Work dossier · summary and historical context
The 'Homily on the Presentation of the Lord' (Hypapante) is attributed to Athanasius of Alexandria but its authorship is contested, with possible composition ranging from the late 4th to the 7th century. The Greek text survives in multiple manuscripts and was incorporated into Byzantine liturgical lectionaries for the Feast of the Presentation, influencing later hymnography and iconography. The homily interprets Luke 2:22 through Alexandrian exegesis, using paradoxes to highlight the mystery of the Incarnation and employing metaphors such as the 'evangelical trumpet' and 'mystical bridal attendant' to link the Gospel narrative to the Song of Songs. The source edition (khazarzar) lacks a critical apparatus, leaving textual variants undocumented.
This homily is significant for its role in shaping the liturgical celebration of the Hypapante and its influence on Byzantine hymnography and iconography. It exemplifies the adaptation of patristic exegesis to festal preaching, using paradox and scriptural allusion to articulate Christological doctrine. The contested authorship highlights the challenges of authenticating early Christian texts and the fluidity of attribution in manuscript traditions.
The homily is traditionally ascribed to Athanasius of Alexandria (c. 296–373), a key figure in Nicene orthodoxy, but its style and theology suggest possible later composition, perhaps in the 5th to 7th centuries. The Feast of the Hypapante (Presentation of the Lord) originated in Jerusalem in the 4th century and spread to Constantinople by the 6th century, where it was celebrated on February 2. The homily's incorporation into Byzantine lectionaries indicates its liturgical use in the Eastern Church. The text survives in Greek manuscripts, but without a critical edition, its transmission history is unclear. The attribution to Athanasius may reflect a desire to lend authority to the homily, common in patristic pseudepigrapha. The work's Alexandrian exegetical style, with typological and allegorical readings, aligns with the tradition of Cyril of Alexandria and later commentators.
Apparatus · what the pipeline recorded
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