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Syriac · Other · Second half of the fifth century CE

On the Soul

Narsai · syriac

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machine-draft · no human review 24 passages · 6,613 words

Work dossier · summary and historical context

Summary

Narsai's metrical homily (memrā) on the soul, composed in the late fifth century CE, is a didactic and rhetorical poem typical of the East Syriac tradition. It employs stanzaic structure and refrain-like repetition for oral performance, likely in monastic and educational settings. The work explores the soul's superiority, its distribution to the body, and its role as a hidden treasury of divine power, drawing on Platonic and Christian anthropology. The text survives in later East Syriac manuscripts, often in collections of Narsai's memrē, with possible scribal emendations and liturgical adaptations. It influenced later Syriac authors, including Isaac of Nineveh.

This memrā is significant for its poetic and theological exploration of the soul, blending Syriac rhetorical tradition with Greek philosophical influences. It provides insight into the didactic and liturgical practices of the East Syriac Church and its educational institutions. The work's influence on later authors like Isaac of Nineveh underscores its lasting impact on Syriac spirituality and psychology.

Historical context

Narsai (d. ca. 503) was a prominent theologian and teacher at the School of Nisibis, a center of East Syriac Christianity in the Sasanian Empire. This memrā likely dates to the late fifth century, a period of theological development and institutional consolidation for the Church of the East. The work was composed in Syriac, the liturgical and literary language of the East Syriac tradition. It was read in monastic and educational contexts, possibly during Lent, and reflects the integration of Greek philosophical concepts, such as Platonic anthropology, into Christian theology. The manuscript tradition is later, with the earliest witness unspecified; the text survives in East Syriac manuscripts, often in collections of Narsai's memrē, where scribal emendation and liturgical reuse may have introduced minor variants, especially in doxological passages.

Apparatus · what the pipeline recorded

Annotation and terms

139 commentary units 29 term24 structure24 background20 parallel19 caution13 scripture7 sense3 reception 0 derived notes 44 open questions 24 narrative
What the kinds mean

Pipeline notes

  • coverageNo English translation could be identified: a language model asked twice could not name one, though it could not rule one out either. That is not proof that none exists — translations in dissertations, recent books and other modern languages are easily missed.
  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: other in classical Syriac; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 24 narrative.
  • sourceSource edition: syriac — CC BY 4.0

Term index

CopticRenderingCountFirst
no glossary terms recorded
dsc-93:1 · narrativehigh
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ܥܲܠ ܡܝܲܬܿܪܘܼܬܼܵܐ ܕܢܲܦܫܵܐ ܘܕܲܐܝܼܟܲܢܵܐ ܡܦܲܪܢܣܵܐ ܡܐܡܪܐ ܕܬܠܬܝܢ ܘܬܫܥܐ ܥܲܠ ܡܝܲܬܿܪܘܼܬܼܵܐ ܕܢܲܦܫܵܐ ܘܕܲܐܝܼܟܲܢܵܐ ܡܦܲܪܢܣܵܐ ܠܦܲܓܼܪܵܐ ܕܐܝܼܬܼܵܘܗܝ ܒܲܝܬܵܗ̇ :ܪܹܫ ܚܸܟܼܡܬܼܵܐ ܚܸܟܼܡܲܬܼ ܩܘܼܫܬܵܐ ܗ̄ܝܼ ܕܚܹܝܠ ܒܼܵܘܿܝܵܐ ܕܡ̣ܢ ܠܵܐ ܡܸܕܼܿܡ ܒܪ̣ܵܐ ܟܠܡܸܕܸܿܡ ܕܲܟܼܣܸܐ ܘܲܓܼܠܸܐ ܀ :ܪܹܫ ܣܘܼܟܵܠܵܐ ܠܡܸܣܬܲܟܵܠܘܼ ܒܒܼܵܪܘܿܝܘܼܬܹܗ ܕܠܵܐ ܠܲܢܝܵܚܹܗ ܒܪ̣ܵܐ ܒܸܪ̈ܝܵܬܼܵܐ ܐܸܠܵܐ ܒܚܘܼܒܹܿܗ ܀ :ܪܹܫ ܒܘܼܝܵܢܵܐ ܠܡܸܬܼܒܲܩܵܝܘܼ ܒܪܲܒܿܘܼܬܼ ܚܲܝܠܹܗ ܕܲܛܥܝܼܢ ܥܵܠܡܵܐ ܘܲܡܕܲܒܲܪ ܠܹܗ ܐܲܝܟ ܨܸܒܼܝܵܢܹܗ ܀ :ܪܹܫ ܝܼܕܲܥܬܼܵܐ ܠܡܸܕܲܥ ܚܘܼܒܹܿܗ ܕܨܹܝܕܼ ܬܘܼܩܵܢܵܘ̈ܗܝ ܕܟܲܕܼ ܛܵܠܘܿܡܝܼܢ ܠܵܐ ܡܸܬܼܢܲܩܲܡ ܡ̣ܢ ܛܵܠܘ̇ܘ̈ܗܝ ܀ :ܪܹܫ ܟܹܐܢܘܼܬܼܵܐ ܠܲܡܙܲܕܵܩܘܼ ܠܒܼܘܼܚܪܵܢ ܕܝܼܢܹܗ ܕܟܲܕܼ ܛܵܒܼ ܡܲܗܡܸܐ ܠܵܐ ܛܵܥܹ̇ܐ ܠܹܗ ܪܸܡܙܵܐ ܕܥܲܝܢܹ̈ܐ ܀ :ܪܹܫ ܛܲܝܒܿܘܼܬܼܵܐ ܠܡܸܣܪܲܓܼ ܣܲܓܿܝܼ ܒܒܲܣܝܼܡܘܼܬܹܗ ܕܟܲܕܼ ܛܵܒܼ ܢܵܒܲܥ̇ ܡܙܝܼܓܼ ܚܵܘܣܵܢܵܐ ܒܩܲܫܝܼܘܼܬܼ ܢܸܓܼܕܘ̈ܗܝ ܀ :ܪܹܫ ܦܘܼܪܫܵܢܵܐ ܕܦܵܪܘܿܫܘܼܬܼܵܐ ܠܡܸܦܪܲܫ ܫܲܦܝܼܪ ܕܐܲܝܕܵܐ ܦܲܐܝܵܐ ܠܲܡܠܝܼܠܘܼܬܼܵܐ ܡ̇ܪܲܬܼ ܚܲܪ̈ܫܹܐ ܀ :ܪܹܫ ܟܠܡܸܕܸܿܡ ܠܡܸܟܲܪ ܛܲܟܼܣܵܐ ܕܣܝܼܡ ܒܲܟܼܝܵܢܵܐ ܕܢܸܗܘܸܐ ܫܵܠܹ̇ܡ ܟܝܵܢ ܡܲܠܵܠܹ̈ܐ ܠܡܸܠܬܼܵܐ ܕܲܒܼܗܘܿܢ ܀ :ܪܹܫ ܢܵܡܘܿܣܵܐ ܠܡܸܬܼܗܲܓܵܝܘܼ ܒܢܵܡܘܿܣ ܪܘܼܚܵܐ ܠܲܡܫܲܡܠܵܝܘܼ ܟܠ ܕܲܟܼܬܼܝܼ̈ܒܼܵܢ ܡ̣ܢ ܦܘܼܡ ܟܲܣܝܵܐ ܀ :ܪܹܫ ܦܘܼܪܥܵܢܵܐ ܠܡܸܦܪܲܥ ܚܘܼܒܵܐ ܠܡܲܬܼܩܸܢ ܟܠܵܐ ܕܝܲܩܲܪ ܡ̣ܢ ܟܠ ܨܠܸܡ ܒܲܪܢܵܫܵܐ ܘܲܩܪ̣ܵܝܗܝ ܀ :ܚܵܘܼܒܵܐ ܚܲܝܵܒܼ ܟܠܢܵܫ ܠܡܬܲܩܢܵܢܹܗ ܕܝܲܗ̣̄ܒܼ ܢܵܡܘܿܣܵܐ ܘܥܲܒܼ݂ܕܹܿܗ ܡ̇ܪܵܐ ܥܲܠ ܩܸܢܝܵܢܵܘ̈ܗܝ ܀
English
On the Superiority of the Soul and How It Distributes Itself Homily Thirty-Nine On the Superiority of the Soul and How It Distributes Itself to the Body Which Is Its Dwelling The beginning of wisdom is the wisdom of truth, which is the power of the Creator, who from nothing created everything, both hidden and revealed. The beginning of intelligence is to contemplate the creation, not to investigate the Creator through creatures, but through His love. The beginning of inquiry is to be investigated in the greatness of His power, who made the world and governs it according to His will. The beginning of knowledge is to know His love toward His ordinances, that when He is angry, He is not changed by His anger. The beginning of patience is to justify His choice, that when He is good, He does not lose the sign of His eyes. The beginning of goodness is to serve many with His gentleness, that when He is good, He mixes a remedy with harshness in His tendons. The beginning of distinction is to distinguish well which side is fitting for rational speech, the mistress of arts. The beginning of everything is to arrange the order that is set in the instrument, that it may be complete, the course of speakers for the word in which it is. The beginning of law is to be exercised in the law of the spirit, to complete all that is written from the hidden mouth. The beginning of reward is to repay a debt to set a limit, that honor from every image of a human being may call him. A debt obligates every person to his ordinance, that he gives the law and fulfills it, the Lord over his ordinances.
dsc-93:2 · narrativehigh
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:ܒܐܲܥܦܹ̈ܐ ܚܲܝܵܒܼ ܠܡܸܦܪܲܥ ܫܘܼܒܼܚܵܐ ܡ̣ܢ ܟܠ ܕܲܗܘ̤ܵܘ ܕܗܘ̤ ܒܲܠܚܘܿܕܼܵܘܗܝ ܡܫܲܡܲܗ ܒܲܫܡܵܐ ܕܪܵܡ ܡ̣ܢ ܟܠܵܐ ܀ ܠܹܗܘ̣ ܘܵܠܹ̇ܐ ܠܡܸܕܲܥ ܚܲܝܠܵܐ ܕܪܸܡܙܵܐ ܕܲܒܼܪ̣ܵܝܗܝ: ܕܩܵܡ̣ ܘܐܸܬܼܡܲܠܲܟ ܥܲܠ ܬܘܼܩܵܢܹܗ ܘܐܲܟܸܿܢ ܓܲܒܼܠܹܗ ܀ :ܠܹܗܘ̣ ܦܲܐܝܵܐ ܠܲܡܙܲܕܵܩܘ̣ ܠܚܹܝܠ ܓܵܒܼܘܼܠܹܗ ܕܒܼܐܝܼܕܼܘ ܓܲܒܼܠܹܗ ܘܡ̣ܢ ܪܘܼܚ ܦܘܼܡܹܗ ܢܦܲܚ̣ ܒܹܗ ܢܲܦܫܵܐ ܀ :ܡܵܐܢܵܐ ܥܦܝܼܪܵܐ ܪܲܟܸܿܒܼ ܥܲܒܼ݂ܕܹܿܗ ܐܘܼܡ̇ܢܵܐܝܼܬܼ ܦܲܓܼܪܵܐ ܓܼܠܝܵܐ ܘܢܲܦܫܵܐ ܟܣܝܼܬܼܵܐ ܚܲܕܼ ܒܲܪܢܵܫܵܐ ܀ :ܒܲܕܼܡܘܼܬܼ ܨܲܠܡܵܐ ܨܵܪ ܒܹܗ ܚܲܝܠܵܐ ܕܒܼܵܪܘܿܝܘܼܬܹܗ ܚܲܪ݁ܫܹܐ ܒܦܲܓܼܪܹܗ ܐܵܦ ܡܲܠܵܠܹ̈ܐ ܒܬܼܘܼܩܵܢ ܢܲܦܫܹܗ ܀ :ܒܦܲܓܼܪܹܗ ܣܲܝܸܟ ܟܝܵܢ ܟܠܡܸܕܸܿܡ ܡܸܬܼܚܲܙܝܵܢܵܐ ܘܲܒܼܓܼܵܘ ܢܲܦܫܹܗ ܟܸܬܫܲܝ̈ ܪܵܘܡ̇ܐ ܕܠܵܐ ܪܘܼܟܵܒܼܵܐ ܀ :ܐ̄ܚܝܵܢܵܐ ܥܲܒܼ݂ܕܹܿܗ ܠܲܡܫܲܝܵܢܹ̈ܐ ܘܠܲܐܪ̈ܥܵܢܵܝܹܐ ܘܐܲܝܟ ܕܲܒܼܢܵܘܣܵܐ ܐܲܡܥܲܪ ܒܹܗ ܟܠܝܼܠܹ̈ܐ ܘܚܲܪ̈ܫܹܐ ܀ :ܡܲܫܟܿܢܵܐ ܕܚܘܼܒܵܐ ܢܲܩ̣ܫܹܗ ܒܐܲܪܥܵܐ ܚܲܟܿܝܼܡܵܐܝܼܬܼ ܘܐܲܣܸܢ ܘܲܡ̣ܠܵܝܗܝ ܚܹܝܠ ܚܸܟܼ̈ܡܸܵܬܼܵܐ ܠܲܕܼܥܵܡܲ݁ܪ ܒܹܗ ܀ :ܒܢܲܦܫܹܗ ܣܵܡܹ݂ܗ ܠܓܲܙܵܐ ܪܲܒܵܐ ܕܒܼܵܪܘܿܝܘܼܬܹܗ ܕܡܸܢܵܗ̇ ܢܸܫܐܲܠ ܟܠ ܕܲܥܒܼܝܼܕܼܵܐ ܗ̄ܘ̣ ܣܘܼܢܩܵܢ ܚܲܝܵܘ̈ܗܝ ܀ :ܣܝܼܡܲܬܼ ܓܲܙܵܐ ܗ̄ܝܼ ܕܲܣܬܼܝܼܪ̈ܵܬܼܵܐ ܢܲܦܫܵܐ ܕܐ̄ܢܵܫܵܐ ܕܒܼܵܗ̇ ܗ̄ܘ̣ ܡܣܲܝܲܟ ܚܹܝܠ ܒܵܪܘܿܝܵܐ ܕܠܵܐ ܡܸܣܬܲܝܲܟ ܀ :ܐ̄ܪ̈ܵܙܹܐ ܟܣܲܝܵ̈ܐ ܟܣܹܝܢ ܒܲܒܼܥܵܬܼܵܗ̇ ܕܥܲܠ ܬܘܼܩܵܢܵܗ̇ ܘܠܵܐ ܡܸܬܼܒܲܕܿܩܝܼܢ ܐܸܠܵܐ ܒܚܲܝܠܵܐ ܕܒܼܵܪܘܿܝܘܼܬܼܵܗ̇ ܀ :ܐ̄ܪܵܙ ܒܘܼܕܵܩܵܐ ܕܫܸܡ ܐܝܼܬܼܘܼܬܼܵܐ ܐܝܼܬܼ ܒܹܗ ܒܫܲܪܒܵܗ̇ ܘܲܬܼܠܝܼܬܼܵܐܝܼܬܼ ܨܝܼܪ ܬܘܼܩܵܢܵܗ̇ ܒܡܸܠܬܼܵܐ ܘܚܲܝܠܵܐ ܀
English
On the Soul — Narsai ...the beginning of wisdom is the wisdom of truth. In the members it is fitting to render praise from all that are, for He alone is glorious in the name that is high above all. It is necessary to know the power of the sign of the Creator, who stood and reigned over His nature and fashioned His creation. It is fitting to justify the power of His creation, for by His hand He fashioned and from the breath of His mouth He breathed into it a soul. A vessel of clay He mounted, making it a rational being: a body revealed and a soul hidden, one human. In the likeness of an image He formed in it the power of His creativity: craftsmen in its body and speakers in the nature of its soul. In its body it limits the knowledge of everything visible, and within its soul are hidden the heights that have no composition. The living being makes it for the heavenly and the earthly, and like a foundation He built in it crowns and crafts. The finder of love sets its nature in the earth wisely, and fills and completes the power of the wisdoms for those who dwell in it. In its soul He placed the great treasure of His creativity, from which every thing that is made asks for the sustenance of its life. The treasury of hidden things is the soul of a human, in which the power of the Creator, who is not limited, sets limits. Hidden mysteries are concealed in the depth of its nature, and are not revealed except by the power of its creativity. The mystery of the knowledge of the name of being is in its order, and in a trinitarian manner its nature is formed by word and power.
dsc-93:3 · narrativemedium
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:ܕܵܡܹ̇ܐ ܗ̄ܘ̣ ܕܘܼܡܝܵܗ̇ ܒܡܸܕܸܿܡ ܩܲܠܝܼܠ ܠܒܼܘܼܕܵܩ ܩܢܘܿܡܹ̈ܐ ܟܝܢܵܗ̇ ܠܐܲܒܼܵܐ ܘܡܸܠܬܼܵܗ̇ ܠܲܒܼܪܵܐ ܘܚܲܝܹܝܗ̇ ܠܪܘܼܚܵܐ ܀ :ܠܵܘ ܒܲܟܼܝܵܢܵܗ̇ ܕܵܡܹ̇ܐ ܟܝܵܢܵܗ̇ ܠܲܟܼܝܵܢ ܟܲܣܝܵܐ ܐܸܠܵܐ ܒܐ̄ܪܵܙܵܐ ܠܦܘܼܬܼ ܬܲܚܘܝܼܬܼܵܐ ܕܝܲܩܝܼܪܘܼܬܼܵܗ̇ ܀ :ܒܨܝܼܪܵܐ ܗ̄ܝܼ ܣܲܓܿܝܼ ܡ̣ܢ ܐܝܼܬܼܘܼܬܼܵܐ ܕܠܵܐ ܡܘܼܫ̈ܚܵܬܼܵܐ ܐܲܝܟ ܡ̇ܐ ܕܲܒܼܨܝܼܪ ܛܸܠܵܠ ܓܘܼܫܡܵܐ ܡܸܢܹܗ ܕܓܼܘܼܫܡܵܐ ܀ :ܐܝܼܬܼܝܵܐ ܐܝܼܬܼܵܘܗܝ ܘܠܲܝܬܿ ܫܘܼܪܵܝܵܐ ܠܐܲܡܝܼܢܘܼܬܹܗ ܘܗ̤ܝ ܡܲܣܲܝܲܕܼܬܵܐ ܗ̄ܝܼ ܘܲܬܼܚܹܝܬܼ ܙܲܒܼܢܵܐ ܚܒܼܝܼܫ ܪܘܼܟܵܒܼܵܗ̇ ܀ :ܚܹܝܠ ܒܵܪܘܿܝܵܐ ܝܲܗ̣̄ܒܼ ܒܵܗ̇ ܚܲܝܠܵܐ ܕܲܡܠܝܼܠܘܼܬܼܵܐ ܕܬܸܚܸܐ ܘܬܲܚܸܐ ܠܦܲܓܼܪܵܐ ܡܝܼܬܼܵܐ ܕܲܡܕܲܝܪܵܐ ܒܹܗ ܀ :ܒܲܕܼܡܘܼܬܼ ܢܸܒܼܥܵܐ ܕܡܲܪܕܸܿܐ ܚܲܝܹ̈ܐ ܣܵܡ̣ܵܗ̇ ܒܓܼܘܼܫܡܵܐ ܒܵܗ̇ ܡܸܬܼܪܲܓܸܿܝܢ ܪܸ̈ܓܼܫܹܐ ܚܲܪ̈ܫܹܐ ܠܡܸܬܲܠ ܦܹܐܪܹ̈ܐ ܀ :ܒܝܲܕܼ ܫܵܩܘܼܬܼܵܐ ܕܲܡܠܝܼܠܘܼܬܼܵܗ̇ ܡܪܲܟܲܒܼ ܦܲܓܼܪܵܐ ܘܡܲܦܪܲܥ ܝܵܗܹ̇ܒܼ ܩܵܠ ܬܵܘܕܲܝܼܬܼܵܐ ܠܲܡܬܲܩܢܵܢܹܗ ܀ :ܒܚܹܝܠ ܚܲܝܘܼܬܼܵܗ̇ ܚܲܝ ܘܲܡܗܲܠܸܟ ܒܚܲܝܹ̈ܐ ܕܙܲܒܼܢܵܐ ܘܥܲܡܸܗ̇ ܡܣܲܟܸܿܐ ܕܢܹܐܪܲܬܼ ܚܲܝܹ̈ܐ ܠܵܐ ܡ̇ܝܘܿܬܹ̈ܐ: :ܒܢܘܼܗܪܵܗ̇ ܚܵܙܹ̇ܐ ܢܘܼܗܪܵܐ ܦܲܐܝܵܐ ܕܫܸܡ ܒܵܪܼܘܿܝܵܐ ܘܥܲܡ ܗܲܠ̈ܟܼܵܬܼܵܗ̇ ܚܵܙܹ̇ܩ ܘܡ̇ܛܹ̇ܐ ܠܘܵܬܼ ܐܝܼܬܘܼܬܼܵܐ ܀ :ܒܲܡܗܝܼܪܘܼܬܼܵܗ̇ ܩܵܢܹ̇ܐ ܛܲܥܡܵܐ ܠܡܸܦܪܲܫ ܫܲܦܝܼܪ ܘܐܲܝܟ ܡܲܠܵܠܵܐ ܡܛܲܟܸܿܣ ܪܲܗܛܵܐ ܕܡܲܠܝܼܠܘܼܬܹܗ ܀ :ܫܸܡܫܵܐ ܗ̄ܝ̣ ܕܲܬܼܪܹܝܢ ܒܲܡܫܲܝ̈ ܓܘܼܫܡܵܐ ܡܸܬܼܚܲܒܿܠܵܢܵܐ ܘܲܒܼܙܲܠܝܼܩܹܝ̈ܗ̇ ܦܵܠܲ݁ܚ ܒܐܲܪܥܵܐܠ ܘܪܵܕܹܐ ܒܐܘܼܪܚܵܐ ܀ :ܡܸܠܚܵܐ ܗ̄ܘ̣ ܗܵܘܢܵܗ̇ ܠܦܲܟܿܝܼܗܘܼܬܼܵܐ ܕܲܪ̈ܓܼܝܼܓܼܵܬܹܗ ܘܒܼܵܗ̇ ܡܸܬܼܡܲܕܲܟ ܘܐܲܟܸܿܢ ܚܵܫܲ̇ܚ ܒܲܪܢܵܫܵܐ ܀
English
Its likeness is in some small measure like the nature of the substances, its nature to the Father and its Word to the Son and its life to the Spirit. Not in its nature does it resemble the hidden nature, but in a mystery according to the demonstration of its dignity. It is smaller than many of the substances without dimensions, as the shadow of a body is smaller than the body itself. It is a being, and there is no beginning to its duration, and it is a helper and a sustainer, holding the reins of its course. The power of the Creator gives it the power of rationality, that it may live and give life to the dead body that dwells in it. In the likeness of a spring that pours forth life, it places life in the body; through it the dull senses are stirred to produce fruits. By the instrument of its rationality it composes the body and produces and gives a voice of thanksgiving to its Creator. By the power of its vitality it lives and walks in the life of the course, and with it it conceals the treasure of life that does not die. By its light it sees the fitting light of the name of the Creator, and with its journeys it goes forth and reaches the being. By its swiftness it stands to discern taste well, and like a speaker it arranges the course of its speech. It is a sun of the two in the perishable members of the body, and with its rays it works in the earth and drives on the path. It is salt for the savor of the sweetness of its limbs, and through it the human being is refined and becomes fit.
dsc-93:4 · narrativehigh
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:ܥܘܼܬܼܪܵܐ ܗ̄ܘ̣ ܝܲܨܪܵܐ ܪܵܗ̇ ܠܡܸܣܟܹܿܢܘܼܬܼܵܐ ܕܥܲܦܪܹܗ ܫܝܼܛܵܐ ܘܲܒܼܚܸܟܼ̈ܡܵܬܼܵܗ̇ ܡܦܲܪܢܸܣ ܚܲܝܵܘ̈ܗܝ ܐܲܝܟ ܥܲܬܿܝܼܪܵܐ ܀ :ܒܡܸܠܬܼܵܐ ܕܡܸܢܵܗ̇ ܡܪܝܼܡ ܒܲܪ̄̇ܬܼ ܩܵܠܹܗ ܥܲܠ ܒܸܪ̈ܝܵܬܼܵܐ ܘܲܒܼܫܘܼܠܛܵܢܵܗ̇ ܡܬܼܝܼܚ ܫܘܼܠܛܵܢܹܗ ܥܲܠ ܘܲܒܼܟܼܠ ܀ :ܒܪܸܡܙܵܗ̇ ܦܵܩܹ̇ܕܼ ܠܐܲܪ̈ܗܵܢܵܝܹܐ ܕܢܸܫܬܲܡܥܘܼܢ ܠܹܗ ܘܲܒܼܣܘܼܟܼܠܵܗ̇ ܡܲܪܟܸܿܢ ܨܹܐܕܼܵܘܗܝ ܠܲܫܡܲܝܵܢܹ̈ܐ ܀ :ܒܩܲܠܝܼܠܘܼܬܼܵܗ̇ ܥܵܒܲ̇ܪ ܝܲܡܵܐ ܐܲܝܟ ܕܲܒܼܝܲܒܼܫܵܐ ܘܠܵܐ ܡܸܬܿܛܲܒܲܥ ܝܘܼܩܪܵܐ ܕܦܲܓܼܪܹܗ ܒܹܝܬܼ ܡܲܚܫܘܼܠܹ̈ܐ ܀ :ܠܲܝܟ ܐܹܘܩܝܼܢܵܐ ܬܲܠܝܵܐ ܒܐܸܠܦܵܐ ܕܦܲܓܼܪܵܢܘܼܬܹܗ ܘܲܡܢܲܛܪܵܐ ܠܹܗ ܡ̣ܢ ܢܸܟܼܝܵܢܹ̈ܐ ܕܠܵܐ ܢܸܬܼܚܲܒܲܠ ܀ :ܠܘܲܥܕܵܗ̇ ܪܵܕܹܐ ܐܲܝܟ ܡܲܠܵܝܵܐ ܒܟܼܵܘܟܿܒܼ ܢܘܼܗܪܵܐ ܘܗ̤ܝ ܬܵܪܨܵܐ ܠܹܗ ܫܒܼܝܼܠ ܡܲܪܕܲܝܼܬܵܐ ܠܲܠܡܹܐܝܢ ܫܲܝܢܵܐ ܀ :ܒܐܘܼܡ̇ܢܘܿܬܼܵܗ̇ ܡܲܠܸܦ ܚܲܪ̈ܫܹܐ ܕܲܢܫܲܡܫܘܼܢܵܝܗܝ ܘܲܒܼܒܼܘܼܝܵܢܵܗ̇ ܡܲܩܢܸܐ ܛܲܟܼܣܵܐ ܠܲܕܼܠܵܐ ܛܲܟܼܣܵܐ ܀ :ܒܲܥܪܝܼܡܘܼܬܼܵܗ̇ ܡܚܲܟܸܿܡ ܗܘ̤ ܠܹܗ ܥܲܠ ܫܲܬܿܝܼܩܹ̈ܐ ܘܲܒܼܨܸܢ̈ܥܵܬܼܵܗ̇ ܡܲܪܡܸܐ ܦܓܼܘܼ̈ܕܹܐ ܒܒܲܥܪܝܼܪ̈ܵܝܹܐ ܀ :ܐܲܝܟ ܗܸܢܝܘܿܟܼܵܐ ܪܟܼܝܼܒܼ ܥܲܠ ܥܠܵܡܵܐ ܒܲܥܪܝܼܪܵܝܵܐ ܘܲܡܛܲܟܸܿܣ ܠܹܗ ܕܠܵܐ ܢܸܬܼܒܲܥܪܵܪ ܬܚܹܝܬܼ ܗܲܠܟܼܵܬܹ̈ܐ ܀ :ܢܲܦܫܵܐ ܟܕܲܢܬܼܵܗ̇ ܠܟܼܠܵܗ̇ ܒܪܝܼܬܼܵܐ ܬܚܹܝܬܼ ܫܘܼܠܛܵܢܹܗ ܘܗ̤ܝ ܐܵܘܬܸܿܒܼܬܹܗ ܒܲܕܼܡܘܼܬܼ ܡܲܠܟܵܐ ܥܲܠ ܡܲܪܟܲܒܼܬܼܵܐ ܀ :ܒܥܲܪ̈ܩܹܐ ܕܙܵܘܥܹ̈ܝܗ̇ ܐܲܚܝܼܕܼ ܒܐܝܼܕܼܵܘ̈ܗܝ ܫܡܲܝܵܐ ܘܐܲܪܥܵܐ ܘܠܲܐܝܟܵܐ ܕܨܒܹ̇ܐ ܡܚܝܼܪ ܨܸܒܼܝܵܢܵܐ ܕܪܹܫܢܘܼܬܹܗ ܀ :ܐܘܿ ܒܲܪܢܵܫܵܐ ܕܲܫܡܹܗ ܥܲܦܪܵܐ ܗ̄ܘ̣ ܡ̣ܢ ܟܠܵܐ ܟܡܵܐ ܐܸܬܼܥܲܠܝܼ ܡܸܕܼܪܵܟ ܫܝܼܛܵܐ ܠܥܸܠ ܡ̣ܢ ܟܠܵܐ ܀
English
Wealth is the form that runs to the poverty of its scattered dust, and by its wisdoms it distributes its life like a rich man. By the word of its water it raises the daughter of its voice over the creatures, and by its authority it extends its authority over everything. By its wink it commands the earthly ones to obey it, and by its ascent it directs the heavenly ones towards it. By its lightness it crosses the sea as if on dry land, and the weight of its body is not sunk in the depths. Like a ship’s anchor hung from the vessel of its body, and it guards it from waves so that it is not destroyed. At its appointed time it runs like a sailor with a star of light, and it prepares for it a path of guidance to reach the desired shore. By its art it teaches the deaf to serve it, and by its colors it sets order to the disorderly. By its subtlety it makes itself wise over the silent, and by its rays it casts commands over the subtle. Like a charioteer it rides upon the world in a subtle manner, and it orders it without being disturbed beneath the laws. The soul, like its mother, for the whole creation is under its authority, and it has placed it in the likeness of a king upon the chariot. In the reins of its movements it holds heaven and earth in its hands, and wherever it wishes, it strikes the desire of its dominion. O human, whose name is dust from everything, how much has the scattered one risen above everything!
dsc-93:5 · narrativehigh
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:ܐܘܿܢ ܒܵܪܘܿܝܵܐ ܕܪܲܒܿ ܘܲܡܥܲܠܲܝ ܡ̣ܢ ܟܠ ܒܸܪ̈ܝܵܢ ܟܡܵܐ ܐܸܬܼܢܲܚܲܬܼ ܨܸܒܼܝܵܢ ܚܘܼܒܵܟ ܨܹܝܕܼ ܡܘܼܟܵܟܼܵܢ ܀ :ܪܸܡܙܵܟ ܪܲܡܪܸܡ ܫܝܼܛܘܼܬܼ ܡܸܕܼܪܲܢ ܠܥܸܠ ܡ̣ܢ ܟܠܵܐ ܘܐܲܢ̄ܬܿ ܐܵܘܚܸܕܲܬܵܢ ܫܲܒܼܛܵܐ ܕܪܸܡܙܵܟ ܠܡܸܪܕܵܐ ܠܟܼܠܵܐ ܀ :ܚܹܝܠ ܚܸܟܼ̈ܡܵܬܼܵܟ ܣܵܡ̣ܬܿ ܒܲܟܼܝܵܢܲܢ ܡܸܣܟܹܿܝܢ ܚܲܝܹ̈ܐ ܘܫܲܪܝܼ ܡܲܪܸܕܸܿܐ ܬܲܦܹ̈ܐ ܕܡܸܠܹ̈ܐ ܒܕܼܘܼܡܝܵܐ ܕܝܼܠܵܟ ܀ :ܕܝܼܠܵܟ ܐܝܼܬܼܵܘܗܝ ܓܵܙܵܐ ܕܡܸܠܹ݁̈ܐ ܕܲܒܼܓܼܵܘ ܢܲܦܫܵܐ ܘܒܼܵܟ ܡܬܼܚܲܟܿܡܵܐ ܠܲܡܕܲܡ̇ܝܘܼ ܡܸܠܹ̈ܝܗ̇ ܒܡܸܠܬܼܵܟ ܀ :ܡܸܠܬܼܵܟ ܐܲܡܫܲܥܬܿ ܒܪܵܫܝܼܬܼ ܕܲܒܼܪ̣ܵܝܬܿ ܠܵܗ̇ ܘܲܠܟܼܠܵܐ ܘܢܵܕܲܬ̤ ܩܵܡܲܬ̤ ܠܩܵܠ ܦܘܼܩܕܵܢܵܟ ܘܲܩܢܵܬ̤ ܚܲܝܹ̈ܐ ܀ :ܚܲܝܹ̈ܐ ܡܲܕܸܿܟܼܬܿ ܥܲܡ ܬܘܼܩܵܢܵܗ̇ ܟܲܕܼ ܬܲܩܸܢܬܵܗ̇ ܘܟܲܣܝܼܬܿ ܐܸܢܘܿܢ ܒܢܲܚܬܵܐ ܕܦܲܓܼܪܵܐ ܡܸܬܼܚܲܙܝܵܢܵܐ ܀ :ܗܲܝܟܲܠ ܦܲܓܼܪܵܐ ܒܢ̣ܵܐ ܨܸܒܼܝܵܢܵܟ ܝܵܬܼܵܗ̇ ܘܥܸܠܲܬ̤ ܩܵܡܲܬ̤ ܒܲܕܼܡܘܼܬܼ ܡܲܠܟܵܐ ܒܓܼܵܘ ܦܵܠܵܛܝܼܢ ܀ :ܐܲܝܟ ܟܸܢܵܪܵܐ ܪܲܟܿܒܲܬ̤ ܪܸ̈ܓܼܫܹܐ ܡܸܬܼܚܲܙܝܵܢܹ̈ܐ ܘܢܸܩܫܲܬ̤ ܨܸܒܼܥܵܐ ܕܲܡܗܝܼܪܘܼܬܼܵܗ̇ ܒܡܸܠܬܼܵܐ ܘܫܸܡܥܵܐ ܀ :ܐܲܝܟ ܐܲܒܿܘܼܒܼܵܐ ܡܚܲܒܸܿܠ ܪܘܼܚܵܐ ܗܘ̤ܵܐ ܠܵܗ̇ ܦܘܼܡ̇ܐ :ܘܙܸܡܪܲܬ̤ ܒܹܗ ܗܝ̤ ܩܵܠ ܢܸܥ̈ܡܵܬܼܵܐ ܒܲܣܝܼ̈ܡܵܬܼܵܐ :ܒܩܲܢܝܵܐ ܚܠܝܼܠܵܐ ܙܵܡ̇ܪܵܐ ܟܠܫܵܥ ܩܵܠܹ̈ܐ ܪ̈ܓܼܝܼܓܹܐ ܘܲܡܚܲܕܲܝܵܐ ܠܹܗ ܠܲܟܼܪܸܐ ܚܲܝܹ̈ܐ ܒܚܲܝܘܼܬܼ ܚܲܚܹ̈ܝܗ̇ ܀ :ܒܪܘܼܚ ܚܲܝܘܼܬܼܵܗ̇ ܡܗܲܠܸܠ ܡܝܼܬܼܵܐ ܩܵܠܹ̈ܐ ܚܠܲܝ̈ܵܐ ܘܐܲܝܟ ܕܲܒܼܕܼܝܼܠܹܗ ܚܬܼܝܼܪ ܒܲܐ̄ܚܪܹܢܵܐ ܕܲܡܬܲܪܓܸܿܡ ܒܹܗ ܀ :ܗܘ̤ ܐܲܝܟ ܩܲܢܝܵܐ ܓܠܝܼܙ ܡ̣ܢ ܩܵܠܵܐ ܘܡ̣ܢ ܚܲܝܘܼܬܼܵܐ ܘܡ̇ܐ ܕܙܸܡܪܲܬ̤ ܒܹܗ ܢܲܦܫܵܐ ܚܲܝܬܼܵܐ ܩܢ̣ܵܐ ܚܲܝܘܼܬܼܵܐ ܀
English
O Creator, great and exalted above all creatures, how much have your desires been humbled for the sake of your poor! Your sign raises up the scattered ones again above all, and you hold the scepter of your sign to guide all. The power of your wisdoms you have placed in the poor vessels of life, and it begins to guide the courses of words in your likeness. Yours is the treasure of words that are within the soul, and through you it learns to imitate its words by your Word. Your Word was spread at the beginning of creation, to her and to all, and she stood before the voice of your command and acquired life. Life she mixed with her strength when she was established, and she was clothed in the garment of the visible body. The temple of the body sought your desires, and she stood in the likeness of a king within the palace. Like a charioteer she mounted the visible senses, and she directed the finger of her skill with word and hearing. Like a flute that destroys the spirit, her mouth became, and she sang in it the voice of sweet melodies with pleasant tones. With a sweet reed she sings at all times gentle sounds, and she delights the hearer of life by the vitality of her life. By the spirit of her vitality the dead one utters soft sounds, and as if it were his own, he is bold in the other that interprets through him. He is like a reed hidden from sound and from vitality, but when the living soul sings in him, he acquires vitality.
dsc-93:6 · narrativehigh
Source
:ܢܦܫܵܐ ܗ̄ܝܼ ܚܲܝܵܘ̈ܗܝ ܘܗ̤ܝ ܢܵܛ̇ܪܵܐ ܠܹܗ ܒܚܲܝܹ̈ܐ ܕܙܲܒܼܪܵܐ ܘܡ̇ܐ ܕܐܲܪܦܝܵܬܹܗ ܢܦ݂ܲܟ ܠܲܟܼܝܵܢܹܗ ܘܲܗܘ̤ܵܐ ܡܸܕܼܪܵܐ ܀ :ܠܵܐ ܩܢܸܐ ܡܸܕܸܿܡ ܒܐܲܝܠܹܝܢ ܕܲܩܢܹܐ ܕܠܵܘ ܕܝܼܠܗ̇ ܗ̄ܘ̣ ܘܠܵܐ ܡܸܢܼܩܲܝܲܡ ܒܸܠܥܵܕܼ ܚܲܝܠܵܐ ܕܣܵܥܘܿܪܘܼܬܼܵܥܗ̇ ܀ :ܒܲܕܼܡܘܼܬܼ ܡ̇ܪܬܵܐ ܝܵܬܲܒܵܐ ܒܓܼܵܘܘܹܗ ܘܠܵܐ ܚܵܙܹ̇ܐ ܠܵܗ̇ ܘܗܘ̤ ܐܲܝܟ ܥܲܒܼܪܵܐ ܡܫܲܡܸܫ ܘܫܵܠܹ̇ܐ ܩܕܼܵܡ ܚܹܐܪܘܼܬܼܵܗ̇ ܀ :ܫܲܦܝܼܪ ܡ̇ܕܹܝܢ ܒܢ̣ܵܝܗܝ ܒܵܪܘܿܝܵܐ ܐܲܝܟ ܕܲܠܒܲܝܬܵܐ ܘܟܸܢ ܥܸܠܲܬ̤ ܗ̤ܝ ܕܲܬܿܕܲܝܲܪ ܒܹܗ ܐܲܝܟ ܒܲܪ̄ܬܼ ܡܲܠܟܵܐ ܀ :ܦܲܓܼܪܵܐ ܠܘܼܩܵܕܼܵܡ ܡܪܲܟܸܿܒܼ ܪܸܡܙܵܐ ܒܬܼܘܼܩܵܢ ܐ̄ܢܵܫܵܐ ܘܒܼܵܬܲܪ ܙܲܒܼܢܵܐ ܨܵܐܲܪ ܢܲܦܫܵܐ ܘܡܲܫܪܸܐ ܒܓܼܵܘܹܗ ܀ :ܒܹܝܬܼ ܡܲܠܟܿܘܼܬܼܵܐ ܡܪܲܫܸܡ ܒܵܢܹ̇ܐ ܒܐܲܦܲܝ̈ ܒܸܣܪܵܐ ܘܡ̇ܐ ܕܐܸܫܬܲܟܼܠܲܠ ܩܪ̣ܵܐ ܥܵܡܘܿܪܹܗ ܕܲܢܟܲܝܲܪ ܒܹܗ ܀ :ܒܥܲܪ̈ܩܲܝ ܦܲܓܼܪܵܐ ܒܵܢܹ̇ܐ ܒܲܝܬܵܐ ܦܲܓܼܪܵܢܵܝܵܐ ܘܒܹܝܬܼ ܫܸܪ̈ܝܵܢܘܵܗܝ ܡܲܪܡܸܐ ܡܠܵܛܵܐ ܕܡ̇ܐ ܪܲܛܝܼܒܼܵܐ ܀ :ܐܲܝܟ ܫܲܬܼܐܸܣܬܼܵܐ ܣܵܐܹ̇ܡ ܙܲܪܥܵܐ ܒܡܲܪܒܲܥ ܓܘܼܫܡܵܐ ܘܲܡܕܲܪܸܓܼ ܠܹܗ ܐܲܝܟ ܒܸܢܝܵܢܵܐ ܠܘܵܬܼ ܫܘܼܟܼܠܵܠܵܐ ܀ :ܡܠܘܿܠܵܐ ܗܵܘܹ̇ܐ ܙܲܪܥܵܐ ܠܦܲܓܼܪܵܐ ܘܐܲܟܸܿܢ ܗܵܘܹ̇ܐ ܘܡܸܢܹܗ ܕܦܲܓܼܪܵܐ ܝܵܥܹ̇ܐ ܦܲܓܼܪܵܐ ܕܕܼܵܡܹ̇ܐ ܠܦܲܓܼܪܵܐ ܀ :ܠܢܲܦܫܵܐ ܠܲܝܬܿ ܠܵܗ̇ ܙܲܪܥܵܐ ܕܬܼܵܘܥܸܐ ܐ̄ܚܪܹܬܼܵܐ ܘܠܵܘ ܒܲܡܠܘܿܐܵܗ̇ ܝܵܥܹ̇ܐ ܟܝܵܢܵܗ̇ ܒܓܼܵܘ ܗܲܕܵܗܹ̈ܐ ܀ :ܡ̣ܢ ܠܵܐ ܡܸܕܸܿܡ ܨܵܐܲܪ ܝܵܬܼܵܗ̇ ܪܸܡܙܵܐ ܟܲܣܝܵܐ ܘܒܵܘ̇ ܐܸܣܟܹܿܡܵܐ ܕܨܵܪ ܗܵܝ̇ ܕܐܵܕܼܵܡ ܒܪܘܼܚ ܨܼܒܼܝܵܢܹܗ ܀ :ܡ̣ܢ ܠܵܐ ܡܸܕܸܿܡ ܐܵܬܹ̇ܐ ܟܝܵܢܵܗ̇ ܠܘܵܬܼ ܬܘܼܩܵܢܵܐ ܟܡܵܐ ܐܸܢ ܐܝܼܬܹܝܗ̇ ܐ̄ܚܝܵܢܬܵܐ ܕܥܝܼܪܹ̈ܐ ܘܪ̈ܘܼܚܵܢܵܝܹܐ ܀
English
The soul is her life, and she is the one who preserves him in the life of the air. And when she turns her eyelids, she changes his limbs, and he becomes a corpse. Nothing stands in the things that stand that are not her own, and nothing is established apart from the power of her activity. Like a mistress she sits within him, and he does not see her, and he, like a servant, ministers and is silent before her freedom. The Creator discerns well between them, as in a house, and the cause is she who dwells in him like a king’s daughter. The body first composes a sign in the womb of the flesh, and afterward the soul is formed and dwells within him. In the place of a kingdom, she seeks a house in the face of the flesh, and when it is completed, she calls her dweller who remembers in it. In the veins of the body, she seeks a bodily house, and in the place of her bonds, she casts a net of what is moist. Like a foundation, she places seed in the matrix of the body, and she leads him like a request toward completion. The seed becomes a word for the body and becomes thick, and from it the body knows a body that resembles a body. The soul has no seed that will show another, and not by her fullness does her nature know within her members. From nothing, a hidden sign forms her existence, and in the form that she was made, that of Adam, by the will of his spirit. From nothing, her nature comes to the womb, as she is the life of the wakeful and the spiritual.
dsc-93:7 · narrativemedium
Source
:ܪܘܼܚܵܐ ܗܝܼ ܐܵܦ ܗܝ̤ ܐܲܝܟ ܪ̈ܘܼܚܵܢܹܐ ܕܠܵܐ ܪܘܼܟܵܒܼܵܐ ܘܲܫܘܸܐ ܟܝܵܢܵܗ̇ ܐܵܦ ܬܘܼܩܵܢܵܗ̇ ܠܗܵܘ̇ ܕܲܗܘ̤ܵܘ ܒܹܗ ܀ :ܡ̣ܢ ܠܵܐ ܡܸܕܸܿܡ ܗܘ̤ܵܘ ܪ̈ܘܼܚܵܢܹܐ ܒܪܵܫܝܼܬܼ ܕܵܗܘ̤ܵܘ ܘܡ̣ܢ ܠܵܐ ܡܸܕܸܿܡ ܪܵܕܹܐ ܗܘܵܝܵܗ̇ ܒܟܼܠܗܘܿܢ ܕܵܪܹ̈ܐ ܀ :ܒܵܬܲܪ ܦܲܓܼܪܵܐ ܗܘ̤ܵܐ ܬܘܼܩܵܢܵܗ̇ ܒܬܼܘܼܩܵܢ ܐܵܕܼܵܡ ܘܗܘ̤ ܗܵܘ̇ ܛܲܟܼܣܵܐ ܪܵܕܹܐ ܟܠܝܘܿܡ ܒܵܗ̇ ܘܲܒܼܦܲܓܼܪܵܐ ܀ :ܨܠܸܡ ܗܲܕܿܡܹ̈ܐ ܨܵܐܲܪ ܠܘܼܩܕܼܵܡ ܪܲܒܿ ܨܲܝܵܪܹ̈ܐ ܘܟܸܢ ܢܵܦܲܚ̇ ܒܹܗ ܪܘܼܚ ܚܲܝܘܼܬܼܵܐ ܘܗܵܘܹ̇ܐ ܠܲܢܦܸܫ ܀ :ܢܲܚܬܵܐ ܕܒܸܣܪܵܐ ܙܵܩܲܪ ܒܐܝܼܕܼܵܐ ܪܘܼܚܵܢܵܝܬܼܵܐ ܘܟܸܢ ܦܵܪܹܣ ܠܹܗ ܐܲܝܟ ܐܲܪ̈ܓܿܘܵܢܹܐ ܠܥܸܠ ܡ̣ܢ ܢܲܦܫܵܐ ܀ :ܒܓܼܵܘ ܚܸܫܘܿܟܼܵܐ ܡܪܲܟܼܵܒܼ ܦܲܓܼܪܵܐ ܘܒܼܵܪܹ̈ܐ ܢܲܦܫܵܐ ܐܲܟܼܡܵܐ ܕܲܒܼܪ̣ܵܐ ܒܪܵܫܝܼܬܼ ܘܣܵܡ̣ܵܗ̇ ܒܚܸܫܟܵܐ ܀ :ܐܲܝܟ ܕܲܒܼܐ̄ܪܵܙܵܐ ܡܚܵܘܸܐ ܠܐ̄ܢܵܫܵܐ ܒܬܼܘܼܩܵܢ ܐ̄ܢܵܫܵܐ ܥܲܠ ܗܵܘ̇ ܛܲܟܼܣܵܐ ܕܒܼܵܪܘܿܝܘܼܬܹܗ ܕܡ̣ܢ ܠܵܐ ܡܸܕܸܿܡ ܀ :ܪܲܒܿܘܼܬܼ ܚܲܝܠܹܗ ܡܲܟܼܪܸܙ ܟܠܫܵܥ ܒܲܓܼܒܼܝܼܠܘܼܬܲܢ ܒܝܲܕܼ ܬܘܸܩܵܢܵܐ ܕܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܕܗܵܘܹ̇ܐ ܟܠܝܘܿܡ ܀ :ܒܪܘܼܟܵܒܼ ܦܲܓܼܪܵܐ ܡܚܵܘܸܐ ܒܪܝܼܬܼܵܐ ܕܡܸܬܼܪ̈ܲܓܼܫܵܢܹܐ ܘܒܲܗܘܵܝ ܢܲܦܫܵܐ ܗܘܵܝܵܐ ܕܟܸܢܫܹ̈ܐ ܡܸܬܼܝܲܕܼܥܵܢܹ̈ܐ ܀ :ܟܠܵܗ̇ ܒܪܝܼܬܼܵܐ ܡܚܲܕܸܿܬܼ ܟܠܫܵܥ ܒܝܲܕܼ ܬܘܼܩܵܢܲܢ ܘܲܡܚܲܕܹܿܐ ܠܵܗ̇ ܐܲܝܟ ܝܵܠܹܕܿܬܵܐ ܒܝܘܿܡ ܡ̇ܘܠܵܕܲܢ ܀ :ܒܲܢ ܡܸܬܼܒܲܩܹܝܢ ܟܝܢܹ̈ܐ ܚܲܪ̈ܫܹܐ ܐܵܦ ܡܲܠܵܠܹ̈ܐ ܒܚܹܝܠ ܥܵܒܼܘܿܕܼܵܐ ܕܲܡܚܲܕܸܿܬܼ ܒܲܢ ܠܲܟܼܝܵܢܲܝ̈ܗܘܿܢ ܀ :ܬܲܗܪܵܐ ܪܲܒܵܐ ܚܵܙܹ̇ܝܢ ܟܠܫܵܥ ܒܲܓܼܒܼܝܼܠܘܼܬܲܢ ܕܝܵܥܹ̇ܝܢ ܐ̄ܢܵܫܵܐ ܒܲܕܼܡܘܼܬܼ ܐ̄ܢܵܫܵܐ ܡ̣ܢ ܓܵܘ ܙܲܪ̈ܥܹܐ ܀
English
The spirit is she, also like the spirits that have no body, and her nature and her form are equal to that which was in him. From nothing were the spirits in the beginning that were, and from nothing her course runs through all generations. After the body her form becomes the form of Adam, and that order runs every day in her and in the body. She sculpts limbs, a painter before the great of painters, and she breathes into him the spirit of life, and he becomes a living being. The seamstress of flesh sews with a spiritual hand, and she spreads him out like curtains above the self. Within the darkness the body is mounted, and the self creates, as a wild beast in the beginning, and places her in the darkness. As in a mystery she shows the man in the form of the man, upon that order of his creation from nothing. The greatness of her power proclaims every hour in our composition, through the form of the body and the self that becomes every day. In the body's riding she shows the creation of the sentient beings, and in the becoming of the self, the becoming of the passions is known. All creation renews every hour through her forms, and she gives birth to it like a mother on the day of birth. In her, natures, both mute and speaking, are examined, by the power of the maker who renews in her their likenesses. A great wonder they see every hour in our composition, that the man knows the man in the likeness of the man from within the seeds.
dsc-93:8 · narrativehigh
Source
:ܚܵܙܹ̇ܝܢ ܙܲܪܥܵܐ ܕܡܲܪܡܹܝܢ ܐ̄ܢܵܫܵܐ ܒܐܲܪܥܵܐ ܕܐ̄ܢܵܫܵܐ ܘܟܲܕܼ ܫܝܼܛ ܘܲܒܼܣܸܐ ܗܵܦܹ̇ܟ ܗܵܘܹ̇ܐ ܡ̇ܐܢܵܐ ܫܒܼܝܼܚܵܐ ܀ :ܚܵܙܹ̇ܝܢ ܦܲܓܼܪܵܐ ܟܲܕܼ ܡܸܬܼܪܲܟܲܒܼ ܐܲܝܟ ܗܵܘ̇ ܩܲܕܼܡ̇ܐ ܘܬܼܘܼܒܼ ܐܵܦ ܢܲܦܫܵܐ ܕܥܵܡ̇ܪܵܐ ܒܓܼܵܘܹܗ ܐܲܝܟ ܗܵܝ̇ ܕܐܵܕܼܵܡ ܀ :ܘܗܵܝܲܢ ܣܵܗܹ̇ܕܼ ܥܲܠ ܗܵܘ̇ ܩܵܠܵܐ ܕܝܵܘܡ̇ܐ ܕܸܫܬܵܐ ܟܲܕܼ ܡܸܬܼܡܲܠܲܠ ܒܟܼܠܗܘܿܢ ܝܵܘܡܹ̈ܐ ܕܢܸܥܒܸܿܕܼ ܐ̄ܢܵܫܵܐ ܀ :ܗܘ̤ܝܘܼ ܟܲܕܼ ܗܘ̤ ܗܵܘ̇ ܦܘܼܩܕܵܢܵܐ ܕܲܓܼܒ݂ܲܠ ܠܐܵܕܼܵܡ ܕܓܼܵܒܹ̇ܠ ܦܲܓܼܪܵܐ ܘܐܵܦܲ݁ܚ ܒܐܲܦܲܘ̈ܗܝ ܪܘܼܚ ܚܲܝܘܼܬܼܵܐ ܀ ܪܘܼܚܵܐ ܚܲܝܬܼܵܐ ܒܵܪܹܐ ܒܦܲܓܼܪܵܐ ܡ̇ܐ ܕܡܸܬܼܪܲܟܲܒܼ: ܘܪܵܚ̇ܫܝܼܢ ܚܲܝܹ̈ܐ ܠܵܐ ܡ̇ܝܘܿܬܹ̈ܐ ܒܡܵܝܘܿܬܼܘܼܬܹܗ ܀ :ܝܲܪ̈ܚܹܐ ܬܸܫܥܵܐ ܒܒܲܝܬܵܐ ܥܵܡܲ̇ܪ ܕܲܠܡܸܐ ܚܸܫܟܵܐ ܘܒܼܵܬܲܪ ܙܲܒܼܪܵܐ ܢܵܦܹ̇ܩ ܘܚܵܙܹ̇ܐ ܒܪܝܼܬܼܵܐ ܦܐܝܼܬܼܵܐ ܀ :ܡ̣ܢ ܚܸܫܘܿܟܼܵܐ ܢܵܦܹ̇ܿܩ ܐ̄ܢܵܫܵܐ ܡ̣ܢ ܓܵܘ ܐ̄ܢܵܫܵܐ ܘܚܵܘܹ̇ܐ ܢܘܼܗܪܵܐ ܘܡܲܫܡܲܥ ܩܵܠܵܐ ܘܡܲܒܲܥ ܡܸܠܹ̈ܐ ܀ :ܒܚܲܠܕܹܿܗ ܬܵܗ̇ܪܝܼܢ ܟܸܢܫܲܝ̈ ܪܵܘܡ̇ܐ ܕܲܟܼܡܵܐ ܝܲܩܝܼܪ ܐܲܟܼܟܵܐ ܕܲܬܼܗܲܪܘ ܒܝܵܘܡ̇ܐ ܩܲܕܼܡ̇ܐ ܕܲܗܘ̤ܵܐ ܢܘܼܗܪܵܐ ܀ :ܐܲܝܟ ܢܲܗܝܼܪܵܐ ܐܲܦܨܲܚ ܠܐܲܪܥܵܐ ܕܟܼܡܝܼܪܵܐ ܗ̄ܘ̣ܵܬܼ ܕܪܵܕܿܦ ܐܵܦ ܗܘ̤ ܚܸܫܟܵܐ ܕܚܲܫܹ̈ܐ ܡ̣ܢ ܓܵܠܹܕܼܬܹܿܗ ܀ :ܒܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܢܵܦܹ̇ܩ ܐ̄ܢܵܫܵܐ ܡ̣ܢ ܓܵܘ ܟܲܪܣܵܐ ܦܲܓܼܪܵܐ ܓܲܠܝܵܐ ܘܢܲܦܫܵܐ ܟܣܝܼܬܼܵܐ ܡ̇ܐܢܵܐ ܥܦܝܼܦܵܐ ܀ :ܐܘܼܡ̇ܢܵܐܝܼܬܼ ܨܝܼܪ ܪܘܼܟܵܒܹܗ ܒܬܲܪܬܹܿܝܢ ܕܸܡ̈ܘܵܢ ܦܲܓܼܪܵܐ ܥܲܦܪܵܐ ܘܢܲܦܫܵܐ ܪܘܼܚܵܐ ܬܪܹܝܢ ܚܲܕܼ ܐ̄ܢܵܫܵܐ ܀ ܚܲܕܼ ܒܲܪܢܵܫܵܐ ܡܟܲܢܹܝܢ ܐ̄ܢܵܫܵܐ ܠܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܀ ܡܸܛܠ ܚܘܼܒܵܐ ܕܗܵܘ̇ ܒܵܪܘܿܝܵܐ ܕܙܵܘܸܓܼ ܐܵܢܘܿܢ ܀
English
You see the seed that man casts into the earth of man, and when it is spread and absorbed, it becomes a hundredfold, glorious. You see the body when it is composed like that first one, and again also the soul that dwells within it like that of Adam. And they testify concerning that voice of the sixth day, when it spoke throughout all the days of the making of man. It was when that command which fashioned Adam, to fashion the body and to breathe into his face the spirit of life. The living spirit creates in the body when it is composed, and lives, immortal lives, move in its mortality. Nine months it dwells in the house of darkness, and after the time it goes out and sees the beautiful creation. From darkness man comes forth from within man, and shows light and makes a voice heard and utters words. In her travail she marvels at the pains of the womb, how heavy, as she marvelled on the first day when light was. Like light, she brightens the earth that was dark, so that it also pursues the darkness of pains from her womb. With body and soul man comes forth from within the womb, the body revealed and the soul hidden, a hundredfold concealed. In a motherly way his composition is formed in two forms, body of earth and soul of spirit, two in one man. One human being, man calls body and soul, because of the love of that Creator who joined them.
dsc-93:9 · narrativehigh
Source
:ܚܲܕܼ ܗ̄ܘ̣ ܦܲܓܼܪܵܐ ܘܲܚܕܵܐ ܢܲܦܫܵܐ ܕܚܲܕܼ ܒܲܪܢܵܫܵܐ ܘܚܲܕܼ ܗ̄ܘ̣ ܪܸܡܙܵܐ ܕܨܵܐܲܪ ܟܠܝܘܿܡ ܐ̄ܢܵܫܵܐ ܒܐ̄ܢܵܫܵܐ ܀ :ܡܸܢܹܗ ܕܦܲܓܼܪܵܐ ܨܵܐܲܪ ܪܸܡܙܵܐ ܦܲܓܼܪܵܐ ܐ̄ܚܪܹܢܵܐ ܘܐܲܝܟ ܗܵܝ̇ ܢܲܦܫܵܐ ܕܚܲܕܼ ܒܲܪܢܵܫܵܐ ܟܠ ܢܲܦ̈ܫܵܬܼܵܐ ܀ :ܣܲܓܿܝܼ ܕܵܡܹ̇ܐ ܦܲܓܼܪܵܐ ܠܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܠܢܲܦܫܵܐ ܐܲܟܼܡܵܐ ܕܕܼܵܡܹ̇ܐ ܗܘܵܝܵܐ ܕܟܼܠܝܘܿܡ ܠܝܵܘܡܵܐ ܩܲܕܼܡ̇ܐ ܀ :ܠܵܘ ܚܲܕܼܬܼܵܐܝܼܬܼ ܒܵܪܹܐ ܐ̄ܢܵܫܵܐ ܡܲܬܼܩܸܢ ܟܠܵܐ ܕܗܵܐ ܡ̣ܢ ܐ̄ܢܵܫܵܐ ܕܲܒܼܪ̣ܵܐ ܒܪܵܫܝܼܬܼ ܪܵܕܹܝܢ ܐ̄ܢܵܫܵܐ ܀ :ܡ̣ܢ ܚܲܕܼ ܦܲܓܪܵܐ ܗܘ̤ܵܘ ܟܠ ܦܲܓܼܪ̈ܝܼܢ ܕܲܗܘ̤ܵܘ ܘܗܵܘܹ̇ܝܢ ܐܵܦ ܢܲܦܫܵܬܼܵܐ ܚܲܕܼܘ ܟܝܵܢܗܹܝܢ ܐܲܝܟ ܗܵܝ̇ ܕܲܗܘ̤ܵܬܼ ܀ :ܚܲܕܼܘܼ ܪܡܙܵܐ ܕܲܒܼܪ̣ܵܐ ܒܪܵܫܝܼܬܼ ܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܘܚܲܝܠܹܗ ܪܵܗܹ̇ܛ ܥܲܡ ܬܘܼܩܵܢܵܘ̈ܗܝ ܥܕܲܡ̇ܐ ܠܚܲܪܬܼܵܐ ܀ :ܫܘܸܐ ܗ̄ܘ̣ ܬܘܼܩܵܢܹܗ ܕܲܒܼܟܼܠ ܝܵܘܡܝܼ̈ܢ ܐܲܝܟ ܕܲܒܼܩܲܕܼܡ̇ܐ ܘܣܵܗܹ̇ܕܼ ܦܲܓܼܪܵܐ ܕܕܼܵܡܹ̇ܐ ܠܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܠܢܲܦܫܵܐ ܀ :ܐܲܝܟ ܟܲܪܘܿܙܵܐ ܩܵܥ̇ܝܵܐ ܢܲܦܫܵܐ ܒܓܼܵܘ ܗܲܕܼܡܹ̈ ܕܲܚܙܵܘ ܐ̄ܢܵܫܵܐ ܕܲܟܼܡܵܐ ܕܵܡܹ̇ܝܢ ܐ̄̇ܢܵܫܵܐ ܠܐ̄ܢܵܫܵܐ ܀ :ܚܒܼܝܼܫܵܐ ܒܦܲܓܼܪܵܐ ܘܠܵܐ ܡܸܬܼܚܲܙܝܵܐ ܓܘܼܫܡܵܢܵܐܝܼܬܼ ܘܢܲܗܝܼܪ ܩܵܠܵܗ̇ ܛܵܒܼ ܡ̣ܢ ܫܸܡܫܵܐ ܠܥܲܝܢܲܝ̈ ܦܲܓܼܪܵܐ ܀ :ܠܓܼܵܘ ܡ̣ܢ ܦܲܓܼܪܵܐ ܟܲܣܝܵܐ ܚܙܵܬܼܵܐ ܕܝܲܩܝܼܪܘܼܬܼܵܗ̇ ܘܲܡܢܲܟܿܦܵܐ ܠܹܗ ܕܠܵܐ ܢܸܙܕܲܠܲܠܐ ܠܥܹܝܢ ܚܲܙܵܝܹ̈ܐ ܀ :ܫܲܪܝܵܐ ܒܓܼܵܘܹܗ ܘܟܲܣܝܵܐ ܡܸܢܹܗ ܒܥܵܬܼܵܐ ܕܲܥܠܹܝܗ̇ ܘܲܟܼܕܼ ܚܲܙܝܵܐ ܠܹܗ ܠܵܐ ܚܲܙܝܵܐ ܠܹܗ ܕܐܲܝܟܲܢ ܘܲܟܼܡܵܐ ܗ̄ܝܼ ܀ ܟܝܵܢܵܗ̇ ܒܓܼܵܘܵܗ̇ ܘܣܵܥܘܿܪܘܼܬܼܵܗ̇ ܠܒܲܪ ܒܲܥܒܼܵܕܹ̈ܐ: ܘܟܲܕܼ ܛܵܒܼ ܒܵܗ̇ ܗ̄ܝܼ ܦܪܝܼܫ ܗ̄ܘ̣ ܡܸܢܵܗ̇ ܘܗ̤ܝ ܬܘܼܒܼ ܡܸܢܹܗ ܀
English
One is the body and one is the soul of a single human being, and one is the sign that begets every day a human being from a human being. From the body a bodily sign begets another body, and like that soul of a single human being are all souls. Body greatly resembles body, and soul resembles soul, just as the day resembles the day that precedes it. Not as something new does a human being create; he establishes everything, for from the human being who was at the beginning, the human being proceeds. From one body were all bodies that were and will be; also souls have one nature, like that which was. One is the sign that at the beginning begot body and soul, and its power runs with its offspring until the end. Its offspring is equal in every day as at the beginning, and the body bears witness that it resembles body, and soul resembles soul. Like a herald, the soul cries out within the members, that human beings may see how much human being resembles human being. Hidden in the body and not visible corporeally, its voice is brighter than the sun to the eyes of the body. Within the body, the vision of its dignity is concealed, and it restrains it from being degraded before the eyes of beholders. It dwells within it and is hidden from it by the garment that is over it, and when it sees it, it does not see it, where or how it is. Its nature is within itself, and its activity is external in deeds. And when it is good, it is separate from it, and it again from it.
dsc-93:10 · narrativehigh
Source
:ܠܵܐ ܗ̄ܘ̣ܵܐ ܒܟܼܠܹܗ ܡܙܝܼܓܼ ܬܘܼܩܵܢܵܐ ܕܩܲܛܝܼܢܘܼܬܼܵܗ̇ ܕܗܘ̤ ܚܲܕܼ ܐܝܼܬܼܵܘܗܝ ܘܗ̤ܝ ܚܲܕܼ ܐܝܼܬܹܝܗ̇ ܕܠܵܐ ܡܘܼܙܵܓܼܵܐ ܀ :ܨܹܝܕܼ ܗܲܕܸܵܡܹ̈ܐ ܟܣܲܝܵܐ ܟܲܣܝܵܐ ܒܲܚܕܼܵܐ ܕܘܼܟܵܐ ܘܚܹܝܠ ܚܲܝܘܼܬܼܵܗ̇ ܦܪܝܼܣ ܥܲܠ ܪܸ̈ܓܼܫܹܐ ܕܠܵܓܼܵܘ ܘܕܲܠܒܲܪ ܀ :ܒܠܸܒܵܐ ܝܵ̇ܬܼܒܵܐ ܐܲܝܟ ܕܲܒܼܢܵܘܣܵܐ ܒܡܸܨܥܲܬܼ ܒܲܝܬܵܐ ܕܢܸܢܗܘܘܿܢ ܨܵܝ̇ܬܿܝܼܢ ܥܸܢܝܵܢ ܚܘܼܒܵܗ̇ ܟܠܗܘܿܢ ܪܸ̈ܓܼܫܹܐ ܀ :ܒܡܸܨܥܲܬܼ ܒܲܝܬܵܐ ܝܵ̇ܬܼܒܵܐ ܒܒܲܝܬܵܗ̇ ܡ̇ܪܲܬܼ ܒܲܝܬܵܐ ܘܲܟܼܪܝܼܟܼܝܼܢ ܠܵܗ̇ ܪܸ̈ܓܼܫܲܝ ܦܲܓܼܪܵܐ ܐܲܝܟ ܝܲܠܘܼܕܹ̈ܐ ܀ :ܚܲܠܒܼܵܐ ܕܙܵܘܥܹ̈ܝܗ̇ ܝܵ̇ܢܹܩ ܦܲܓܼܪܵܐ ܫܒܲܪ ܪܸܥܝܵܢܵܐ ܘܐܲܝܟ ܕܥܲܠ ܒܘܼܪ̈ܟܹܿܐ ܡܸܬܼܪܲܒܸܿܐ ܒܵܗ̇ ܕܠܵܐ ܩܘܼܛܵܥܵܐ ܀ :ܐܲܝܟ ܡܲܝܢܲܩܬܵܐ ܛܥܝܼܢܵܐ ܥܲܝܛܹ̈ܐ ܕܫܲܒܼܪܘܼܬܼ ܠܸܒܵܐ ܘܲܠܦܘܼܬܼ ܚܲܝܠܹܗ ܝܵܗ̇ܒܵܐ ܐܘܼܟܼܠܵܐ ܕܢܸܬܿܬܲܪܣܸܐ ܒܹܗ ܀ :ܥܲܡ ܡܘܼܫܚܵܬܹ̈ܗ ܪܵܒܼܝܵܐ ܐܵܦ ܗܝ̤ ܟܲܕܼ ܠܵܐ ܪܵܒܼܝܵܐ ܘܐܲܝܟ ܝܲܠܘܼܕܼܵܐ ܡܠܲܓܼܠܸܓܼ ܚܘܼܒܵܗ̇ ܫܲܒܼܪܘܼܬܹܗ ܀ :ܓܡܝܼܪ ܬܘܼܩܵܢܵܗ̇ ܡ̣ܢ ܫܘܼܪܵܝܵܐ ܟܲܕܼ ܡܸܬܼܪܲܒܿܝܵܐ ܘܠܵܐ ܡܸܬܼܚܲܫܚܵܐ ܒܲܓܼܡܝܼܪܘܼܬܼܵܗ̇ ܒܸܠܥܵܕܼ ܦܲܓܼܪܵܐ ܀ :ܒܵܗ̇ ܗ̄ܝܼ ܡܸܠܬܼܵܐ ܕܲܡܠܝܼܠܘܼܬܼܵܗ̇ ܡ̣ܢ ܝܘܿܡ ܕܲܗܘ̤ܵܬܼ ܘܲܚܓܼܝܼܪ ܪܲܗܛܵܐ ܕܩܲܠܝܼܠܘܼܬܼܵܗ̇ ܠܦܘܼܬܼ ܗܲܕܿܡܹ̈ܐ ܀ :ܝܵ̇ܕܼܥܵܐ ܠܡܸܙܡܲܪ ܩܵܠ ܢܸܥ̈ܡܵܬܼܵܐ ܒܲܣܝܼ̈ܡܵܬܼܵܐ ܘܲܟܼܡܵܐ ܕܲܡܚܝܼܠ ܐܲܒܿܘܼܒܼ ܒܸܣܪܵܐ ܡܚܝܼܠܵܐ ܐܵܦ ܗܝ̤ ܀ :ܠܒܼܝܼܟܼܵܐ ܗ̄ܝܼ ܛܲܟܼܣܵܐ ܠܡܸܩܲܫ ܫܲܦܝܼܪ ܒܟܸܢܵܪ ܝܵܬܼܵܗ̇ ܘܕܼܵܚ̇ܠܵܐ ܕܬܸܡܬܿܘܿܚ ܡܸܢܲܝ̈ ܦܲܓܼܪܵܐ ܕܠܵܐ ܢܸܬܼܦܲܣ̈ܩܵܢ ܀
English
Not wholly is the nature of the soul mixed, for it is one and she is one without mixture. Toward the limbs it is hidden, hidden in one place, and the power of its life is spread over the senses within and without. In the heart it sits like a steward in the middle of the house, and from there it hears the voice of its love, all the senses. In the middle of the house sits the mistress of the house in her house, and she gathers to herself the senses of the body like children. The milk of its movements the body sucks, the child of the mind, and as if on the knees it is nourished by it without ceasing. Like a nurse it bears the cares of the childhood of the heart, and according to its power it gives food by which it may be strengthened. With its measures it grows, also she, while not growing, and like a mother she cherishes its childhood with her love. Complete is its nature from the beginning, while it is being nourished, and it is not found wanting in its completeness apart from the body. In it is the word of its rationality from the day it was, and the course of its swiftness is confined toward the limbs. It knows to produce the sound of sweet tones, and as the instrument of the flesh is weak, so also is she. It is skilled to arrange a good order on the lyre of its existence, and it fears that the strings of the body may be stretched without harmony.
dsc-93:11 · narrativehigh
Source
:ܩܲܢܝܵܐ ܗ̄ܝܼ ܚܲܝܠܵܐ ܕܦܵܪܘܿܫܘܼܬܼܵܐ ܠܡܸܬܲܟܵܠܘܼ ܘܠܵܐ ܥܵܢܹ̇ܝܢ ܠܵܗ̇ ܪܸ̈ܓܼܫܲܝ ܦܲܓܼܪܵܐ ܠܡܸܩܲܫ ܫܲܦܝܼܪ ܀ :ܚܲܟܿܝܼܡܵܐܝܼܬܼ ܢܵܛ̇ܪܵܐ ܓܲܙܹ̈ܝܗ̇ ܠܒܲܪ ܡ̣ܢ ܫܸܬܼܩܵܐ ܥܲܕܼ ܡܸܬܪܲܒܸܿܐ ܦܲܓܼܪܵܐ ܫܲܒܼܪܵܐ ܘܝܵܪܹܬܼ ܢܸܟܼܣܵܘ̈ܗܝ ܀ :ܐܲܝܟ ܐܲܒܼܵܗܹ̈ܐ ܣܵܥ̇ܪܵܐ ܐܵܦ ܗܝ̤ ܨܹܝܕܼ ܗܲܕܿܡܹ̈ܐ ܕܲܟܼܡܵܐ ܕܲܛܠܹܝܢ ܝܵܪ̈ܘܿܬܲܝܗܘܿܢ ܠܵܐ ܡܸܫܬܿܠܛܝܼܢ ܀ :ܒܐܲܠܵܗ ܟܠܵܐ ܡܕܲܡܝܵܐ ܒܟܸܣܦܵܐ ܕܣܵܥܘܼܪܘܼܬܼܵܗ̇ ܕܡ̣ܢ ܡ̇ܟܵܬܼ̈ܐ ܪ̈ܡ̇ܬܼܵܐ ܡܕܸܿܪܸܓܼ ܐ̄ܢܵܫܵܐ ܀ ܥܲܡ ܬܲܪܒܿܝܼܢܬܹܗ ܣܵܠ̇ܩܵܐ ܠܕܲܪܓܼܵܐ ܕܲܥܠܲܝܡܘܼܬܼܵܐ: ܘܥܲܡ ܣܲܝܒܿܘܼܬܹܗ ܢܵܚ̇ܬܵܐ ܠܕܲܪܓܼܵܐ ܕܲܡܚܝܼܠܘܼܬܼܵܐ ܀ :ܥܲܡ ܚܘܼܠܡܵܢܹܗ ܚܠܝܼܡ ܒܘܼܚܪܵܢܵܐ ܕܦܵܪܘܿܫܘܼܬܼܵܗ̇ ܘܥܲܡ ܟܘܼܪܗܢܹܗ ܟܪܝܼܗ ܒܘܼܝܵܢܵܗ̇ ܡ̣ܢ ܘܵܠܝܼܬܼܵܐ ܀ :ܒܝܘܿܡ ܛܵܒܼܵܬܹ̈ܗ ܡܢܵܚ ܪܸܥܝܵܢܵܗ̇ ܘܢܲܗܝܼܪ ܩܵܠܵܗ̇ ܘܲܒܼܝܘܿܡ ܐܸܒܼܠܹܗ ܟܡܝܼܪ ܚܘܼܫܵܒܼܵܗ̇ ܘܲܙܥܘܿܪ ܩܵܠܵܗ̇ ܀ :ܣܵܒܲܥܵܐ ܒܣܲܒܼܥܹܗ ܟܲܕܼ ܠܵܐ ܡܩܲܒܸܿܠ ܟܝܵܢܵܗ̇ ܐܘܼܟܼܠܵܐ ܘܟܼܵܦ̇ܢܵܐ ܒܟܲܦܢܹܗ ܟܲܕܼ ܠܵܐ ܣܢܝܼܩܵܐ ܥܲܠ ܡܹܐܟܼܘܼܠܬܵܐ ܀ :ܥܝܼܪܵܐ ܒܥܲܡܠܹܗ ܟܲܕܼ ܡܸܬܼܗܲܦܲܟ ܒܐܲܪ̈ܥܵܢܝܵܬܼܵܐ ܘܕܼܵܡ̇ܟܵܐ ܒܫܸܢܬܹܗ ܟܲܕܼ ܠܵܐ ܕܵܡܹ̇ܝܟ ܗܵܘܢܵܗ̇ ܥܝܼܪܵܐ ܀ :ܚܵܕܼ̇ܝܵܐ ܒܚܲܝܵܘ̈ܗܝ ܟܲܕܼ ܗܘ̤ ܡܝܼܬܼ ܗ̄ܘ̣ ܕܠܵܐ ܚܲܝܘܼܬܼܵܐ ܘܲܡܥܵܩܵܐ ܬܘܼܒܼ ܒܝܘܿܡ ܥܘܼܢܕܵܢܹܗ ܟܲܕܼ ܗܝ̤ ܚܲܝܬܼܵܐ ܗ̄ܝܼ ܀ :ܡܲܝܒܼܵܐ ܚܘܼܒܹܿܗ ܟܲܕܼ ܛܵܒܼ ܦܲܟܿܝܼܗ ܡ̣ܢ ܒܘܼܝܵܢܵܐ ܘܣܵܢ̇ܝܵܐ ܚܲܫܵܘ̈ܗܝ ܟܲܕܼ ܠܵܐ ܚ̇ܵܫܵܐ ܒܚܵܫܘܿܫܘܼܬܹܗ ܀ :ܒܚܘܼܒܵܐ ܗ̄ܘ̣ ܚܵܫܹ̇ܐ ܥܲܡ ܚܲܒܿܝܼܒܼܵܗ̇ ܠܵܘ ܒܲܟܼܝܵܢܵܐ ܕܪܵܡ ܗ̄ܘ̣ ܟܝܵܢܵܗ̇ ܡ̣ܢ ܟܠ ܚܲܫܝܼ̈ܢ ܦܲܓܼܪ̈ܵܢܵܝܹܐ ܀
English
The power of discernment is sharp to distinguish, and the senses of the body do not hinder it from perceiving clearly. Wisely it guards its treasures beyond silence until the body grows, the child inherits his coverings. Like parents she also acts toward the limbs, so that as long as the children are young, their heirs are not empowered. By God, all is likened to the expense of her activity, that from high places man descends. With his growth she ascends to the stage of youth, and with his old age she descends to the stage of weakness. With his health she is strong in the exercise of her discernment, and with his illness she is weak in her nature from duty. On the day of his joys her thought is glad and her voice bright, and on the day of his mourning her thought is sad and her voice small. The full one in his fullness, while her nature does not receive food, and the hungry one in his hunger, while she is not concerned about food. The wakeful one in his labor, while she is turned about in earthly affairs, and the sleeping one in his sleep, while her wakeful one does not sleep. The living one in his life, while she is dead without life, and again the mourner on the day of his passing, while she is living. She beautifies her love when her face is good from nature, and she hides his pains while she does not feel in her sensibility. In love she suffers with her beloved, not in lamentation, for her nature is higher than all bodily sufferings.
dsc-93:12 · narrativemedium
Source
:ܒܚܘܼܒܵܐ ܛܥܝܼܢܵܐ ܥܲܣܩܘܼܬܼ ܟܹܐܒܼܵܐ ܕܡ̇ܝܘܿܬܼܘܼܬܹܗ ܘܐܲܝܟ ܡܲܟܼܐܲܒܼܬܵܐ ܡܢܵܘܲܠ ܩܠܵܗ̇ ܒܝܘܿܡ ܟܘܼܪܢܹܗ ܀ :ܒܚܘܼܒܵܐ ܟܕܼܝܼܢܵܐ ܠܓܼܵܘ ܡ̣ܢ ܪܸ̈ܓܼܫܵܘܗܝ ܐܲܝܟ ܕܲܒܼܢܝܼܪܵܐ ܘܠܵܐ ܗܲܢܝܼ ܠܵܗ̇ ܦܘܼܠܚܵܢ ܥܲܡܠܵܐ ܕܲܪ̈ܓܼܝܼܓܼܵܬܹܗ ܀ :ܡܸܛܠ ܚܘܿܒܹܿܗ ܪܚܝܼܡ ܠܵܗ̇ ܚܘܼܒܵܐ ܐܲܪܥܵܢܵܝܵܐ ܘܟܲܕܼ ܗܝ̤ ܪܘܼܚܵܐ ܗ̄ܝܼ ܗܲܢܝܼ̈ܐܵܢ ܠܵܗ̇ ܦܲܓܼܪ̈ܵܢܝܵܬܼܵܐ ܀ :ܡܸܛܠ ܚܘܼܒܹܿܗ ܢܵܚ̇ܬܵܐ ܥܲܡܹܗ ܠܘܵܬܼ ܫܝܼ̈ܛܵܬܼܵܐ ܘܟܲܕܼ ܠܵܐ ܣܵܥ̇ܪܵܐ ܡܸܕܸܿܡ ܕܢܘܼܟܼܪܵܝ ܠܲܫܡܵܗ̇ ܀ :ܠܲܝܬܿ ܠܲܟܼܝܵܢܵܗ̇ ܪܸܓܲܬܼ ܒܸܣܪܵܐ ܕܫܵܘܬܵܦܘܼܬܼܵܐ ܘܡܵܐ ܕܐܸܬܼܪܲܓܼܪܲܓܼ ܒܸܣܪܵܐ ܠܒܹܣܪܵܐ ܗܘ̤ܵܬܼ ܠܵܗ̇ ܡܸܢܹܗ ܀ :ܠܲܝܬܿ ܠܵܗ̇ ܕܬܹܐܟܼܘܿܠ ܐܘܼܟܼܠܵܐ ܓܫܝܼܡܵܐ ܒܲܕܼܡܘܼܬܼ ܦܲܓܼܪܵܐ ܘܐܸܢ ܗܘ̤ ܕܟܼܵܦܹ̇ܝܢ ܟܸܦܢܲܬ̤ ܥܲܡܹܗ ܘܐܸܟܼܠܲܬ̤ ܥܲܡܹܗ ܀ :ܠܵܐ ܕܡܸܟ ܡܸܡܬܼܘܿܡ ܗܵܘܢܵܗ̇ ܥܝܼܪܵܐ ܘܠܵܐ ܬܘܼܒܼ ܕܵܡܹ̇ܟ ܘܡ̇ܐ ܕܐܸܬܿܛܲܒܲܥܘ ܪܸ̈ܓܼܫܵܘܗܝ ܒܫܸܢܬܼܵܐ ܦܗ̣ܵܘ ܚܘܼܫܵܒܹ̈ܗ̇ ܀ :ܕܲܡܝܼܟ ܦܲܓܼܪܵܐ ܘܕܼܵܡ̇ܟܵܐ ܗ̄ܝܼ ܥܲܡܹܗ ܟܲܕܼ ܠܵܐ ܕܵܡ̇ܟܵܐ ܕܲܡܝܼܟ ܩܵܠܵܗ̇ ܘܥܝܼܪ ܪܸܥܝܵܢܵܗ̇ ܘܪܵܦܹ̇ܬܼ ܗܵܘܢܵܗ̇ ܀ :ܕܦܲܓܼܪܵܐ ܗ̄ܝܼ ܫܸܢܬܼܵܐ ܐܵܦ ܡܹܐܟܼܘܼܠܬܵܐ ܐܵܦ ܙܘܼܘܵܓܼܵܐ ܘܒܲܫܡܵܐ ܫܐܝܼܠܵܐ ܡܫܵܘܬܲܦ ܝܲܨܪܵܗ̇ ܒܲܕܼܠܵܐ ܕܝܼܠܵܗ̇ ܀ :ܦܪܝܼܫܝܼܢ ܚܲܫܹ̈ܐ ܕܐܝܼܬܼ ܠܲܟܼܝܵܢܵܗ̇ ܘܠܲܟܼܝܵܢ ܦܲܓܼܪܵܐ ܘܡܸܛܠ ܚܘܼܒܵܐ ܗܵܐ ܡܸܬܼܐܲܡܪܝܼܢ ܕܚܲܕܼܘܼ ܐ̄ܢܵܫܵܐ ܀ :ܕܝܼܠܵܗ̇ ܚܣܵܡܵܐ ܓܵܪܣܵܐ ܕܪܲܒܿܝܼܥ ܒܹܝܬܼ ܚܘܼܫܵܒܹ̈ܐ ܘܕܼܝܼܠܵܗ̇ ܚܸܡܬܼܵܐ ܡܬܼܝܼܠܲܬܼ ܒܐܸܣܦܸܣ ܚܲܪܡܵܢܝܼܬܼܵܐ ܀
English
Through a hidden love it endures the pain of its mortality, and like a groan it lowers its voice on the day of its grief. Through a hidden love it enters within its senses like a stranger, and it does not reveal the work of the labor of its limbs. Because of its love it has loved earthly love, and though it is spirit, it performs bodily actions. Because of its love it descends with it to the contests, and yet it does nothing that would recall its name. Its body has no desire for the flesh of partnership, and when the flesh was inflamed for flesh, it became from it. It has no way to eat coarse food in the manner of the body, but if it hungers, it hungers with it and eats with it. It never sleeps, being wakeful, nor does it sleep again; and when its senses are submerged in sleep, its thoughts are vigilant. The body sleeps, and it sleeps with it, though it does not sleep; its voice sleeps, but its mind is awake, and it abandons its sleep. For the body, sleep is both food and union, and in a borrowed name its nature shares in what is not its own. The sufferings of its body and the body are distinct, and because of love they are said to be one pain. Its own is the grinding of the mill that turns in the house of thoughts, and its own is the wrath that is kindled in the furnace of the passions.
dsc-93:13 · narrativehigh
Source
ܕܝܼܠܵܗ̇ ܚܘܼܬܼܪܵܐ ܥܪܵܕܼܵܐ ܕܲܡ̣ܪܵܕܼ ܡ̣ܢ ܫܘܼܥܒܵܕܼܵܐ: ܘܪܸܚܡܲܬܼ ܫܘܼܒܼܚܵܐ ܬܲܥܠܵܐ ܡܲܗܸܠ ܒܐܲܪ̈ܝܵܘܵܬܼܵܐ ܀ :ܕܝܼܠܵܗ̇ ܪܸܛܢܵܐ ܣܵܣܵܐ ܕܒܼܵܪܹܡ ܢܲܚܬܵܐ ܕܚܘܼܒܵܐ ܘܡܹܐܟܲܠܩܲܪܨܵܐ ܦܲܚܵܐ ܕܨܵܐܹ̇ܕܼ ܠܫܲܦܝܲܝ̈ ܠܸܒܵܐ ܀ :ܕܝܼܠܵܗ̇ ܐܲܟܿܬܼܵܐ ܘܕܝܼܠܵܗ̇ ܪܘܼܓܼܙܵܐ ܘܕܝܼܠܵܗ̇ ܩܸܛܠܵܐ ܘܗ̤ܝ ܡܸܨܛܲܢܥܵܐ ܠܡܸܦܪܲܥ ܚܘܼܒܼܠܹ̈ܐ ܠܕܼܡܲܒܼܐܸܫ ܠܵܗ̇ ܀ :ܕܝܼܠܵܗ̇ ܚܲܫܵܐ ܘܲܬܼܘܵܬܼ ܢܲܦܫܵܐ ܕܥܲܠ ܣܘܼܥܪ̈ܵܢܹܝܗ̇ ܘܗ̤ܝ ܡܸܬܼܟܲܫܦܵܐ ܠܡܸܫܐܲܠ ܪ̈ܲܚܡܹܐ ܚܠܵܦ ܚܵܘ̈ܒܵܬܼܵܗ̇ ܀ :ܕܦܲܓܼܪܵܐ ܐܘܼܟܼܠܵܐ ܕܦܲܓܼܪܵܐ ܫܸܢܬܼܵܐ ܘܫܵܘܬܵܦܘܼܬܼܵܐ ܘܗ̤ܝܘܼ ܕܐܲܣܝܼܪ ܒܐܲܪ̈ܥܵܢܝܵܬܼܵܐ ܠܦܘܼܬܼ ܣܘܼܢܩܵܢܹܗ ܀ :ܕܝܼܠܹܗ ܐܸܢܘܿܢ ܚܲܫܹ̈ܐ ܘܟܹܐܒܹ̈ܐ ܕܡ̇ܝܘܿܬܼܘܼܬܼܵܐ ܘܗ̤ܘ ܬܘܼܒܼ ܗܵܦܹ̇̄ܝܟ ܘܗܵܘܹ̇ܐ ܡܼܕܼܪܵܐ ܒܝܘܿܡ ܥܘܼܕܵܢܹܗ ܀ :ܗܘ̤ ܥܲܡ ܢܲܦܫܵܐ ܗ̄ܘ̣ ܘܠܵܐ ܡܸܬܼܚܲܠܲܛ ܒܩܲܛܝܼܢܘܼܬܼܵܗ̇ ܘܢܲܦܫܵܐ ܒܓܼܵܘܹܗ ܘܠܵܐ ܡܼܬܼܦܲܓܿܕܼܵܐ ܥܲܡ ܪܘܼܟܵܒܹܗ ܀ :ܛܥܝܼܢ ܠܵܗ̇ ܒܪܸ̈ܓܼܫܵܘܗܝ ܘܠܵܐ ܪܓܼܝܼܫ ܕܐܲܝܕܼܵܐ ܗ̄ܝܼ ܒܲܕܼܠܵܐ ܝܵ̇ܕܲܥ ܘܛܲܥܝܼܢܵܐ ܠܹܗ ܘܠܵܐ ܡܸܬܼܒܲܩܸܐ ܒܩܲܠܝܼܠܘܼܬܼܵܗ̇ ܀ :ܒܲܕܼܡܘܼܬܼ ܪ̈ܲܟܼܫܵܐ ܟܕܼܝܼܢܝܼܢ ܪܸ̈ܓܼܫܵܘܗܝ ܬܚܹܝܬܼ ܫܘܼܠܛܵܢܵܗ̇ ܘܠܵܐ ܡܸܣܬܲܟܲܠ ܕܡ̇ܢܲܐ ܗ̄ܝܼ ܥܸܠܬܼܵܐ ܕܲܟܼܕܼܝܼܢܘܼܬܹܗ ܀ :ܐܲܝܟ ܗܸܢܝܘܿܟܼܵܐ ܪܟܼܝܼܒܼ ܨܼܒܼܝܵܢܵܗ̇ ܠܥܸܠ ܡ̣ܢ ܦܲܓܼܪܹܗ ܘܠܲܐܝܟܵܐ ܕܨܵܒܼ̇ܝܵܐ ܡܚܝܼܪܵܐ ܐܸܠܦܵܐ ܕܦܲܓܼܪܵܢܘܼܬܹܗ ܀ :ܐܲܝܟ ܕܲܒܼܥܲܪ̈ܩܹܐ ܠܒܼܝܼܟܼܵܐ ܒܙܵܘܥܹ̈ܐ ܫܒܼܝܼܠ ܣܘܼܥܪ݁ܵܢܵܘܗܝ ܘܲܡܛܲܟܿܣܵܐ ܠܹܗ ܕܠܵܐ ܢܸܬܿܬܲܩܲܠ ܒܲܪ̈ܓܼܝܼܓܼܵܬܼܵܐ ܀
English
Its own is the hidden groan that groans from the work, and the love of glory enters and dwells in the senses. Its own is the secret foundation that raises the sign of love, and the accuser spreads a net to hunt the pure of heart. Its own is the bitterness, and its own the wrath, and its own the murder, and it is compelled to repay injuries to one who does evil to it. Its own is the pain and the lament of the soul over its deeds, and it is beseeched to ask for mercy on account of its sins. Of the body is the food of the body, custom and partnership, and it is bound to earthly things according to its desire. Its own are the sorrows and pains of mortality, and it again turns and becomes a groan on the day of its grief. It is with the soul and is not mingled with its severity, and the soul is within it and is not divided from its rider. It is lost in its senses and does not perceive what it is, a knower knows, and it is lost and is not found in its lightness. Like horses, its senses are wearied under its dominion, and it does not consider what is the cause of its weariness. Like a charioteer, it rides upon its will above its body, and wherever it wishes, the ship of its corporeality is steered. Like warriors, it is clothed in movements, the path of its deeds, and it orders them so that it does not stumble in the disturbances.
dsc-93:14 · narrativehigh
Source
:ܡܸܠܬܼܵܐ ܕܡܸܢܵܗ̇ ܪܵܡܝܵܐ ܒܦܘܼܡܹܗ ܒܲܕܼܡܘܼܬܼ ܩܹܐܡ̇ܐ ܘܠܵܘ ܝܵܗ̇ܒܵܐ ܠܹܗ ܕܢܲܟܸܿܐ ܗܘ̤ ܠܹܗ ܘܠܲܟܼܢܵܘܵܬܹ̈ܗ ܀ :ܫܲܒܼܛܵܐ ܕܕܝܼܢܵܐ ܡܪܝܼܡܵܐ ܟܠܫܵܥ ܥܲܠ ܫܲܒܼܪܘܼܬܹܗ ܘܲܡܥܲܗܕܼܵܐ ܠܹܗ ܥܲܠ ܠܘܼܚܵܡܹ̈ܐ ܘܢܸܓܼ̈ܕܹܿܐ ܕܲܠܗܲܠ ܀ :ܣܦܪ ܥܘܼܗܕܵܢܵܐ ܕܛܘܼܒܹ̈ܐ ܘܢܸܓܼ̈ܕܹܿܐ ܠܒܼܝܼܟܼܵܐ ܒܐܝܼܕܼܵܗ̇ ܘܲܡܗܲܓܿܝܵܐ ܠܹܗ ܒܲܣܬܼܝܼܪ̈ܵܬܼܵܐ ܕܠܵܐ ܚܲܙ̈ܝܵܡ ܠܹܗ ܀ :ܕܚܲܠ ܡ̇ܝܘܿܬܼܵܐ ܩܵܥܝܵܐ ܒܦܘܼܡܹܗ ܘܲܡܙܲܗܪܵܐ ܠܹܗ ܕܗܵܐ ܫܘܼܢܵܩܵܐ ܕܠܵܐ ܫܘܼܠܵܡܵܐ ܢܛܝܼܪ ܠܲܕܼܡܲܥܘܸܠ ܀ :ܒܚܘܼܒܵܐ ܡܚܲܦܛܵܐ ܗܝ̤ ܠܲܩܢܘܿܡ̇ܗ̇ ܘܲܠܫܵܘܬܵܦܵܗ̇ ܕܠܵܐ ܢܸܬܼܪܲܦܘܿܢ ܡ̣ܢ ܬܲܟܼܬܿܘܼܫܵܐ ܕܲܚܠܵܦ ܩܘܼܫܬܵܐ ܀ ܒܲܕܼܡܘܼܬܼ ܕܵܘܩܵܐ ܩܵܥ̇ܝܵܐ ܠܪܸ̈ܓܼܫܹܐ ܘܲܠܚܘܼܫܵܒܹ̈ܐ ܀ ܕܩܘܼܡܘ ܐܸܬܼܟܲܫܲܪܘ ܥܲܠ ܦܘܼܠܚܵܢܵܐ ܕܫܲܦܝܝܼܪ݁ܵܬܼܵܐ ܀ :ܥܕܲܡ̇ܐ ܠܐܸܡܲܬܼܝ ܕܵܡ̇ܟܲܬܿ ܦܲܓܼܪܵܐ ܘܝܲܨܪܵܐ ܥܝܼܪܵܐ ܩܘܼܡܘ ܐܸܬܼܚܲܡܘ ܘܲܚܙܵܘ ܨܲܦܪܵܐ ܕܙܲܕܿܝܼܩܘܬܼܵܐ ܀ :ܒܩܵܠ ܠܘܼܚܵܡܹ̈ܐ ܡܥܝܼܪܵܐ ܗܝ̤ ܠܵܗ̇ ܘܲܠܗܲܕܵܡܹ̈ܐ ܕܠܵܐ ܢܸܬܿܛܲܒܿܥܘܼܢ ܒܲܪ̈ܓܼܝܼܓܵܬܼܵܐ ܐܲܝܟ ܕܲܒܼܫܸܢܬܼܵܐ ܀ :ܫܸܢܬܼܵܐ ܕܥܵܘ̣ܠܵܐ ܪܵܕܹܦܵܐ ܡܸܢܵܗ̇ ܘܡ̣ܢ ܚܲܒܿܝܼܒܼܵܗ̇ ܕܢܸܗܘܘܿܢ ܥܝܼܪܝܼܢ ܠܲܡܟܲܢܵܫܘ̣ ܦܹܐܪܹ̈ܐ ܡܠܝܼܠܹ̈ܐ ܀ :ܒܲܡܠܝܼܠܘܼܬܼܵܗ̇ ܐܝܼܬܼܵܘܗܝ ܗܸܪܓܵܗ̇ ܠܹܠܲܝ ܐܝܼܡܵܡ ܘܚܹܝܠ ܚܲܝܘܼܬܼܵܐ ܡܲܪܕܹܿܝܢ ܙܵܘܥܹ̈ܝܗ̇ ܕܠܵܐ ܫܘܼܠܵܡܵܐ ܀ :ܢܸܒܼܥܵܐ ܕܚܲܝܹ̈ܐ ܣܵܡ̣ ܒܲܟܼܝܵܢܵܗ̇ ܡ̇ܪܹܐ ܟܝܵܢܹ̈ܐ ܘܠܵܐ ܬܘܼܒܼ ܩܵܛ̇ܲܥ ܪܸܕܸܝܵܐ ܕܚܲܝܹ̈ܐ ܡ̣ܢ ܚܲܝܘܼܬܼܵܗ̇ ܀ :ܚܡܝܼܪ ܚܲܝܘܼܬܼܵܐ ܕܠܵܐ ܡ̇ܝ̈ܘܿܬܹ̈ܐ ܛܡܝܼܪ ܒܲܒܼܪܝܼܬܼܵܗ̇ ܕܢܵܓܹ̇ܕܼ ܗܘ̤ ܠܹܗ ܠܦܲܓܼܪܵܐ ܡܝܼܬܼܵܐ ܠܘܵܬܼ ܚܲܝܘܼܬܼܵܐ ܀
English
The word of its thought casts into its mouth like a reed, and it does not give it to him that he might purify himself and his limbs. The rod of knowledge is raised at all times over its childhood, and it reminds him of the passions and sinews beyond. The book of the remembrance of the beatitudes and the sinews is held in its hand, and it meditates for him in hidden places that do not see him. The fear of death cries out in its mouth and warns him: "Behold, a departure without end is prepared for the wretched." In love it hastens to its station and its partner, that they might not be separated from the foundation that is for the sake of truth. Like a crier it calls out to the senses and thoughts: "Arise, be equipped for the service of the beautiful things." Until the body sleeps and the impulse is awake, "Arise, be armed and see the dawn of righteousness." With the voice of the passions it awakens itself and the members, that they might not be submerged in the disturbances as in a net. The net of iniquity pursues from it and from its beloved, that they might be watchful for the plucking of the rational fruits. In its rationality is its meditation by night and day, and the power of life subdues its movements without end. The desire for life places in its nature the Lord of natures, and no longer does the course of life cease from its vitality. The ferment of life without death is hidden in its creation, that it might draw the dead body to life.
dsc-93:15 · narrativehigh
Source
:ܚܹܝܠ ܚܲܝܘܼܬܼܵܗ̇ ܪܵܕܹܐ ܒܬܲܦܹ̈ܐ ܕܡ̇ܝܘܿܬܼܘܼܬܼܵܗ̇ ܘܡܲܪܕܹܿܐ ܡܸܠܹ̈݁ܐ ܢܘܼܟܼܪ̈ܵܝܵܬܼܵܐ ܕܢܘܼܟܼܪܵܝܝܼܢ ܠܹܗ ܀ :ܐܲܝܟ ܡܲܠܵܠܵܐܠ ܡܡܲܠܸܠ ܚܲܪܫܵܐ ܒܲܕܼܠܵܐ ܕܝܼܠܹܗ ܘܲܛܥܝܼܢ ܦܹܐܪܹ̈ܐ ܕܲܡܠܝܼܠܘܼܬܼܵܐ ܒܣܘܼܟܵܝ ܦܲܓܼܪܹܗ ܀ :ܦܹܐܪܹ̈ܐ ܕܢܲܦܫܵܐ ܛܥܝܼܢ ܫܲܬܿܝܼܩܵܐ ܒܪܹܫ ܗܲܕܵܡܵܘ̈ܗܝ ܘܦܵܐ̇ܲܚ ܡܸܢܹܗ ܪܹܝܚ ܚܲܝܘܼܬܼܵܐ ܕܠܵܐ ܚܲܙܝܵܐ ܠܹܗ ܀ :ܨܸܒܼܥܵܐ ܕܚܲܝܹ̈ܐ ܢܲܩ̇ܫܵܐ ܟܠܫܵܥ ܒܪܘܼܟܵܒܼ ܦܲܓܼܪܹܗ ܘܲܡܚܲܕܹܿܐ ܠܹܗ ܠܥܵܠܡܵܐ ܟܡܝܼܪܵܐ ܒܩܵܠ ܚܸܟܼܡܵܬܹ̈ܐ ܀ :ܐܘܿ ܟܸܢܵܪܵܐ ܕܡܸܢܲܝ̈ ܒܸܣܪܵܐ ܡܸܬܼܚܲܒܿܠܵܢܵܐ ܕܟܲܕܼ ܗܘ̤ ܒܸܣܪܵܐ ܗ̄ܘ̣ ܙܵܡܲ݁ܪ ܩܵܠܹ̈ܐ ܪ̈ܘܼܚܵܢܵܝܹܐ ܀ :ܐܘܿ ܐܲܒܿܘܼܒܼܵܐ ܕܩܲܢܝܵܐ ܪܥܝܼܪܵܐ ܡܠܸܐ ܩܸܛܪ̈ܵܬܼܵܐ ܕܡܸܬܼܝܲܒܿܠܝܼܢ ܒܹܗ ܩܵܠܹ̈ܐ ܦܫܝܼܛܹ̈ܐ ܕܠܵܐ ܥܘܼܟܵܪܵܐ ܀ :ܐܘܿ ܟܘܿܬܿܝܼܢܵܐ ܡܲܠܝܲܬܼ ܣܵܣܵܐ ܕܚܲܫܹ̈ܐ ܫܝܛܹ̈ܐ ܕܲܠܒܼܝܼܫܵܐ ܠܵܗ̇ ܢܲܦܫܵܐ ܚܲܝܬܼܵܐ ܐ̄ܚܝܵܢܬܼܵܐ ܕܥܝܼܪܹ̈ܐ ܀ :ܐܘܿ ܚܲܝܘܼܬܼܵܐ ܕܟܲܕܼ ܠܵܐ ܣܢܝܼܩܵܐ ܥܲܠ ܬܲܟܼܣܝܼܬܼܵܐ ܥܛܝܼܦܵܐ ܠܒܼܘܼܫܵܐ ܡܸܬܼܚܲܒܿܠܵܢܵܐ ܘܲܚܬܼܝܼܪܵܐ ܒܹܗ ܀ :ܐܘܿ ܦܵܪܲܚܬܼܵܐ ܕܩܲܠܝܼܠ ܓܸܦܵܗܗ̇ ܡ̣ܢ ܦܲܪܲܚܬܼܵܐ ܕܡܲܩܢܵܐ ܒܓܼܘܼܫܡܵܐ ܘܠܵܐ ܪܵܓܵܐ ܠܵܗ̇ ܠܡܸܦܪܲܚ ܡܸܢܹܗ ܀ :ܐܘܿ ܕܲܚܒܼܝܼܫܵܐ ܒܒܹܝܬܼ ܐܲܣܝܼܪܹ̈ܐ ܡܠܸܐ ܚܸܫܘܿܟܼܵܐ ܘܗܲܢܝܼܐܝܼܢ ܠܵܗ̇ ܟܲܒܼ̈ܠܹܐ ܩܫܲܝܵ̈ܐ ܕܚܵܫܘܿܫܘܼܬܼܵܐ ܀ :ܐܘܿ ܦܘܼܩܵܕܵܢܵܐ ܕܲܚ̣ܒܲܫ ܚܲܝܵܐ ܒܒܲܝܬܵܐ ܡܝܼܬܼܵܐ ܘܦܵܚ̣ ܪܹܝܚܵܐ ܕܚܲܝܘܼܬܼ ܓܲܝܹ̈ܐ ܘܲܩܢ̣ܵܐ ܩܵܠܵܐ ܀ :ܐܘܿ ܐܘܼܡܵܢܵܐ ܕܨܵܪ ܚܲܝܘܼܬܼܵܐ ܒܢܲܚܬܵܐ ܪܲܦܝܵܐ ܘܲܛܒ݂ܲܥ ܒܐܲܦ̈ܝܗ̇ ܕܠܵܐ ܢܸܚܙܘܿܢܵܗ̇ ܦܲܓܼܪܵܢܵܝܹܐ ܀
English
The power of its life guides the cheeks of its death, and it subdues the words of the memories of its recollection. Like a speaker, the deaf one speaks in his own vessel, and it bears the fruits of speech in the meaning of his body. The fruits of the soul, the silent one bears at the head of his limbs, and from him emanates the scent of life that does not see him. The finger of life strikes at all times upon the instrument of his body, and it delights him for the world, the mourner, with the sound of wisdoms. O cithara of the bones of flesh that is destructible, which, while it is flesh, sings spiritual sounds. O flute of reed that is hollow, filled with knots, through which simple sounds are conducted without obstruction. O lyre that fills the foundation of the scattered senses, which the living soul, the life-giving one of the watchers, has put on. O life, which, though not ascending to order, is clothed in a destructible garment and is proud in it. O bird whose wing is small from flight, which dwells in a body and does not desire to fly from it. O one hidden in a prison filled with darkness, and who drags the harsh chains of sensation. O command that confines the living one in a dead house, and the scent of the life of the living emanates and a voice sounds. O artisan who forms life in soft clay and stamps upon its face, without its knowledge, bodily forms.
dsc-93:16 · narrativehigh
Source
:ܐܘܿ ܨܲܝܵܪܵܐ ܟܡܵܐ ܚܲܟܿܝܼܡܵܐ ܒܵܪܘܿܝܘܼܬܼܵܟ ܕܼܒܼܒܲܪܢܵܫܵܐ ܓܠ݂ܲܝܬܿ ܪܲܒܿܘܼ.ܬܼܵܟ ܠܲܥܒܼܵܕܼ ܐܝܼܕܼܵܝ̈ܟ ܀ :ܐܲܝܟ ܕܲܒܼܕܲܦܵܐ ܨܵܪܬܵܝܗܝ ܠܥܵܠܡܵܐ ܒܦܲܓܼܪܹܗ ܘܢܲܦܫܹܗ ܕܢܸܬܼܒܲܩܘܿܢ ܒܵܟ ܫܡܲܝ̈ܵܐ ܘܐܲܪܥܵܐ ܒܝܲܕܼ ܓܼܠܝܘܼܬܹܗ ܀ ܒܹܗ ܚܵܙܹ̇ܝܢ ܠܵܟ ܐܲܪ̈ܥܵܢܵܝܹܐ ܘܲܫܡܲܝܵܢܹ̈ܐ: ܘܟܲܕܼ ܪܲܚܝܼܩ ܐܲܢ̄ܬܿ ܒܹܗ ܡܸܣܬܲܓܼܕܿܬܿ ܐܲܝܟ ܩܲܪܝܼܒܼܵܐ ܀ :ܒܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܨܵܪܬܿ ܖܲܒܸܿܬܿܬܵܝܗܝ ܠܲܨܠܸܡ ܨܲܠܡܲܢ ܘܡ̣ܢ ܟܠ ܒܸܪ̈ܝܵܢ ܡܲܕܸܿܟ ܪܸܡܙܵܟ ܥܲܡ ܬܘܼܩܵܢܹܗ ܀ :ܡܲܫܟܿܢܵܐ ܕܚܘܼܒܵܐ ܢܩܲܫܬ̣ܵܝܗܝ ܒܐܲܪܥܵܐ ܒܲܬܼܪܹܝܢ ܛܘܼܢ̈ܒܹܿܐ ܕܲܢܕܲܝܪܘܼܢ ܒܹܗ ܐܲܪ̈ܥܵܢܵܝܹܐ ܘܲܡܫܲܝܵܢܹ̈ܐ ܀ :ܒܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܒܢܲܝܬܿ ܫܲܟܼܠܸܠܬܵܝܗܝ ܠܗܲܝܟܲܠ ܚܲܝܵܘ̈ܗܝ ܕܲܢܩܲܪܒܼܘܼܢ ܒܹܗ ܡܠܝܼܠܹ̈ܐ ܘܚܲܪ̈ܫܹܐ ܚܕܹܵܐ ܬܵܘܕܲܝܼܬܼܵܐ ܀ :ܢܲܚܬܵܐ ܕܦܲܓܼܪܹܗ ܙܩܲܪ̣ ܨܸܒܼܝܒܵܢܵܟ ܡ̣ܢ ܕܲܚܝܼܚܵܐ ܘܒܲܕܼܡܘܼܬܼ ܛܲܒܼܥܵܐ ܛܒܲܥܬ̣ܿ ܒܹܗ ܢܲܦܫܵܟ ܦܲܢܝܼܬܼ ܚܲܝܹ̈ܐ ܀ :ܒܚܲܝܘܼܬܼ ܢܲܦܫܹܗ ܚܲܝ ܘܲܡܗܲܠܸܟ ܥܵܠܡܵܐ ܡܝܼܬܼܵܐ ܘܲܒܼܢܲܗܝܼܪܵܗ̇ ܪܵܕܹܐ ܠܘܲܥܕܵܐ ܕܲܠܡܹܐܝܢ ܫܲܝܢܵܐ ܀ :ܐܲܝܟ ܩܲܢܕܹܿܝܠܵܐ ܬܲܠܝܵܐ ܢܲܦܫܵܐ ܒܗܲܝܟܲܠ ܦܲܓܼܪܵܐ ܘܕܼܵܠܩܵܐ ܒܡܸܫܚܵܐ ܕܚܲܝܹ̈ܐ ܡܠܝܼܠܹ̈ܐ ܘܠܵܐ ܡܵܝ̈ܘܿܬܹܐ ܀ :ܛܲܟܼܣܵܐ ܕܢܘܼܗܪܵܐ ܡܡܲܠܹܝܢ ܚܲܝܹܝܗ̇ ܠܦܲܓܼܪܵܐ ܡܝܼܬܼܵܐ ܘܡ̇ܐ ܕܐܲܪܝܼܡܘܼܬܹܗ ܐܲܡܠܸܟ ܚܸܫܟܵܐ ܥܲܠ ܗܲܕܵܡ̇ܘ̈ܗܝ ܀ :ܫܪܵܓܼܵܐ ܗ̄ܝܼ ܡܸܠܬܼܵܗ̇ ܘܲܡܚܵܘܝܵܐ ܠܹܗ ܢܘܼܗܪܵܐ ܕܚܲܝܹ̈ܐ ܘܲܒܼܪܹܫ ܕܘܼܫܡܹܗ ܕܵܠܹ݂̇ܩ ܩܵܠܵܗ̇ ܐܲܝܟ ܠܲܗܦܹܝܕܼܵܐ ܀ :ܒܢܘܼܗܪܵܗ̇ ܚܵܙܹ̇ܐ ܒܩܵܠܵܗ̇ ܫܵܡܲ݁ܪ ܒܡܸܠܵܬܼܵܗ̇ ܡܬܲܪܓܸܿܡ ܘܒܼܐܘܼܡ̇ܢܘܼܬܼܵܗ̇ ܦܵܠܲܚ ܒܐܲܪܥܵܐ ܒܟܼܠ ܐܘܼܡ̇ܢ̈ܘܵܢ ܀
English
O painter, how wise is your creativity! Through the instrument of the flesh you have revealed your greatness to the work of your hands. Like a writer, he imprints the world with his body and his soul, so that heaven and earth are astonished at you through his revelation. In him, the earthly and the heavenly see you, and though you are far, you are worshipped in him as if near. With body and soul you have formed their greatness into an image of a likeness, and from all creatures your sign resounds with his structure. The dwelling of love has planted them in the earth with two virtues, so that the earthly and the heavenly may dwell in him. With body and soul you have perfected them into a temple of his life, so that the eloquent and the deaf may approach in him with one confession. The garment of his flesh has woven your will from the living one, and in the likeness of a seal you have stamped in him your soul, a simple life. By the power of his soul, the dead one lives and walks the world, and by its light he guides the season of the silent word. Like a lamp suspended, the soul in the temple of the body burns with the oil of life, eloquent and immortal. The order of light fills his life for the dead body, and when its elevation reigns, darkness rules over his members. A lamp is her word, and it shows the light of life, and at the head of his sense, her voice blazes like a torch. By her light he sees, by her voice he hears, by her word he interprets, and by her thickness he works in the earth with all thicknesses.
dsc-93:17 · narrativehigh
Source
:ܒܚܲܝܠܵܗ̇ ܡܲܩܪܸܒܼ ܚܘܼܬܼܚܵܬܹ̈ܐ ܕܲܪ̈ܓܼܝܼܓܼܵܬܹܗ ܘܲܒܼܥܘܼܕܼܪܵܢܵܗ̇ ܙܟܹ̇ܐ ܠܚܲܫܹ̈ܐ ܕܡܵܝܝܘܿܬܹܗ ܀ :ܒܵܗ̇ ܡܸܬܼܢܲܨܲܚ ܒܐܵܓܼܘܿܢ ܥܲܡܠܹ̈ܐ ܕܙܲܕܿܝܼܩܘܼܬܼܵܐ ܘܗ̤ܝ ܝܵܗ̇ܒܵܐ ܠܹܗ ܟܠܝܼܠ ܙܵܟܼܘܼܬܼܵܐ ܚܠܵܦ ܚܘܼܡܣܵܢܹܗ ܀ :ܗܝ̤ ܡܲܠܦܵܐ ܠܹܗ ܠܡܹܐܚܲܕܼ ܕܲܪܵܐ ܪܘܼܚܵܢܵܐܝܼܬܼ ܘܲܡܠܲܒܿܒܼܵܐ ܠܹܗ ܕܠܵܐ ܢܸܬܼܪܲܦܸܐ ܩܕܼܵܡ ܕܲܠܩܘܼܒܼܠܵܐ ܀ :ܟܠܝܼܠܵܐ ܕܚܲܝܹ̈ܐ ܠܵܐ ܡ̇ܝܘܿܬܹ̈ܐ ܠܒܼܝܼܟܼܵܐ ܒܗܵܘܢܵܗ̇ ܘܲܡܓܲܪܓܼܵܐ ܠܹܗ ܐܲܝܟ ܕܲܠܫܲܒܼܪܵܐ ܕܲܩܪܘܿܒܼ ܘܩܲܒܸܿܠ ܀ :ܥܲܡܹܗ ܢܵܚ̇ܬܵܐ ܠܟܼܠ ܬܲܟܼܬܿܘܼܫܝܼ̈ܢ ܕܲܪ̈ܓܼܝܼܓܼܵܬܼܵܐ ܘܐܲܝܟ ܐܲܬܼܠܹܝܛܹ̈ܐ ܡܫ̇ܚܵܐ ܪܸ̈ܓܼܫܵܘܗܝ ܕܠܵܐ ܢܸܬܿܬܲܚܕܲܘܼܢ ܀ :ܡ̇ܘܬܵܐ ܒܲܠܚܘܿܕܼ ܡܨܸܐ ܦܵܪܹܫ ܠܵܗ̇ ܡ̣ܢ ܥܸܢܝܵܢܹܗ ܘܠܵܐ ܡܸܬܼܡܲܨܝܵܐ ܠܡܹܐܚܲܕܼ ܕܲܪܵܐ ܥܲܡ ܕܵܒܼܘܿܪܵܗ̇ ܀ :ܩܲܣܛܘܼܢܪܵܐ ܕܪܸܡܙܵܐ ܟܲܣܝܵܐ ܡܕܝܼܩ ܡ̣ܢ ܫܸܠܝܵܐ ܘܲܡܒܲܠܗܸܐ ܠܵܗ̇ ܐܲܝܟ ܝܵܠܹܕܿܬܵܐ ܒܝܘܼܡ ܡܵܘܠܵܕܵܗ̇ ܀ :ܚܸܒܼܠܹ̈ܐ ܕܚܝܼܠܹ̈ܐ ܡ̇ܚܹ̇ܝܢ ܐܵܦ ܠܵܗ̇ ܒܥܸܕܵܢ ܡܲܘܬܵܐ ܟܲܕܼ ܟܵܪܕܲܝܿܢ ܠܵܗ̇ ܐܲܝܟ ܕܲܠܥܘܸܠܵܐ ܡ̣ܢ ܓܵܘ ܦܲܓܼܪܵܐ ܀ :ܐܲܝܟ ܫܲܒܵܝܵܐ ܥܵܐܹ̇ܠ ܡ̇ܘܬܵܐ ܠܗܲܝܟܲܠ ܥܘܼܡܪܵܗ̇ ܘܲܡܫܲܠܲܚ ܠܵܗ̇ ܡ̣ܢ ܓܵܘ ܦܲܓܼܪܵܐ ܕܲܟܼܢܝܼܟܼܘܼܬܼܵܗ̇ ܀ :ܥܲܪܛܸܠ ܢܵܦܩܵܐ ܡ̣ܢ ܓܵܘ ܒܲܝܬܵܗ̇ ܡ̇ܪܲܬܼ ܦܲܓܼܪܵܐ ܘܐܲܝܟ ܓܼܠܵܘܝܵܬܵܐ ܡܫܲܢܝܵܐ ܡܵܢܹܗ ܠܐܲܬܼܪܵܐ ܐ̄ܚܪܹܢܵܐ ܀ :ܐܸܒܼܠܵܐ ܪܲܒܵܐ ܛܥܝܼܢ ܪܸܥܝܵܢܵܗ̇ ܒܝܘܿܡ ܡܲܦܲܩܬܵܗ̇ ܕܚܵܙ̇ܝܵܐ ܥܘܼܡܪܵܗ̇ ܕܲܡܚܲܒܸܿܠ ܠܹܗ ܡ̇ܘܬܵܐ ܪܗܝܼܒܼܵܐ ܀ :ܒܩܵܠ ܚܸܢ̈ܓܼܬܼܵܐ ܡܒܲܟܿܝܵܐ ܗܝ̤ ܠܵܗ̇ ܘܲܠܚܲܒܿܝܼܒܼܵܗ̇ ܕܗܵܘ̇ ܡܸܬܼܚܲܒܲܠ ܘܕܝܼܠܵܗ̇ ܒܵܛܹ̇ܠ ܩܵܠ ܢܸܥ̈ܡܵܬܼܵܗ̇ ܀
English
By its power it offers the victories of its contests, and by its action it conquers the passions of its mortality. Through it it is adorned in the arena of the works of righteousness, and it gives him a crown of victory in return for his suffering. It teaches him to take up a spiritual contest, and encourages him not to be terrified before the adversary. A crown of immortal life is woven in its place, and it urges him on as to a contest that is near and he receives. With it he descends to all the lower contests, and like an athlete he anoints his senses so that they may not be captured. Death alone is able to separate it from its body, and it is not possible to take up a contest with its destroyer. The hidden bridle of the secret sign is tightened from silence, and it astonishes her like a woman in labor on the day of her giving birth. The pangs of the powers strike even her at the time of death, when they expel her as a child from within the body. Like a plunderer, death enters the temple of her dwelling and strips her from within the body of her purity. It denudes the departing one from within her house, the mistress of the body, and like a revelation it casts her to another place. A great mourning overwhelms her mind on the day of her departure, when she sees her dwelling being destroyed by terrible death. With the voice of lamentations she weeps for herself and for her beloved, that he is being destroyed and her own voice ceases.
dsc-93:18 · narrativemedium
Source
:ܪܵܥܘܿܡ̇ܐܝܼܬܼ ܒܵܟܲܝܵܐ ܒܫܸܬܼܩܵܐ ܥܲܠ ܡ̇ܐ ܕܲܗܘ̤ܵܗ̇ ܕܠܵܐ ܬܘܼܒܼ ܙܵܡ̇ܪܵܐ ܩܵܠܹ̈ܐ ܚܢܝܼܓܹ̈ܐ ܒܟܸܢܵܪ ܚܘܼܒܵܗ̇ ܀ :ܣܲܓܼܝܼ ܡܥܵܩܵܐ ܡ̇ܐ ܕܡܸܬܼܦܲܣ̈ܩܵܢ ܡܸܢܲܝ̈ ܪܸ̈ܓܼܫܵܘܗܝ ܘܲܚܠܵܦ ܗܵܘܢܵܗ̇ ܙܵܡܲ݁ܪ ܣܵܣܵܐ ܒܓܼܵܘ ܗܲܕܵܡ̇ܘ̈ܗܝ ܀ :ܛܵܒܼ ܟܵܪܝܵܐ ܠܵܗ̇ ܥܲܠ ܦܘܼܪܫܵܢܵܗ̇ ܕܡ̣ܢ ܨܹܝܕܼ ܚܘܼܒܹܿܗ ܘܟܲܕܼ ܛܵܒܼ ܝܵ̇ܕܲܥܵܐ ܕܩܲܝܵܡ ܣܲܒܼܪܵܐ ܕܬܸܦܢܸܐ ܨܹܐܕܼܵܘܗܝ ܀ :ܪܸܡܙܵܐ ܕܲܒܼܪ̣ܵܗ̇ ܝܲܗ̣̄ܒܼ ܒܵܗ̇ ܚܲܝܠܵܐ ܠܡܸܕܲܥ ܗܵܠܹܝܢ ܘܗܘ̤ ܐܲܫܪܝܼ ܒܵܗ̇ ܚܹܝܠ ܚܸܟܼ̈ܡܵܬܼܵܐ ܕܦܵܘܿܫܘܼܬܼܵܐ ܀ :ܗܵܘ̇ ܦܘܼܩܕܵܢܵܐ ܕܐܲܥܸܠ ܚܵܒܼܫܵܗ̇ ܒܓܼܵܘܼ ܗܲܕܵܡܹ̈ܐ ܗܘ̤ ܡܲܦܸܩ ܠܵܗ̇ ܐܲܟܼܡܵܐ ܕܥܸܠܲܬ̤ ܕܠܵܐ ܢܸܟܼܝܵܢܵܐ ܀ :ܠܵܐ ܡܸܬܼܡܲܟܿܝܵܐ ܒܚܵܫܘܿܫܘܼܬܼܵܐ ܕܚܲܫܲܝܝ̈ ܦܲܓܼܪܵܐ ܘܠܵܐ ܡܸܬܼܚܲܒܿܠܵܐ ܟܲܕܼ ܡܸܬܼܚܲܒܲܠ ܠܒܼܘܼܫ ܬܲܟܼܣܝܼܬܼܵܗ̇ ܀ :ܪܵܡܲܐ ܗ̄ܝܼ ܣܲܓܿܝܼ ܠܥܸܠ ܡ̣ܢ ܡ̇ܘܬܵܐ ܘܡ̣ܢ ܢܸܟܼܝܵܢܹ̈ܐ ܘܠܵܐ ܡܸܬܼܚܲܙܝܵܐ ܘܠܵܐ ܡܸܬܿܬܿܚܕܼܵܐ ܓܘܼܫܡܵܢܵܐܝܼܬܼ ܀ :ܪܘܼܚܵܐ ܗ̄ܝܼ ܚܲܝܵܐ ܘܩܲܠܝܼܠ ܓܸܦܵܗ̇ ܠܡܸܦܪܲܚ ܒܐܵܐܲܪ ܘܠܵܐ ܡܸܬܿܬܿܚܕܵܐ ܒܢܸܫܒܲܝ̈ ܡ̇ܘܬܵܐ ܐܲܝܟ ܗܲܕܵܡܹ̈ܐ ܀ :ܚܲܕܼ ܡ̣ܢ ܥܝܼܪܹ̈ܐ ܢܵܚܹ̇ܬܼ ܨܹܐܕܹܝܗ̇ ܒܝܘܿܡ ܥܘܼܢܕܵܢܵܗ̇ ܘܲܡܫܲܢܸܐ ܠܵܗ̇ ܠܐܲܝܵܟܵܐ ܕܲܦܩܝܼܕܼ ܡ̣ܢ ܒܵܪܘܿܝܵܐ ܀ :ܐܲܝܟ ܗܲܕܿܝܼܠܵܐ ܡܕܲܒܲܪ ܪܘܼܚܵܐ ܠܪܘܼܚܵܢܝܼܬܼܵܐ ܥܕܲܡܵܐ ܕܥܵܐܠܵܐ ܠܒܹܝܬܼ ܐܵܘܢܹ̈ܐ ܠܘܵܬܼ ܚܲܒܼܪ̈ܵܬܼܵܗ̇ ܀ :ܗܵܘ̇ ܡܲܠܲܐܟܼܵܐ ܕܢܵܛ̇ܲܪ ܗ̄ܘ̣ܵܐ ܠܵܗ̇ ܒܚܲܝܹ̈ܐ ܕܲܬܼܢܵܢ ܗܘ̤ ܡܚܵܘܹܐ ܠܵܗ̇ ܕܐܲܝܟܵܐ ܬܕܲܝܲܪ ܥܲܕܼ ܢܘܼܚܵܡܵܐ ܀ :ܒܐܲܪܥܵܐ ܦܩܝܼ̈ܕܵܢ ܠܲܡܕܲܝܵܪܘܼ ܟܠ ܢܲܦܫܵܬܼ̈ܐ ܡܸܢܗܹܝܢ ܒܲܥܕܹܢ ܘܡܸܢܗܹܝܢ ܒܐܲܬܼܪܵܐ ܕܐܸܫܬܲܕܲܪ ܠܹܗ ܀
English
It is silent in its silence over what it was, that it may no longer sing the bound sounds in the prison of its love. Great is the anguish when the senses are severed from it, and instead of its life it sings a moth in the midst of its members. It is good that it is silent over its separation from the side of its love, and when it knows well that the hope of finding its side stands. The sign of its nature gives it power to know these things, and it blesses in it the power of the wisdoms of silence. That command which enters and confines it within the members, that same command brings it out as a cause without sickness. It is not bent by the suffering of the pains of the body, nor is it corrupted when the garment of its covering is corrupted. It is high, greatly above death and above sicknesses, and it is not seen nor grasped corporeally. It is a living spirit, and its flight is light to fly in the air, and it is not grasped by the nets of death like the members. One of the watchers descends to its side on the day of its passing, and leads it to the place commanded by the Creator. Like a guide, the spirit leads the spiritual ones until it enters the house of lights to its companions. That angel which guarded it in the life of the body shows it where it will dwell until the resurrection. In the earth are commanded to dwell all souls, some after a time and some in the place to which it was sent.
dsc-93:19 · narrativehigh
Source
:ܒܐܲܬܼܪܵܐ ܕܲܥܕܹܢ ܫܵܪܝܵܐ ܢܲܦܫܵܐ ܕܪ̈ܵܚܡܲܝ ܩܘܼܫܬܵܐ ܘܲܕܼܥܵܘ̇ܠܹ̈ܐ ܒܐܲܬܼܪ̈ܵܘܵܬܼܵܐ ܕܠܗܲܠ ܡܸܢܹܗ ܀ :ܒܓܼܵܘ ܦܲܪܕܲܝܣܵܐ ܫܪܹܝܢ ܙܲܕܿܝܼܩܹ̈ܐ ܒܪܘܼܚ ܠܵܘ ܒܲܦܓܲܪ ܟܲܕܼ ܡܸܢܼܝܲܐܒܼܝܼܢ ܠܗܵܘ̇ ܬܘܼܩܵܢܵܐ ܕܡܲܠܟܿܘܼܬܼ ܪܵܘܡ̇ܐ ܧ :ܒܐܲܬܼܪܵܐ ܦܲܐܬܝܵܐ ܨܒܼܵܠ ܕܲܢܕܲܝܪܘܼܢ ܒܢܲܝ̈ ܡܲܠܟܿܘܼܬܼܵܐ ܕܢܹܐܠܲܦ ܟܠܢܵܫ ܕܫܲܪܝܼܪ ܣܲܒܼܪܵܐ ܕܲܡܣܲܟܹܿܝܢ ܠܹܗ ܀ :ܠܵܐ ܗ̄ܘ̣ܵܐ ܕܐܲܓܼܪܵܐ ܢܵܣ̇ܒܿܚܢ ܬܲܡ̇ܢ ܚܠܵܦ ܥܲܡܠܲܝ̈ܗܘܿܢ ܐܸܠܵܐ ܕܢܸܓܼܠܸܐ ܥܲܠ ܦܘܼܪܫܵܢܵܐ ܕܗܵܘܹ̇ܐ ܒܚܲܪܬܼܵܐ ܀ :ܐܵܦܠܵܐ ܠܒܼܝܼܫܹ̈ܐ ܠܵܘ ܫܘܼܢܵܫܵܐ ܗ̄ܘ̣ ܐܲܬܼܪܵܐ ܕܲܠܒܲܪ ܐܸܠܵܐ ܕܢܵܘܕܲܥ ܕܠܵܐ ܡܸܬܼܥܲܠܹܝܢ ܠܐܲܦܲܝ̈ ܪܵܘܡ̇ܐ ܀ :ܐܲܝܟ ܪܲܗܒܼܘܿܢܵܐ ܝܲܗ̣̄ܒܼ ܦܲܪܕܲܝܣܵܐ ܠܫܘܼܪܵܪ ܡܸܵܠܵܘ̈ܗܝ ܕܲܒܼܫܝܼ̈ܛܵܬܼܵܐ ܢܫܲܪܲܪ ܚܲܝܠܵܐ ܕܲܫܒܼܝܼ̈ܚܵܬܹܗ ܀ :ܠܦܘܼܬܼ ܫܲܒܼܪܘܼܬܼܵܐ ܕܚܲܝܹ̈ܐ ܕܙܲܒܼܢܵܐ ܝܲܩܲܪ ܙܲܒܼܢܹܗ :ܕܲܒܼܝܲܕܼ ܥܸܠܬܹܗ ܢܓܲܪܸܓܼ ܐ̄ܢܵܫܵܐ ܠܘܵܬܼ ܕܲܥܬܼܝܼ̈ܕܼܵܢ :ܡܢܵܬܼܵܐ ܗ̄ܘ̣ ܕܐܲܪܥܵܐ ܐܵܦ ܦܲܪܕܲܝܣܵܐ ܟܡܵܐ ܐܸܢ ܫܲܦܝܼܪ ܘܡܸܬܼܚܲܒܿܠܵܢܵܐ ܗ̄ܘ̣ ܐܘܼܟܼܠܵܐ ܕܦܹܐܪ̈ܵܘܗܝ ܐܲܝܟ ܟܠ ܦܹܐܪ̈ܝܼܢ ܀ :ܛܢܵܢܵܐ ܐܲܡܪܝܼ ܒܹܝܬܼ ܡ̇ܝܘܿܬܹ̈ܐ ܒܝܲܕܼ ܬܲܫܥܝܼܬܹܗ ܘܚܲܦܸܛ ܐܸܢܘܿܢ ܠܡܸܪܲܓܼ ܚܲܝܹ̈ܐ ܠܵܐ ܡ̇ܝܘܿܬܹ̈ܐ ܀ :ܒܗܵܕܹܐ ܬܸܢܘܲܝ ܦܬ݂ܲܚ ܡܲܥܲܠܬܹܿܗ ܩܕܼܵܡ ܦܵܪܘܿܩܲܢ ܕܗܘ̤ ܩܲܕܼܡ̇ܝܑܬܼ ܢܸܕܪܘܿܫ ܐܘܼܪܚܵܐ ܩܕܼܵܡ ܥܵܠܘܼܠܹ̈݁ܐ ܀ :ܐܵܕܼܵܡ ܩܲܕܼܡ̇ܐ ܐܸܚܲܕܼ ܬܲܪܥܹܗ ܒܐܲܦܲܝ̈ ܐ̄ܢܵܫܵܐ ܘܐܵܕܼܵܡ ܕܲܬܼܪܹܝܢ ܦܲܬܼ̣ܚܹܗ ܠܬܲܪܥܹܗ ܘܥܲܠ̣ ܓܼܝܵܣܵܐ ܀
English
In the place where it was accustomed, the soul of the lovers of truth begins, and the wicked in places beyond it. Within Paradise the righteous dwell in spirit, not in body, when they have attained that station of the high kingdom. In the place of the face of the east, that they may dwell among the kingdoms, and learn every one that the true hope that sustains him is certain. It is not that the reward may take the taste in exchange for their labors, but that it may reveal the distinction that will be at the end. Nor is the place outside a garment for the clothed, but that it may show that it cannot be raised to the face of the height. Like a guide, Paradise gives the beginning of its words to the confirmation of the simple, and it confirms the power of its praises. According to the childhood of the life that offers its heavy offering, by its cause it may draw man towards the future. It is a gift of the earth, even Paradise, however beautiful, and it is corruptible, the food of its fruits like all fruits. It is called a delight among mortals by its history, and it seeks to go and moisten the immortal life. With this, it will open its entrance before the Savior, who first trod the path before the wanderers. The first Adam held his door in the face of man, and the second Adam opened his door and entered the baptismal font.
dsc-93:20 · narrativemedium
Source
:ܬܲܪܬܹܿܝܢ ܢܲܦܫܵ̈ܢ ܥܲܠ̣ ܠܹܗ ܠܘܼܩܕܹܿܡ ܐܲܝܟ ܕܲܒܼܐ̄ܪܵܙܵܐ :ܒܗܵܘ̇ ܐܸܣܟܹܿܡܵܐ ܕܲܢܦܲܩ̣ܘ ܡܸܢܹܗ ܚܵܘܵܐ ܘܐܵܕܼܵܡ :ܬܪܹܝܢ ܕܲܝܲܪܘ ܒܹܗ ܒܪܹܫ ܬܘܼܩܵܢܵܐ ܐܲܪܥܵܢܵܝܵܐ ܘܲܬܪܹܝܢ ܥܲܠ̣ܘ ܠܹܗ ܒܐ̄ܪܵܙܵܐ ܬܲܩܝܵܐ ܕܠܵܐ ܡܸܬܼܚܲܒܲܠ ܀ :ܠܲܬܼܪܹܝܢ ܐܲܦܸܩ ܥܒܼܵܪ ܦܘܼܩܕܵܢܵܐ ܕܪܸܓܲܬܼ ܦܹܐܪܵܐ ܘܠܲܬܼܪܹܝܢ ܐܲܥܸܠ ܢܛܵܪ ܦܘܼܩܕܵܢܵܐ ܕܙܲܕܼܝܼܩܘܼܬܼܵܐ ܀ :ܚܛܝܼܬܵܐ ܣܵܓܼܬܹܗ ܩܕܼܵܡ ܚܲܛܵܝܹ̈ܐ ܕܕܼܵܡܹ̇ܝܢ ܠܐܵܕܼܵܡ ܘܙܲܕܿܝܼܩܘܼܬܼܵܐ ܦܬܲܚܬܹܗ ܠܐܵܕܼܵܡ ܘܲܠܓܲܝܵܣܵܐ ܀ :ܥܲܡ ܙܲܕܿܝܼܩܵܐ ܥܲܠ̣ ܚܲܛܵܝܵܐ ܠܓܼܵܘ ܦܲܪܕܿܝܣܵܐ ܕܢܸܬܸܿܠ ܐܝܼܕܼܵܐ ܠܲܚܒܸܢܵܢܹܐ ܠܡܸܬܼܟܲܫܵܪܘܼ ܀ :ܒܝܲܕܼ ܓܲܝܵܣܵܐ ܚܵܘܝܼ ܕܡܲܨܝܵܐ ܗ̄ܝܼ ܠܡܸܙܕܲܕܵܩܘܼ ܕܠܵܐ ܥܵܘܸܟܼܬܹܗ ܪܲܒܿܘܼܬܼ ܥܵܘ̣ܠܹܗ ܡ̣ܢ ܕܲܠܡܸܥܲܠ ܀ :ܒܲܚܕܼܵܐ ܢܲܦܫܵܐ ܕܥܸܠܲܬ̤ ܥܲܡܹܗ ܓܠ̣ܵܐ ܥܲܠ ܟܠܢܵܫ ܕܐܸܢܗܘ̤ ܕܨܵܒܹ̇ܝܢ ܠܵܐ ܡܸܬܼܥܵܘܟܼܝܼܢ ܡ̣ܢ ܕܲܠܡܸܥܲܠ ܀ :ܢܲܦܫܹܗ ܕܡܪܲܢ ܘܕܓܲܝܵܣܵܐ ܥܲܠ̣ ܩܲܕܡ̇ܝܑܬܼ ܘܟܸܢ ܐܸܬܿܕܵܪܫܲܬ̤ ܐܘܼܪܚܵܐ ܠܡܸܪܕܵܐ ܠܐܲܬܼܪܵܐ ܕܲܥܕܹܢ ܀ :ܠܲܥܕܹܢ ܥܵܐ̈ܠܵܢ ܟܠ ܢܲܦܫ̈ܬܼܵܢ ܕܣܲܝܒܲܪ ܚܲܫܹ̈ܐ ܘܬܲܡ̇ܢ ܢܵܚ̈ܢ ܐܲܝܟ ܕܲܒܼܥܲܪܣܵܐ ܕܗܲܢܝܼܐܘܼܬܼܵܐ ܀ :ܐܲܝܟ ܕܲܒܼܫܸܢܬܼܵܐ ܫܲܠ݁̈ܝܵܢ ܬܲܡ̇ܢ ܡ̣ܢ ܣܘܼܥܪ̈ܵܢܹܐ ܘܠܵܐ ܡܼܬܼܚܲܫ̈ܚܵܢ ܒܲܡܠܝܼܠܘܼܬܼܵܐ ܕܚܲܝܠܵܐ ܕܲܒܼܗܹܝܢ ܀ :ܡܸܫܠܵܐ ܫܵ̈ܠ̈ܝܵܢ ܡ̣ܢ ܥܸܢܝܵܢܵܐ ܕܫܲܦܝܼܪ ܘܲܣܢܸܐ ܘܠܵܐ ܡܸܬܼܟܲܬܿܫܵܢ ܒܐܵܓܼܘܿܢ ܥܵܡܠܹ̈ܐ ܕܙܲܕܿܝܼܩܘܼܬܼܵܐ ܀ :ܠܵܐ ܗ̄ܘ̣ܵܐ ܕܒܲܛܝܼܠ ܚܲܝܠܵܐ ܕܲܒܼܗܹܝܢ ܡ̣ܢ ܚܲܝܘܼܬܼܵܐ ܐܸܠܵܐ ܕܠܲܝܬܵܘܗܝ ܡ̇ܐܢܵܐ ܕܓܼܘܼܫܡܵܐ ܡܝܲܒܸܿܠ ܡܸܠܹ̈ܐ ܀
English
Two souls go before him in the beginning, as in a mystery. In that order in which Eve and Adam came forth from him, two dwell in it at the beginning of the earthly station, and two go up to him in a firm mystery that cannot be destroyed. For two, the command of the desire for the fruit went out, and for two, the command of righteousness entered. Sin opened its way before the sinners who resemble Adam, and righteousness opened its way for Adam and for Gehazi. With the righteous one, it went up against the sinner into Paradise, that it might give a hand to the penitents to be set in order. Through Gehazi it shows that it is possible to be justified, that the greatness of his iniquity does not hinder him from entering. In one soul that has reason with him, it reveals to everyone that those who desire are not hindered from entering. The soul of the Lord and of Gehazi went up first, and then the way was prepared to go down to the place of the world. Into the world enter all souls that endure sufferings, and there they rest like the bed of life. As on the seventh day they rest from their labors, and they are not fit for the eloquence of the power that is in them. The rest are silent from the business of what is good and fair, and they are not occupied with the contests of the labors of righteousness. It is not that the power in them is void of life, but that there is no instrument of the body to convey words.
dsc-93:21 · narrativehigh
Source
:ܠܵܐ ܗ̄ܘ̣ܵܐ ܪܸܕܝܵܐ ܕܦܵܪܘܿܫܘܼܬܼܵܐ ܓܵܙ ܘܐܸܬܼܝܲܒܲܫ ܐܸܠܵܐ ܕܠܲܝܬܵܘܗܝ ܐܝܼܠܵܢ ܦܲܓܼܪܵܐ ܣܢܝܼܩ ܥܲܠ ܫܸܩܝܵܐ ܀ :ܠܵܐ ܗ̄ܘ̣ܵܐ ܝܲܨܪܵܐ ܙܥܲܪ̣ ܚܸܟܼܡܵܬܹ̈ܗ ܘܐܵܘܦܝܼܘ ܓܲܙܵܘ̈ܗܝ ܐܸܠܵܐ ܕܠܲܝܬܵܘܗܝ ܐܲܦܸܛܪܘܿܦܵܐ ܕܢܸܬܸܿܠ ܒܐܝܼܕܼܵܘ̈ܗܝ ܀ :ܠܐܵ ܗ̄ܘ̣ܵܐ ܗܵܘܢܵܐ ܒܛܸܠ̣ ܡ̇ܢ ܪܲܗܛܵܐ ܕܩܲܠܝܼܠܘܼܬܹܗ ܐܸܠܵܐ ܕܠܲܝܬܵܘܗܝ ܦܲܓܼܪܵܐ ܪܟܼܘܼܒܼܵܐ ܕܲܛܥܝܼܢ ܗ̄ܘ̣ܵܐ ܠܹܗ ܀ :ܠܵܐ ܗ̄ܘ̣ܵܐ ܙܵܘܥܹ̈ܐ ܨܸܡܚܹ̈ܐ ܕܢܘܼܗܪܵܐ ܚ̣ܫܸܟܼܘ ܕܸܠܩܲܝ̈ܗܘܿܢ ܕܗܵܐ ܒܒܼܵܬܼ̈ܐ ܠܵܐ ܥܢܲܝ̈ ܐܼܢܹܝܢ ܠܡܸܚܙܵܐ ܫܲܦܝܼܪ ܀ :ܠܵܐ ܗ̄ܘ̣ܵܐ ܡܸܫܬܲܩ ܫܸܬܼܩܲܬ̤ ܡܸܠܬܼܵܐ ܫܝܼܦܘܿܪ ܩܵܠܹ̈ܐ ܐܸܠܵܐ ܕܦܘܼܡ̇ܐ ܡܝܲܒܸܿܠ ܡܸܠܹ̈ܐ ܣܲܟܼܪܹܗ ܡ̇ܘܬܵܐ ܀ :ܠܵܘ ܚܹܐܪܘܼܬܼܵܗ̇ ܛܥܵܬ̤ ܒܲܪ̄ܬܼ ܚܹܐܪܹ̈ܐ ܥܲܠ ܗܵܝ̇ ܫܸܬܼܩܲܬ̤ ܐܸܠܵܐ ܕܲܫܬܸܩ ܦܲܓܼܪܵܐ ܕܚܘܼܒܵܗ̇ ܥܲܠ ܗܵܝ̇ ܫܸܬܼܦܲܬ̤ ܀ :ܐܸܒܼܠܵܐ ܠܒܼܝܼܟܼܵܐ ܥܲܠ ܚܲܒܿܝܼܒܼܵܗ̇ ܕܲܦܪܲܫ ܡܸܢܸܗ̇ ܘܠܵܐ ܡܸܬܼܚܲܫܚܵܐ ܒܲܪ̈ܓܼܝܼܓܼܵܬܼܵܐ ܐܲܪ̈ܥܵܢܵܝܵܬܼܵܐ ܀ :ܫܸܬܼܩܵܐ ܢܵܛ̇ܪܵܐ ܥܲܠ ܥܘܼܢܕܵܢܹܗ ܚܲܟܿܝܼܡܵܐܝܼܬܼ ܥܕܲܡ̇ܐ ܕܫܵܡ̇ܥܵܐ ܩܵܠܵܐ ܕܩܵܪܹܐ ܠܡܵܝܘܿܬܼܘܼܬܹܗ ܀ :ܠܵܐ ܓܹܝܪ ܡܲܨܝܵܐ ܕܬܸܣܥܥܘܿܪ ܡܕܸܿܡ ܡ̣ܢ ܒܸܠܥܵܕܵܘܗܝ ܐܲܟܼܡܵܐ ܕܐܵܦ ܗܘ̤ ܠܲܝܬܵܘܗܝ ܡܸܕܸܿܡ ܡ̣ܢ ܒܸܠܥܵܕܼܝܹܗ̇ ܀ :ܚܲܕܼ ܒܲܪܢܵܫܵܐ ܐܲܬܼܩܸܢ ܐܸܢܘܿܢ ܡܲܬܼܩܸܢ ܟܠܵܐ ܡܸܫܬܲܡܠܸܐ ܦܸܠܓܿܘܼܬܼ ܐ̄̇ܢܵܫܵܐ ܒܸܠܥܵܕܼ ܦܸܠܓܹܿܗ ܀ :ܦܸܠܓܿܘܼܬܼ ܐ̄ܢܵܫܵܐ ܗ̄ܝܼ ܢܲܦܫܵܐ ܟܡܵܐ ܐܸܢ ܚܲܝܵܐ ܗ̄ܝܼ ܘܠܵܐ ܡܸܬܼܩܲܝܡܵܐ ܣܵܥܘܿܪܘܼܬܼܵܗ̇ ܒܸܠܥܵܕܼ ܓܘܼܫܡܵܐ ܀ :ܠܵܗ̇ ܘܲܠܓܼܘܼܫܡܵܐ ܨܒܼܵܐ ܒܼܵܘܿܝܵܐ ܕܢܸܩܪܸܐ ܨܲܠܡܹܗ ܘܐܲܝܟܲܢ ܡܲܨܝܵܐ ܕܒܸܠܥܵܕܼ ܓܘܼܫܡܵܐ ܬܨܘܼܪ ܣܘܼܥܪ̈ܵܢܹܐ ܀
English
It was not fitting that the separation of the treasure be divided and dried up, but that it has no existence apart from the body, which is heavy upon the water. It was not that the small formation diminished his wisdom and hid his treasures, but that he is not a hypostasis that can be held in his hands. It was not that the swiftness of his running was in vain, but that he is not a body that the wanderer could ride. It was not that the rays of light were darkened for their eyes, so that they could not see well in the depths, but that the mouth brings forth words, and death shuts it. Her freedom did not taste the daughter of freedoms over that silence, but that the body of her love is silent over that partnership. The mourner is grieved over her beloved, who separated from her, and is not comforted by earthly disturbances. The silent one watches over his destiny wisely, until the hearer hears the voice that calls him to his death. For he cannot do anything without him, just as he himself has no existence without her. One human being is established, and when he is established, the whole is completed; half of a human being is filled without its other half. Half of a human being is the soul, for it is living, and its activity cannot be sustained without the body. For it and the body desire that his image be called, and how can actions be formed without the body?
dsc-93:22 · narrativemedium
Source
ܒܓܼܘܼܫܡܵܐ ܝܲܗ̣̄ܒܼ ܠܵܗ̇ ܠܲܡܚܵܘܵܝܘܼ ܚܹܝܠ ܚܸܟܼ̈ܡܵܬܼܵܗ̇: ܘܠܵܐ ܐܵܦܸܣ ܠܵܗ̇ ܐܵܦܠܵܐ ܒܫܸܢܬܹܗ ܕܬܸܣܥܘܿܪ ܡܸܕܸܿܡ ܀ :ܕܵܡܝܼܟ ܦܲܓܼܪܵܐ ܐܵܦ ܗܝ̤ ܥܲܡܹܗ ܟܲܕܼ ܠܵܐ ܕܵܡ̇ܝܵܐ ܥܕܲܡ̇ܐ ܕܩܵܐܹ̇ܡ ܠܵܐ ܡܸܬܿܬܿܥܝܼܪܵܐ ܠܵܘܵܬܼ ܦܘܼܠܚܵܢܵܗ̇ ܀ :ܘܐܸܢܗܘ̤ ܕܕܲܡܝܼܟ ܠܵܐ ܐܸܬܼܡܲܨܝܲܬ̤ ܕܐܸܣܥܘܿܪ ܡܸܕܸܿܡ ܐܲܝܟܲܢ ܡܲܨܝܵܐ ܗܵܫܵܐ ܕܵܛܒܼܝܼܥ ܒܫܸܢܬܼܵܐ ܕܡ̇ܘܬܵܐ ܀ :ܐܸܢ ܟܲܕܼ ܫܲܪܝܼܪ ܪܘܼܟܵܒܼ ܦܲܓܼܪܹܗ ܠܵܐ ܙܸܡܪܲܬ ܒܹܗ ܠܲܝܟܲܢ ܙܵܡ̇ܪܵܐ ܗܵܫܵܐ ܕܥܒܼܝܼܕܼ ܡܸܕܼܪܵܐ ܫܝܼܛܵܐ ܀ :ܐܸܢ ܟܲܕܼ ܒܹܗ ܗ̄ܘ̣ܵܬܼ ܚܓܝܼܪ ܗ̄ܘ̣ܵܐ ܪܵܗܛܵܗ̇ ܒܫܸܢܬܼܵܐ ܕܟܹܿܐܒܹ̈ܐ ܟܡܵܐ ܟܲܝ ܫܵܠ̇ܝܵܐ ܗܵܫܵܐ ܕܢܸܦܩܲܬ̤ ܡ̣ܢ ܗܲܕܵܡ̇ܘ̈ܗܝ ܀ :ܕܫܵܠ̇ܝܵܐ ܐܸܡ̇ܪܹܬܼ ܡ̣ܢ ܣܘܼܥܪ݁ܵܢܹܐ ܠܵܘ ܡ̣ܢ ܚܲܝܹ̈ܐ ܕܠܲܝܬܿ ܠܲܟܼܝܵܢܵܗ̇ ܕܢܵܘܦܸܐ ܡܸܢܵܗ̇ ܚܹܝܠ ܚܲܝܘܼܬܼܵܐ ܀ :ܒܵܗ̇ ܗ̄ܘ̣ ܥܘܼܬܼܪܵܐ ܟܡܵܐ ܐܸܢ ܢܸܦܩܲܬ̤ ܡ̣ܢ ܓܵܘ ܒܲܝܬܵܗ̇ ܡܸܣܟܹܿܢܵܐ ܠܲܝܬܿ ܕܲܬܼܦܲܪܢܸܣ ܒܹܗ ܐܲܝܟ ܕܲܒܼܩܲܕܼܡ̇ܐ ܀ :ܒܵܗ̇ ܗ̄ܝܼ ܡܸܠܬܼܵܐ ܟܡܵܐ ܐܸܢ ܫܵܠ̇ܝܵܐ ܡ̣ܢ ܣܘܼܥܪ݁ܵܢܹܐ ܠܸܫܢܵܐ ܠܲܝܬܼܿ ܕܲܬܿܬܲܪܓܸܿܡ ܒܹܗ ܚܹܝܠ ܚܸܟܼ̈ܡܵܬܼܵܗ̇ ܀ :ܒܵܗ̇ ܗ̄ܘ̣ ܗܵܘܢܵܐ ܢܸܫܪܵܐ ܕܲܩܢܸܐ ܦܵܪܘܿܚܘܼܬܼܵܐ ܗܲܕܵܡܹ̈ܐ ܠܲܝܬܿ ܕܢܸܗܘܘܿܢ ܓܸܦܹ̈ܐ ܠܩܲܠܝܼܠܘܼܬܼܵܗ̇ ܀ :ܒܵܗ̇ ܗ̄ܘ̣ ܒܲܨܪܵܐ ܩܹܘܒܲܪܢܹܝܛܵܐ ܡܗܝܼܪ ܒܹܝܬܼ ܓܼܠܠܹ̈ܐ ܐܲܪܡܹܢܘܿܢ ܠܲܝܬܿ ܕܚܵܒܹ̇ܫ ܪܘܼܚܵܐ ܠܓܼܵܘ ܡ̣ܢ ܥܘܼܒܹܿܗ ܀ :ܒܵܗ̇ ܐܝܼܬܲܝܗܘܿܢ ܙܵܘܥܹ̈̄ܐ ܥܘܼ̈ܒܹܿܗ ܩܲܢܝܲܝ̈ ܪܘܼܚܵܐ ܡܲܠܵܚܵܐ ܠܲܝܬܿ ܕܢܚܘܼܪ ܫܲܦܝܼܪ ܠܘܵܬܼ ܘܲܥܕܲܝ̈ܗܘܿܢ ܀ :ܒܵܗ̇ ܟܠ ܡܸܕܸܿܡ ܕܐܝܼܬܼ ܠܲܟܼܝܵܢܵܗ̇ ܕܠܵܐ ܫܘܼܓܼܢܵܝܵܐ ܟܝܵܢܵܐ ܘܡܸܠܬܼܵܐ ܘܚܹܝܠ ܚܲܝܘܼܬܼܵܐ ܟܲܕܸ ܫܲܬܿܝܼܩܝܼܢ ܀
English
In the body she gave to show her power of wisdom, and she did not diminish, nor in her rest does she accomplish anything. The body sleeps, and she with it, while not sleeping, until she stands, not to be awakened, toward her work. And if while sleeping she was not able to accomplish anything, how can she now be active in the rest of death? If while the union with her body was firm she was not able in it, how can she now sing, having made a different song? If while in it her course was confined in the rest of pains, how can she now be at rest, having departed from its members? That she is at rest I said from activities, not from life, for there is no nature for her from which the power of vitality might be removed. In her is the wealth; how, if she departed from within her house, there is no vessel in which to distribute it as before? In her is the word; how, if she is at rest from activities, there is no tongue in which to interpret the power of her wisdom? In her is the air, the dwelling of the spirit of flight; there are no members that become wings for her lightness. In her is the flesh, the subtle body, skilled in the house of waves; there is no arm that can confine the spirit within from its depth. In her exist the movements, the depths of the spirit, firm; there is no sailor who looks well toward their appointments. In her is everything that belongs to her nature without confusion: nature, word, and power of vitality, while they are silent.
dsc-93:23 · narrativehigh
Source
:ܟܲܕ ܫܲܬܿܝܼܩܼܝܼܢ ܠܵܘ ܟܠ ܟܠܹܗ ܒܲܕܼܡܘܼܬܼ ܦܲܓܼܪܵܐ ܐܸܠܵܐ ܕܲܫܠܹܝܢ ܡ̣ܢ ܣܘܼܥܪ̈ܵܢܹܐ ܕܲܒܼܝܲܕܼ ܪ̈ܚܼܫܹܐ ܀ :ܫܠܹܝܢ ܠܵܘ ܫܵܠܵܝܵܐ ܕܠܵܐ ܦܘܼܪܫܵܢܵܐ ܐܲܝܟ ܗܲܕܵܡܹ̈ܐ ܐܸܠܵܐ ܥܝܼܪܝܼܢ ܘܐܵܦ ܡܸܬܼܚܲܫܒܼܝܼܢ ܘܠܲܝܬܼ ܦܘܼܠܚܵܢܵܐ ܀ :ܕܠܵܐ ܦܘܼܠܚܵܢܵܐ ܡܩܵܘܝܵܐ ܢܲܦܫܵܐ ܡ̇ܐ ܕܐܸܬܿܕܲܒܼܪܲܬ̤ ܒܲܕܼ ܠܲܝܬܿ ܡ̇ܐܝܣܵܐ ܕܐܘܼܡ̇ܢܘܼܬܼܵܐ ܕܬܸܬܼܚܲܫܲܚ ܒܹܗ ܀ :ܠܲܝܬܿ ܢܲܓܵܪܵܐ ܕܲܡܨܸܐ ܦܵܠܲܚ̇ ܒܸܠܥܵܕܼ ܥܸܫܦܵܐ ܘܠܵܘ ܩܲܝܢܵܝܵܐ ܕܐܵܪܹܫ ܒܐܝܼܕܼܵܘ̈ܗܝ ܕܠܵܐ ܐܲܪܙܲܦܬܵܐ ܀ :ܠܲܝܬܿ ܡܲܠܵܚܵܐ ܕܪܵܕܹܐ ܒܝܲܡܵܐ ܒܸܠܥܵܕܼ ܐܸܠܦܵܐ ܘܠܵܐ ܨܵܝܵܕܼܵܐ ܕܨܵܐܹ̇ܕ ܢܘܼܢܹ̈ܐ ܕܠܵܐ ܟܸܬܵܢܹ̈ܐ ܀ :ܠܵܐ ܐܝܼܬܼ ܠܢܲܦܫܵܐ ܐܸܠܦܵܐ ܕܩܲܝܣܹ̈ܐ ܦܲܓܼܪ̈ܵܢܵܝܹܐ ܥܲܠ ܗܵܝ̇ ܫܲܠܝܵܐ ܡ̣ܢ ܡܲܪܕܿܝܼܬܼܵܐ ܕܝܲܡܵܐ ܡܠܝܼܠܵܐ ܀ :ܠܲܝܬܿ ܠܵܗ̇ ܥܸܫܦܵܐ ܒܸܣܪܵܢܵܝܬܵܐ ܨܒܼܝܼܥܲܬܼ ܒܲܕܼܡ̇ܐ ܥܲܠ ܗܵܝ̇ ܒܲܛܝܼܠ ܪܘܼܟܵܒܼ ܩܲܝܣܹ̈ܐ ܕܦܵܪܘܿܫܘܼܬܼܵܗ̇ ܀ ܒܵܗ̇ ܩܲܝܡܵܐ ܐܘܼ ܡ̇ܢܘܼܬܼܵܗ̇ ܐܲܝܟ ܕܲܒܼܦܲܓܼܪܵܐ: ܐܲܝܟ ܐܘܿ ܡ̇ܢܵܐ ܕܢܵܛܲܪ ܗܵܘܢܹܗ ܠܐܘܼܡ̇ܢܘܼܬܹܗ ܀ :ܗܵܟܲܢ ܫܸܦܪܵܬ̤ ܠܗܵܘ̇ ܠܐܘܼܡ̇ܢܵܐ ܪܲܒܿ ܐܘܼ ܡ̇ܢܹ̈ܐ ܕܒܸܠܥܵܕܼ ܦܲܓܼܪܵܐ ܠܵܐ ܬܸܬܲܓܲܪ ܒܐܲܪ̈ܥܵܢܝܵܬܼܵܐ ܀ :ܠܵܗ̇ ܘܲܠܦܲܓܼܪܵܐ ܡ̣ܠܲܟ ܦܘܼܪܥܵܢܵܐ ܘܲܓܼܙܵܪ ܕܝܼܢܵܐ ܘܐܲܟܚ̄ܕܼ ܚܵܪܬܿܝܼܢ ܛܘܼܒܹ̈ܐ ܕܪܵܘܡ̇ܐ ܘܢܸܓܼ̈ܕܹܿܐ ܕܐܲܪܥܵܐ ܀ :ܠܗܵܘ̇ ܦܘܼܪܥܵܢܵܐ ܡܣܲܟܹܿܝܢ ܐܲܟܲܚ̄ܕܼ ܗܝ̤ ܘܲܪܚܘܼܡ̇ܗ̇ ܘܲܟܼܡܵܐ ܕܫܲܬܿܝܼܩ ܦܲܓܼܪܵܐ ܒܩܲܒܼܪܵܐ ܐܵܦ ܗܝ̤ ܒܚܲܝܹ̈ܐ ܀ :ܒܚܲܝܹ̈ܐ ܚܓܼܝܼܪܹ̈ܐ ܫܲܠܝܵܐ ܗܵܫܵܐ ܕܠܵܐ ܗܲܠ̈ܟܼܵܬܼܵܐ ܒܗܵܘ̇ ܐܸܣܟܹܿܡܵܐ ܕܟܲܕܼ ܐܝܼܬܲܝܗܘܿܢ ܥܘܸܠܹ̈ܐ ܒܟܲܪܣܵܐ ܀
English
When she is still, not all of her is in the likeness of the body, but she rests from the activities that are by means of the senses. She rests, not the rest of the members without distinction, but she is awake and also considered, and there is no action. Without action the soul abides, when she has been conducted, for there is no instrument of the craft by which she might be exercised. There is no potter who can work without clay, nor a carpenter who builds with his hands without an axe. There is no sailor who sails the sea without a ship, nor a fisherman who catches fish without nets. The soul has no ship of bodily timbers upon that rest from the eloquent sea's agitation. She has no clay, a vessel dyed with blood, upon that rest of the timbers of her separation. In her stands her craft, as in the body, as when a craftsman holds his craft. Thus she is fitting for that great craft of crafts, which without the body is not practiced in earthly things. To her and to the body is allotted recompense and judgment, and together they will enjoy the blessings of height and the thorns of the earth. For that recompense she and her companion are suited together, and as long as the body is still in the grave, she also is in life. In a life of bonds she is now still, without movements, in that form as when infants are in the womb.
dsc-93:24 · narrativehigh
Source
:ܗܘ̤ܝܘܼ ܟܲܕܼ ܗܘ̤ ܚܲܝܠܵܐ ܕܩܲܢܝܵܐ ܒܟܲܪܣܵܐ ܘܲܠܒܲܪ ܘܲܟܼܡܵܐ ܕܐܲܚܝܼܕܼ ܬܪܲܥ ܡܲܦܲܩܬܵܐ ܟܠܝܵܐ ܐܵܦ ܗܝ̤ ܀ :ܗܝ̤ ܗ̄ܝܼ ܒܟܲܪܣܵܐ ܘܲܒܼܓܼܵܘ ܫܸܢܬܼܵܐ ܘܲܒܼܓܼܵܘ ܩܲܒܼܪܵܐ ܘܚܲܟܿܝܼܡܵܐܝܼܬܼ ܢܵܛ̇ܪܵܐ ܛܲܟܼܣܵܐ ܕܝܼܠܵܗ̇ ܘܕܼܝܼܠܹܗ ܀ :ܠܲܝܬܼ ܠܵܗ̇ ܕܬܸܚܛܹܐ ܘܠܵܐ ܕܬܸܙܕܲܕܲܩ ܐܸܠܵܐ ܐܸܢ ܒܹܗ ܘܠܵܐ ܕܲܬܼܪܲܟܸܿܒܼ ܦܚܵܣܵܐ ܘܡܸܠܹ̈ܐ ܡ̣ܢ ܒܸܠܥܵܕܵܘܗܝ ܀ :ܐܸܠܘܼ ܡܲܨܝܵܐ ܗܝ̤ ܒܲܠܚܘܿܕܹܝܗ̇ ܠܡܸܙܕܲܕܵܩܘ̣ ܗܵܐ ܡ̣ܢ ܟܲܕܿܘܼ ܦܪ݂ܲܥ ܗ̄ܘ̣ܵܐ ܥܵܘ̣ܠܵܐ ܕܕܼܵܪܹ̈ܐ ܩܲܕܼܡܹ̈ܐ ܀ :ܐܸܠܘ̣ ܦܫܝܼܩ ܗ̄ܘ̣ܵܐ ܠܢܲܦܫܹܗ ܕܐܵܕܼܵܡ ܠܡܸܦܪܲܥ ܕܲܚܛܵܬ̤ ܠܲܝܬܿ ܗ̄ܘ̣ܵܐ ܫܲܪܒܵܐ ܡ̣ܢ ܣܲܟܼܠܘܼܬܼܵܐ ܕܲܒܼܦܲܪܣܣܵܐ ܀ :ܘܐܸܠܘ̣ ܦܪ݂ܲܥ ܗ̄ܘ̣ܵܐ ܐ̄ܫܛܵܪ ܝܵܘ̈ܒܵܬܼܵܐ ܕܐܲܝܠܹܝܢ ܕܲܥܢܲܕܘ ܠܲܝܬܿ ܗ̄ܘ̣ܵܐ ܕܝܼܢܵܐ ܘܠܵܐ ܬܲܒܼ̈ܥܵܬܼܵܐ ܥܲܡ ܩܲܕܼܡ̇ܝܹ̈ܐ ܀ ܕܩܲܝܵܡ ܕܝܼܢܵܐ ܣܸܦܪܹ̈ܐ ܩܵܥܹ̇ܝܢ ܐܲܝܟ ܫܝܼܦܘܼܪܹ̈ܐ: ܘܲܕܼܠܲܝܬܿ ܥܲܡܠܹ̈ܐ ܠܢܲܦܫܵܐ ܠܚܘܿܕܹܝܗ̇ ܟܝܵܢܵܐ ܣܵܗܹ̇ܕܼ ܀ :ܡ̇ܕܹܝܢ ܚܲܝܵܒܼ ܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܠܡܸܦܪܲܥ ܕܲܚܛܵܘ ܥܲܕܼܠܵܐ ܦܵܪ݁ܫܝܼܢ ܚܲܕܼ ܡ̣ܢ ܚܵܒܼܪܹܗ ܘܒܼܵܛܹ̇ܠ ܥܲܡܠܵܐ ܀ :ܡ̇ܕܹܝܢ ܙܵܕܹܿܩ ܠܡܸܙܕܲܕܵܩܘܼ ܠܟܼܠܹܗ ܐ̄ܢܵܫܵܐ ܥܲܕܼܠܵܐ ܐܵܬܹܿܐ ܡ̇ܘܬܵܐ ܝܲܥܢܵܐ ܘܒܼܵܠܲܥ ܦܲܓܼܪܹܗ ܀ :ܬܵܘ ܡ̇ܝܘܼܿܬܹ̈ܐ ܠܦܘܼܚܘ ܙܸܕ̈ܩܵܬܼܵܐ ܥܲܕܼ ܚܲܝܝܼܢ ܐ̄̇ܢܬܿܘܿܢ ܕܒܼܵܬܲܪ ܡ̇ܘܬܵܐ ܠܲܝܬܿ ܦܘܼܠܚܵܢܵܐ ܕܫܲܦܝܼܪ ܘܲܣܢܹܐ ܀ :ܬܵܘ ܢܸܬܼܟܲܫܲܦ ܒܦܲܓܼܪܵܐ ܘܢܲܦܫܵܐ ܠܪ̈ܲܚܡܹܐ ܕܓܲܒܼ݂ܠܘܼܢ ܕܲܢܦܲܨܘܿܢܵܢ ܡ̣ܢ ܫܘܼܢܵܩܵܐ ܕܠܵܐ ܫܘܼܠܵܡܵܐ ܀
English
When she is in the womb and outside, and as long as the gate of the exit is held shut, she also is still. She is in the womb and in the grave and in the tomb, and wisely she preserves the order of herself and of him. She has no means to sin or to be justified except through him, nor to acquire merit or demerit apart from him. If she were able to be justified by herself alone, then the iniquity of former generations would have been repaid long ago. If it were easy for Adam himself to atone for sins, there would be no lineage from the folly of the cross. And if the debt of those who passed away had been paid, there would be no judgment and no claims with the ancients. The books cry out that judgment stands like trumpets, and nature bears witness that there are no labors for the soul by itself. As long as the body and the soul are liable to atone for sins, until one is separated from the other and labor ceases. As long as it is fitting for the whole man to be justified, until death comes, that is, and devours his body. Come, O mortals, to the works of righteousness while you live, for after death there is no opportunity for good or evil. Come, strive in body and soul for the mercy of the Creator, that you may be delivered from the abyss without end.
Citation. Tergwame, “On the Soul”, dsc-93:1, machine-draft, 2026. https://naxiai.com/christian/works/dsc-93#s1
Colophon. Source: syriac · licence: CC BY 4.0 · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0153 · generated 2026-11-15.