Syriac · Other · Second half of the fifth century CE
Narsai · syriac
Work dossier · summary and historical context
Narsai's memrā on the Parable of the Ten Virgins is a metrical homily in Syriac, likely composed in the late fifth century. It survives in a single 19th-century manuscript (Vat. Syr. 113) copied from a 13th-century exemplar, with a fragmentary witness in Baghdad. The work is attributed to Narsai (d. ca. 503) based on stylistic criteria and later East Syriac lists, lacking a contemporary colophon. It was read during the East Syriac liturgical season of the Apostles, from Pentecost to the Feast of the Cross, as part of the 'memrē of the week' cycle. The text remains unedited in a critical edition, and textual variants between witnesses have not been collated.
This memrā is a rare witness to Narsai's exegetical method and his use of allegory, particularly the metaphor of 'treasure' (ܓܲܙܵܐ) for hidden scriptural meaning. It also illustrates the integration of Theodore of Mopsuestia's theology into East Syriac liturgy. The work's survival, despite fragmentary transmission, highlights the importance of later manuscript copies for preserving early Syriac literature.
Narsai was a leading theologian and poet of the East Syriac (Church of the East) tradition, active in the School of Edessa and later in Nisibis. His works reflect the exegetical methods of Theodore of Mopsuestia, whose influence pervades this memrā. The homily was composed for liturgical use, likely in the late fifth century, within the Syriac-speaking Christian communities of Mesopotamia under Sasanian rule. The sole surviving manuscript, Vat. Syr. 113, is a 19th-century copy of a 13th-century exemplar, indicating a continuous but narrow transmission. The fragmentary Baghdad witness suggests wider circulation, but the lack of collation leaves scribal interventions unassessed. The work's genre, a memrā (metrical homily), was typical for liturgical instruction and exegesis in the East Syriac tradition.
Apparatus · what the pipeline recorded
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