Work dossier · summary and historical context
This metrical homily (memra) by Narsai (d. ca. 503) allegorizes the parable of the workers in the vineyard (Matt 20:1–16). Narsai reworks the Gospel narrative as a spiritual allegory of awakening from worldly passions, using Syriac ascetic metaphors such as 'drunkenness' (šakīrātā) for attachment to sin and 'sobriety' (ʿīrūtā) for vigilance. The homily, preserved in a single or limited number of Syriac manuscripts, reflects the East Syriac liturgical tradition and employs typical Narsaian exegetical and poetic forms, including the trope of sin compounding sin.
This memra exemplifies Narsai's allegorical method and his adaptation of Gospel parables for ascetic instruction in the East Syriac tradition. It relates to earlier Syriac literature, such as Ephrem's hymns on the vineyard, and to the broader patristic tradition of spiritual exegesis. Its survival, though in a limited manuscript base, offers insight into late antique Syriac homiletics and the reception of Matthew's Gospel in the Church of the East.
Narsai (d. ca. 503) was a leading theologian and poet of the Church of the East, active in the late 5th to early 6th century, primarily at the School of Edessa and later at Nisibis. This memra was composed in Syriac, the liturgical and literary language of the East Syriac tradition. The work survives in later manuscripts, with the earliest witness not specified in the source edition; the manuscript tradition is limited, possibly a single codex. Narsai's homilies were used in the East Syriac lectionary, but this specific memra's place in the liturgy or later commentary tradition is undocumented. The text is a metrical homily (memra) of 670 verses, a genre typical of Narsai, blending exegesis, allegory, and ascetic exhortation. The source edition provides no translation or critical apparatus, and the English rendering is a modern draft.
Apparatus · what the pipeline recorded
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