Work dossier · summary and historical context
This homily, traditionally attributed to Amphilochius of Iconium, addresses the sinful woman of the Gospels, likely the unnamed woman who anoints Jesus (Luke 7:36–50) or the woman caught in adultery (John 8:1–11). It is a moral exhortation, not systematic theology, and survives only in medieval manuscripts. The attribution to Amphilochius is disputed, and the homily does not identify the woman as Mary Magdalene, a later Western conflation. The text was later used in Byzantine liturgical readings on repentance and influenced iconography of Mary Magdalene as a penitent. This edition is based on a single digital transcription (khazarzar) without manuscript collation.
This homily is significant for its early treatment of the sinful woman as a model of repentance, later influential in Byzantine liturgy and iconography. It also reflects the exegetical method of linking Gospel figures (Zacchaeus, the sinful woman) to illustrate Christ’s mission to sinners. Its disputed authorship highlights challenges in attributing late antique homilies.
If authentic, the homily dates to the late 4th century (ca. 340–395 CE), when Amphilochius was bishop of Iconium (modern Konya, Turkey) and active in Cappadocian theological circles. He was a cousin of Gregory Nazianzus and participated in the Council of Constantinople (381). The work belongs to the genre of homily, likely delivered in a liturgical setting, possibly as part of a series on Gospel readings. Its transmission is uncertain: the earliest witnesses are medieval, and no early external attestation confirms Amphilochius’s authorship. The text was later incorporated into Byzantine liturgical traditions for repentance, shaping the iconographic portrayal of Mary Magdalene as a penitent. The homily’s opening reference to a previous discourse on Zacchaeus suggests a sequential structure, possibly for a liturgical cycle. The identification of the sinful woman with Mary Magdalene is a later Western development; the homily itself does not name her.
Apparatus · what the pipeline recorded
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