Work dossier · summary and historical context
Narsai's memrā on the Passion is a metrical homily composed in Syriac isosyllabic couplets, likely in the late fifth century at the School of Edessa or Nisibis. It treats the Passion narrative in a didactic, homiletic register, drawing on biblical typology and reflecting Narsai's anti-Chalcedonian Christology. The text survives in a single East Syriac manuscript (Vatican Syr. 113) from the 9th–10th century, with no West Syriac liturgical reception. Its transmission is limited to East Syriac collections of festal memrē. The edition notes scribal corrections but lacks collation with other witnesses, and no translation or commentary on key theological terms is provided.
This memrā is a key witness to Narsai's Christological thought and the development of East Syriac homiletic literature. It illustrates how biblical narrative was adapted for didactic purposes in the late antique Church of the East, and its typological exegesis (e.g., Adam/Christ parallels) reflects broader Syriac theological traditions. The work's survival in a single manuscript underscores the fragility of the textual tradition and the need for careful study of its transmission.
Narsai (d. ca. 503) was a leading theologian of the Church of the East, active at the School of Edessa until its closure in 489, then at the newly founded School of Nisibis. This memrā on the Passion was composed in the late fifth century, a period of intense Christological controversy following the Council of Chalcedon (451). Narsai's works, including this homily, articulate a dyophysite Christology that emphasizes the distinct natures of Christ, often in implicit polemic against Chalcedonian and miaphysite positions. The memrā belongs to the genre of memrā (metrical homily), a staple of East Syriac liturgical and catechetical literature. Its manuscript transmission is late: the earliest witness, Vatican Syr. 113, dates to the 9th–10th century, and the text survives only in East Syriac collections, indicating a restricted reception within the Church of the East. The lack of West Syriac attestation and the absence of collation with other manuscripts caution against assuming the text's exact original form.
Apparatus · what the pipeline recorded
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