Work dossier · summary and historical context
De fallacia diaboli is a short Greek work attributed to Athanasius of Alexandria, but its date and authorship are uncertain. The text survives in a single medieval manuscript, likely from a monastic scriptorium, and its original title and genre (homily, treatise, or letter) are unclear. The work interprets the devil's deception as a deliberate inversion of divine order, leading humanity into idolatry through apparent beauties. It draws on Platonic and patristic cosmology, contrasting order (τάξις) with disorder (ἀταξία). The work was not cited in early florilegia or councils, and its influence is limited to later ascetic compilations, where it sometimes appears without attribution.
De fallacia diaboli illustrates how early Christian authors adapted Platonic cosmology to explain the devil's role in leading humanity into idolatry. Its limited manuscript survival and lack of early citations highlight the challenges of attributing works to major patristic figures. The text offers insight into ascetic demonology and the rhetorical use of biblical narrative, but its uncertain date and authorship caution against overinterpretation.
The work is traditionally ascribed to Athanasius of Alexandria (c. 296–373), a key figure in fourth-century Trinitarian controversies, but no external evidence confirms this dating. The sole surviving Greek manuscript is medieval, likely copied in a monastic scriptorium, and no earlier witnesses exist. The text is not cited in any known patristic florilegium or conciliar acta, and its influence appears confined to later ascetic compilations, where it is sometimes excerpted without attribution. The title De fallacia diaboli is a later rubric; the original genre is ambiguous. The work's Platonic and patristic language suggests a context of Christian asceticism and demonology, but its precise community and place of origin remain unknown. Latin and Syriac versions may preserve variant readings, but they have not been collated for this edition.
Apparatus · what the pipeline recorded
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