. Ἐνάρκησαν μαστίζοντες δή μιοι, ἀλλ' ἀκμαιότερος ὁ μάρτυς εὑρίσκετο· αἱ τῶν ξεόντων ἐξενευρίζοντο χεῖρες, ἀλλ' ὁ τοῦ ξεομένου λογισμὸς οὐκ ἐκάμπτετο. Τὰς τῶν νεύρων αἱ μάστι γες ἁρμονίας παρέλυσαν, ἀλλ' ὁ τῆς πίστεως ἀκρι βέστερον ἐπεσφίγγετο τόνος. Διασκαπτόμεναι πλευ ραὶ δεδαπάνηντο, ἀλλ' ἡ τοῦ φρονήματος ἤνθει φιλοσοφία. Τῆς σαρκὸς αὐτοῦ τὸ πλέον νενέκρωτο, ἀλλ' ὡς μήπω τῶν ἀγώνων ἀρξάμενος ἤκμαζεν. Ὅταν γὰρ ὁ τῆς εὐσεβείας ἔρως τὴν ψυχὴν προ κατάσχῃ, ἅπαν αὐτῇ πολέμων καταγέλαστον εἶδος, καὶ πάντες αὐτὴν ὑπὲρ τοῦ ποθουμένου καταξέοντες τέρπουσι μᾶλλον ἢ πλήττουσι. Μαρτυρεῖ μοι τῶν ἀποστόλων ὁ πόθος, τερπνὰς αὐτοῖς ποτε τὰς παρὰ Ἰουδαίων ἐργαζόμενος μάστιγας. Ἐπορεύοντο γὰρ, φησὶ, χαίροντες ἀπὸ προσώπου τοῦ συνεδρίου, ὅτι ὑπὲρ τοῦ ὀνόματος αὐτοῦ κατηξιώθησαν ἀτιμασθῆναι. Τοιοῦτος καὶ ὁ σήμερον ἡμῖν ὁπλίτης ὑμνούμενος· εὐφροσύνην τὰς κολάσεις ἡγούμενος, ῥόδοις τισὶ βάλλεσθαι νομίζων ταῖς μάστιξι· τὰς τῆς ἀσεβείας αἰκίας δραπετεύων ὡς βέλη, καπνοῦ σκιὰν τὸν δικαστικὸν θυμὸν λογιζόμενος·
English
Where is the scribe? Where is the disputant of this world? A rustic is for us today the invincible teacher of piety, whom the tyrant dragged as an easily taken prey, but after the trial he knew him as an unconquerable soldier; whom he laughed at speaking disjointedly, but shuddered at his angelic boldness. For his manner did not barbarize with the instrument of his tongue, nor was his reason seen limping along with his syllables; but he was a second Paul, speaking with Paul: "Even if I am a layman in speech, yet not in knowledge." The torturing executioners grew numb, but the martyr was found more vigorous; the hands of those scraping him grew weak, but the reason of the one being scraped was not bent. The scourges loosened the harmonies of the sinews, but the tone of faith was tightened more precisely. His pierced sides were consumed, but the philosophy of his spirit flourished. The greater part of his flesh was dead, but he flourished as if the contests had not yet begun. For when the love of piety first takes hold of the soul, every form of warfare is laughable to it, and all who scrape it for the sake of the beloved delight it more than they strike it. The desire of the apostles bears witness for me, once making the scourges from the Jews pleasant to them. For they went, it is said, rejoicing from the face of the Sanhedrin, because they were deemed worthy to be dishonored for his name. Such also is the soldier hymned by us today: considering the punishments as gladness, thinking himself pelted with roses by the scourges; fleeing the torments of impiety as arrows, deeming the judge's wrath a shadow of smoke.
khazarzar-basilius-caesariensis-in-barlaam-martyrem:3 · narrativehigh
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τάγματα δορυφόρων ἀπηγριωμένα γελῶν· ὡς ἐπὶ στεφάνοις τοῖς κινδύνοις χορεύων· ταῖς πληγαῖς ὡς τιμαῖς εὐφραινόμενος· ταῖς σφοδροτέραις τιμωρίαις ὡς βραβείοις ἐνσκιρτῶν λαμπροτέροις· ξίφη δια πτύων γυμνούμενα· χεῖρας δημίων ὡς κηροῦ μαλα κωτέρας δεχόμενος· κολαστήριον ξύλον ὡς σωτήριον ἀσπαζόμενος· κλείσμασι δεσμωτηρίων ὡς λειμῶσι τερπόμενος· βασάνων ἐπινοίαις ὡς ἀνθέων ποικιλίαις ἡδόμενος· πυρὸς εὐτονωτέραν δεξιὰν κεκτημένος· ὃ δὴ τελευταῖον αὐτῷ παρὰ τῶν πολε μούντων προσῆκτο μηχάνημα. Βωμὸν γὰρ πρὸς τὴν τῶν δαιμόνων σπονδὴν ἀνακαύσαντες, ἱστᾶσι παρ' αὐτῷ ἀγαγόντες τὸν μάρτυρα, καὶ τῷ βωμῷ τὴν δεξιὰν ὑπτίαν ἐπαιωρῆσαι κελεύσαντες, ὡς χαλκῷ θυσιαστηρίῳ τῇ χειρὶ κατεχρήσαντο, λιβανωτὸν αὐτῇ κακούργως ἐνθέντες φλεγόμενον. Ἤλπι ζον γὰρ τῇ τοῦ πυρὸς βίᾳ τὴν χεῖρα καταπαλαισθεῖ σαν, ἀνάγκῃ τῷ βωμῷ ταχέως λιβανωτὸν ἐπαφή σειν. Φεῦ τῆς πολυπλόκου τῶν ἀσεβῶν μαγγανείας! Ἐπειδὴ μυρίοις, φησὶ, τὴν γνώμην οὐκ ἐκάμψα μεν τραύμασι, κάμψωμεν ἐν φλογὶ τοῦ φιλονείκου παλαιστοῦ κἂν τὴν χεῖρα. Ἐπειδὴ ποικίλαις μηχα ναῖς τὴν ψυχὴν οὐκ ἐσείσαμεν, τὴν δεξιὰν γοῦν πυρὶ προσαγαγόντες σαλεύσωμεν.
English
the savage battalions of spearmen laughing; dancing as if at crowns in the midst of dangers; rejoicing at blows as if at honors; leaping at more severe punishments as if at more splendid prizes; spitting out drawn swords; receiving the hands of executioners as if softer than wax; embracing the instrument of torture as if it were a means of salvation; delighting in prison cells as if in meadows; taking pleasure in the inventions of tortures as if in the variety of flowers; possessing a right hand more powerful than fire; which indeed was the last device brought against him by his enemies. For having kindled an altar for the libation of demons, they bring the martyr before it, and ordering him to hold his right hand, palm upward, over the altar, they used his hand as a bronze sacrificial vessel, wickedly placing burning frankincense upon it. For they hoped that, with the hand overpowered by the force of the fire, he would quickly, under compulsion, apply the frankincense to the altar. Alas for the manifold cunning of the impious! Since, they say, we did not bend his resolve with countless wounds, let us at least bend the hand of the contentious wrestler in the flame. Since we did not shake his soul with various devices, let us at least shake his right hand by applying fire.
khazarzar-basilius-caesariensis-in-barlaam-martyrem:4 · narrativehigh
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Ἀλλ' οὐδὲ ταύτης οἱ δείλαιοι τῆς ἐλπίδος ἀπώναντο. Ἡ μὲν γὰρ φλὸξ τὴν χεῖρα διέτρωγεν· ἔμενε δὲ ἡ χεὶρ, ὡς τέφραν τὴν φλόγα βαστάζουσα. Οὐκ ἔδωκε τῷ πολε μοῦντι πυρὶ κατὰ τοὺς φυγάδας τὰ νῶτα, ἀλλὰ ἄτρεπτος εἱστήκει κατὰ φλογὸς ἀριστεύουσα, καὶ τὰς τοῦ Προφήτου λέγειν τῷ μάρτυρι διδοῦσα φω νάς· Εὐλογητὸς Κύριος ὁ Θεός μου, ὁ διδάσκων τὰς χεῖράς μου εἰς παράταξιν, καὶ τοὺς δακτύ λους μου εἰς πόλεμον. Πῦρ γὰρ χειρὶ συνεπλέκετο, καὶ τοῦ πυρὸς τὰ τῆς ἥττης εὑρίσκετο. Φλογὶ καὶ μάρτυρος δεξιᾷ συνεκροτεῖτο πάλη, ἀλλ' ἦν τῆς δεξιᾶς καινή τις τῶν παλαισμάτων ἡ νίκη, τῆς μὲν φλογὸς διὰ μέσου τῆς χειρὸς ἐκπιπτούσης, τῆς χειρὸς δὲ ἔτι τεταμένης πρὸς πάλην. Ὢ χειρὸς φιλονεικοτέρας πυρός! ὢ χειρὸς, κάμπτεσθαι πυρὶ μὴ μαθούσης! ὢ πυρὸς, ἡττᾶσθαι χειρὶ διδαχθέντος! Σίδηρος τῇ τοῦ πυρὸς εἴκει τυραννίδι χαυνούμενος· χαλκὸς τῇ τοῦ πυρὸς παραχωρεῖ δυναστείᾳ· οἶδε τούτῳ καὶ λίθων ἀντιτυπία νικᾶσθαι. Ἀλλ' ὁ πάντα τοῦ πυρὸς βιαζόμενος τόνος μάρτυρος τὴν δεξιὰν τεταμένην οὐκ ἔκαμψε κατακαίων. Εἰκότως ἂν ὁ μάρτυς ἐπὶ τούτῳ πρὸς τὸν Δεσπότην βοήσειεν· Ἐκράτησας τῆς χειρὸς τῆς δεξιᾶς μου, καὶ ἐν τῇ βουλῇ σου ὡδήγησάς με, καὶ μετὰ δόξης προσελάβου με. Τί σε, ὦ γενναῖε τοῦ Χριστοῦ στρατιῶτα, προσείπω; Ἀνδριάντα καλέσω; Πολύ σε τῆς καρτερίας ἠλάττωσα. Τὸν μὲν γὰρ πῦρ μαλάττει δεξάμενον· σοῦ δὲ τὴν δεξιὰν ὀφθῆναι μόνον κινουμένην οὐκ ἔπεισεν. Ἂν σιδηροῦν ὀνομάσω, καὶ τὴν τοιαύτην τῆς σῆς ἀνδρίας εὑρίσκω λειπομένην εἰκόνα. Σὺ γὰρ μόνος ἔπεισας φλόγα μὴ βιάζεσθαι χεῖρα· σὺ μόνος ἐκτήσω θυσιαστήριον δεξιάν·
English
But not even this hope did the wretches enjoy. For the flame gnawed through the hand, yet the hand remained, bearing the flame as if it were ash. It did not turn its back to the warring fire like a fugitive, but stood unswerving, excelling against the flame, and giving the martyr the words of the Prophet to speak: "Blessed is the Lord, my God, who trains my hands for battle and my fingers for war." For fire was entwined with the hand, and the fire was found to be the loser. A wrestling match was joined between the flame and the martyr's right hand, but the victory of the hand's wrestling was something new: the fire fell out through the middle of the hand, while the hand still stretched forth for the contest. O hand more contentious than fire! O hand that never learned to bend to fire! O fire that was taught to be defeated by a hand! Iron yields to the tyranny of fire, becoming soft; bronze gives way to the power of fire; even the hardness of stones is known to be overcome by it. But the force of fire, which subdues all things, did not bend the martyr's outstretched right hand, even while burning it. Fittingly, the martyr might have cried out to the Lord at this: "You have taken hold of my right hand, and in your counsel you have guided me, and with glory you have received me." What shall I call you, O noble soldier of Christ? Shall I call you a statue? I would greatly diminish your endurance. For fire softens a statue that receives it, but it did not persuade your right hand even to be seen moving. If I name you iron, I find even that image falling short of your manliness. For you alone persuaded the flame not to force the hand; you alone acquired a right hand that is an altar.
khazarzar-basilius-caesariensis-in-barlaam-martyrem:5 · narrativehigh
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σὺ μόνος δεξιᾷ φλεγομένῃ τὰ τῶν δαιμόνων ἐῤῥάπισας πρόσωπα, καὶ τότε μὲν ἀπηνθρακωμένῃ χειρὶ τὰς ἐκείνων κεφαλὰς συγκατέτηξας· νῦν δὲ τεφρωθείσῃ ταύτῃ τὰς αὐτῶν στρατιὰς ἀποτυφλοῖς καταπατῶν. Ἀλλὰ τί παιδικοῖς ἐλαττῶ τὸν ἀριστέα ψελλίσμασι; Ταῖς μεγαλοπρεπεστέραις τοίνυν τὸν εἰς αὐτὸν ὕμνον παραχωρήσωμεν γλώτταις· τὰς μεγαλοφωνοτέρας τῶν διδασκάλων ἐπ' αὐτῷ καλέσωμεν σάλπιγγας. Ἀνάστητέ μοι νῦν, ὦ λαμπροὶ τῶν ἀθλητικῶν κατορθωμάτων ζωγράφοι· τὴν τοῦ στρατηγοῦ κολοβωθεῖσαν εἰκόνα ταῖς ὑμετέραις μεγαλύνατε τέχναις. Ἀμαυρότερον παρ' ἐμοῦ τὸν στεφανίτην γραφέντα τοῖς τῆς ὑμετέρας σοφίας περιλάμψατε χρώμασιν. Ἀπέλθω τῇ τῶν ἀριστευμάτων τοῦ μάρτυρος παρ' ὑμῶν νενικημένος γραφῇ· χαίρω τὴν τοιαύτην τῆς ὑμετέρας ἰσχύος σήμερον νίκην ἡττώμενος. Ἴδω τῆς χειρὸς πρὸς τὸ πῦρ ἀκριβέστερον παρ' ὑμῶν γραφομένην τὴν πάλην· ἴδω φαιδρότερον ἐπὶ τῆς ὑμετέρας τὸν παλαιστὴν γεγραμμένον εἰκόνος. Κλαυσάτωσαν δαίμονες, καὶ νῦν ταῖς τοῦ μάρτυρος ἐν ὑμῖν ἀριστείαις πληττόμενοι. Φλεγομένη πάλιν αὐτοῖς ἡ χεὶρ καὶ νικῶσα δεικνύσθω. Ἐγγραφέσθω τῷ πίνακι καὶ ὁ τῶν παλαισμάτων ἀγωνοθέτης Χριστός· ᾧ ἡ δόξα εἰς τοὺς αἰῶνας τῶν αἰώνων. Ἀμήν.
English
You alone with your burning right hand struck the faces of the demons, and then with a hand reduced to ash you melted their heads together; now with this same hand turned to ash you blind their armies, trampling them underfoot. But why do I diminish the champion with childish lispings? Let us therefore yield the hymn to him to more magnificent tongues; let us summon the more loud-voiced trumpets of the teachers for him. Rise up for me now, O illustrious painters of athletic achievements; magnify with your arts the truncated image of the general. Illuminate with the colors of your wisdom the crown-bearer, whom I have painted too dimly. Let me depart, defeated by your depiction of the martyr's exploits; I rejoice today, being vanquished in such a victory of your power. Let me see the hand's struggle against the fire painted more accurately by you; let me see the wrestler depicted more radiantly in your image. Let demons weep, even now struck by the martyr's exploits among you. Let the hand be shown again burning and victorious. Let Christ, the umpire of the contests, be inscribed on the panel; to whom is the glory unto the ages of ages. Amen.
Citation. Tergwame, “In Barlaam martyrem”, khazarzar-basilius-caesariensis-in-barlaam-martyrem:1, machine-draft, 2026. https://naxiai.com/christian/works/khazarzar-basilius-caesariensis-in-barlaam-martyrem#s1
Colophon. Source: khazarzar · licence: Migne PG text (public domain); khazarzar host and the digitising project state no licence for this layer · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0033 · generated 2026-11-15.