Work dossier · summary and historical context
This hagiographical text, edited by S. Qubaneishvili and published in the TITUS series, survives in a single Old Georgian manuscript of uncertain date and provenance. The edition lacks a critical apparatus, translation, or commentary, limiting its accessibility. The work likely belongs to the early or high medieval period and centers on the figure of Saint Nino, the legendary fourth-century evangelizer of Georgia. It includes liturgical readings associated with the Svetitskhoveli Cathedral in Mtskheta, a central site of Georgian Christianity. Nino is portrayed as the 'thirteenth true apostle among the twelve,' a title that elevates her to apostolic rank. The text employs hagiographic conventions, such as addressing potential objections to Nino's gender, and uses symbolic language like 'Samael' for spiritual bondage.
This text is significant for the study of Georgian hagiography and the cult of Saint Nino, a central figure in Georgian Christian identity. It illustrates how local traditions adapted apostolic and biblical motifs to elevate Nino's status, including her designation as a 'woman apostle.' The work also provides insight into liturgical practices at Svetitskhoveli Cathedral. It relates to other Georgian hagiographical works, such as the 'Life of Nino' and the 'Conversion of Kartli,' and to broader traditions of female apostleship in early Christian literature.
The text is part of the rich Georgian hagiographic tradition, which flourished from the early Christianization of Georgia (traditionally dated to the fourth century) through the medieval period. The Svetitskhoveli Cathedral in Mtskheta, mentioned in the title, was a major religious center and the site of the 'Living Pillar' miracle, a foundational legend of Georgian Christianity. The work's single Old Georgian manuscript suggests limited circulation, possibly within a monastic or cathedral scriptorium. The dating is uncertain; it may originate from the early medieval period (eighth–tenth centuries) or the high medieval period (eleventh–thirteenth centuries), when Georgian hagiography was particularly productive. The text's language and style reflect the influence of Byzantine hagiographic models, adapted to local Georgian contexts. The edition by Qubaneishvili, part of the TITUS project, aims to make such texts available for scholarly study, though the lack of critical apparatus limits its use for detailed textual analysis.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
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| no glossary terms recorded | |||