ት Tergwame Greek · Coptic · Ethiopic · Syriac · Armenian · Georgian · Latin

Syriac · Other · Late 7th century CE

Discourse 76

Isaac of Nineveh · syriac

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machine-draft · no human review 4 passages · 898 words

Work dossier · summary and historical context

Summary

Discourse 76 by Isaac of Nineveh (7th c.) is a Syriac ascetic treatise on spiritual knowledge and interior contemplation. It survives in a single 10th–11th c. manuscript (Vat. sir. 125) and was later excerpted in Greek (9th c.) and Latin (15th c.) translations, influencing Byzantine and Western ascetic theology. The discourse paraphrases Col 3:9–10, using the Peshitta version, and interprets the 'kingdom of God' as an interior, noetic reality. It reflects Isaac's Evagrian inheritance, emphasizing 'high contemplation' (theoria) as the highest stage of spiritual knowledge. The modern numbering is editorial; the original Syriac manuscript lacks such divisions.

Discourse 76 exemplifies Isaac's synthesis of Evagrian noetic theology with Syriac ascetic tradition, offering a non-eschatological, interior interpretation of the 'kingdom of God.' Its transmission from Syriac to Greek to Latin illustrates the cross-cultural flow of monastic spirituality in late antiquity and the Middle Ages, influencing figures such as Symeon the New Theologian and the Hesychast tradition.

Historical context

Isaac of Nineveh (c. 613–c. 700) was a bishop of the Church of the East who retired to a monastery in modern-day Iraq before 688. Discourse 76 belongs to the first part of his corpus, composed in Syriac, the liturgical and literary language of the East Syriac tradition. The work is a product of late 7th-century Mesopotamian monasticism, deeply influenced by Evagrius Ponticus and the Desert Fathers. The sole surviving Syriac witness, Vat. sir. 125 (10th–11th c.), is a manuscript from the Monastery of the Syrians in Egypt, indicating transmission through Syriac Orthodox circles. The discourse was later translated into Greek in the 9th century at the Mar Saba monastery, and into Latin in the 15th century, spreading Isaac's ascetic theology to Byzantine and Western monasticism. The modern division into numbered 'Discourses' is a scholarly construct; the original manuscript likely presented the text as a continuous collection.

Apparatus · what the pipeline recorded

Annotation and terms

24 commentary units 9 term4 background4 structure3 scripture3 caution1 sense 0 derived notes 8 open questions 4 narrative
What the kinds mean

Pipeline notes

  • coverageNo English translation was located by an automated check of the source corpus and one library catalogue. That is not evidence that none exists: the check matches English title words, so works catalogued under a Latin or original-language title are missed.
  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: other in classical Syriac; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 4 narrative.
  • sourceSource edition: syriac — CC BY 4.0

Term index

CopticRenderingCountFirst
no glossary terms recorded
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ܪܹ̈ܫܹܐ ܕܦܵܪܝܼ̈ܩܵܬܼܵܐ. ܥܘ. ܛܘܼܒܼܵܢܵܐ ܦܵܘܠܘܿܣ ܡܲܠܸܦ ܠܲܢ ܟܲܕܼ ܐܵܡܲ̈ܪ: ܫܘܼܠܚܘܼܗܝ ܠܒܲܪܢܵܫܵܐ ܥܲܬܝܼܩܵܐ: ܘܲܠܒܲܫܘ ܠܒܲܪܢܵܫܵܐ ܚܲܕܼܬܼܵܐ: ܗܵܘ̇ ܕܒܲܐܠܵܗܵܐ ܐܸܬܼܒܿܪܝܼ ܒܩܲܕܝܼܫܘܼܬܼܵܐ ܘܲܒܼܚܲܤܝܼܘܼܬܼܵܐ ܕܩܘܼܫܬܼܵܐ. ܟܲܕܼ ܠܵܐ ܐܸܡ݂ܲܪ: ܕܲܠܥܸܠ ܡ̣ܢ ܗܵܢܵܐ ܥܲܬܝܼܩܵܐ: ܠܘܼܒܼܫܘܼܗܝ ܠܚܕܼܬܼܵܐ. ܝܑܼܕܲܥ̣ ܓܹܝܪ: ܕܠܵܐ ܡܲܨܝܵܐ. ܚܙܝܼ ܐܲܝܟܲܢ ܚܲܟܼܝܼܡܵܐܝܼܬܼ ܦܵܩܹ̇ܕ. ܠܵܐ ܐܸܡ݂ܲܪ ܕܲܠܒܲܫܘ ܒܲܪܢܵܫܵܐ ܚܲܕܼܬܼܵܐ: ܗܵܘ̇ ܕܡܸܬܼܚܲܕܲܬܼ ܒܝܼܕܲܥܬܼܵܐ ܕܐܲܠܵܗܵܐ. ܐܸܠܵܐ ܠܘܼܩܕܲܡ ܫܘܼܠܚܘܼܗܝ ܠܗܵܢܵܐ ܐܵܡܲ݁ܪ: ܘܗܵܝܕܹܝܢ ܗܵܘ̇ ܚܲܕܼܬܼܵܐ ܐܵܡܲ̈ܪ ܠܘܼܒܼܫܘܼܗܝ. ܐܲܝܟܼ ܕܐܵܦ ܒܕܼܘܼܟܿܬܼܵܐ ܐ̄ܚܪܹܬܼܵܐ ܐܸܡ݂ܲܪ ܓܪܝܼܡܵܐܝܼܬܼ: ܕܒܸܤܪܵܐ ܘܲܕܼܡܵܐ ܡܲܠܟܿܘܼܬܼܵܐ ܕܐܲܠܵܗܵܐ ܠܵܐ ܝܵܪܬܝܼܢ: ܘܐܦܠܵܐ ܚܒܼܵܠܵܐ ܝܵܪܹܬܼ ܠܵܐ ܡܸܬܼܚܲܒܿܠܵܢܘܼܬܼܵܐ. ܠܵܐ ܡܸܬܼܚܲܒܿܠܵܢܘܼܬܼܵܐ: ܠܝܼܕܲܥܬܼܵܐ ܕܗܵܘ̇ ܥܵܠܡܵܐ ܐܵܡܲ݁ܪ. ܚܒܼܵܠܵܐ ܘܒܸܤܪܵܐ ܘܲܕܼܡܵܐ: ܠܗܘܿܢ ܠܚܲܫܹ̈ܐ ܡܚܲܒܿܠܵܢܹ̈ܐ ܕܢܲܦܫܵܐ ܘܲܕܼܦܲܓܼܪܵܐ ܡܟܲܢܸܐ: ܕܲܒܼܬܲܪܥܝܼܬܼܵܐ ܕܒܸܤܪܵܐ ܐܝܼܬܼܵܘܗܝ ܐܲܬܼܪܵܐ ܕܙܵܘܥܗܘܿܢ. ܒܲܪܬܵܫܵܐ ܚܲܕܼܬܼܵܐ: ܠܵܗ̇ ܠܕܲܟܼܝܘܬܼܵܐ ܩܵܪܹܐ. ܡܲܠܟܿܘܼܬܼܵܐ ܕܐܲܠܵܗܵܐ: ܠܬܹܐܪܘܿܝܼܵܐ ܪܵܡܬܼܵܐ ܘܡܸܬܼܝܲܕܼܥܵܢܝܼܬܼܵܐ ܕܙܵܘ̈ܥܹܐ ܛܘܼܒܼ̈ܬܼܵܢܹܐ ܕܨܸܡ̈ܚܹܐ ܐܝܼܬܼܝܚܹ̈ܐ: ܕܲܠܢܲܦܫܵܐ ܚܤܝܼܬܼܵܐ ܒܲܠܚܘܿܕܼ ܫܲܠܝܼܛ ܠܡܸܥܲܠ: ܒܝܲܕܼ ܙܵܘ̈ܥܹܝܗ̇ ܠܵܐ ܡܸܬܼܚܲܒ̈ܠܵܢܹܐ ܕܐܸܬܿܬܿܪܝܼܡܘ: ܠܥܸܠ ܡ̣ܢ ܚܒܼܵܠܵܐ ܘܒܸܤܪܵܐ ܘܲܕܼܡܵܐ.
English
The heads of the chapters. 76. The blessed Paul teaches us when he says: Put off the old man and put on the new man, who was created by God in the holiness and chastity of truth. He did not say: Without putting off the old, put on the new. For he knew that it is not possible. See how wisely he commands. He did not say: Put on the new man, who is renewed by the knowledge of God. But first he says: Put off this one, and then he says: Put on the new one. As also in another place he said harshly: Flesh and blood do not inherit the kingdom of God, nor does corruption inherit incorruption. Incorruption, he says, belongs to the knowledge of that world. Corruption and flesh and blood belong to the destructive passions of the soul and the body, which are indicated by the term flesh. The new man he calls purity. The kingdom of God he calls the high and knowable contemplation of the blessed movements of spiritual growths, which it is permitted only to the hidden soul to enter, by its incorruptible movements that have been raised above corruption and flesh and blood.
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ܐܸܢ ܠܵܐ ܡܕܲܟܲܝ ܒܵܒܼܘܿܢܵܐ ܙܥܘܿܪܵܐ ܕܢܲܦܫܵܟܼ: ܠܵܐ ܬܲܡܪܲܚ ܠܡܲܨܵܕܼܘܼ ܒܫܸܡܫܵܐ: ܕܠܵܐ ܬܸܬܼܓܠܸܙ ܡ̣ܢ ܚܙܵܬܼܵܐ ܕܲܥܝܵܕܼܵܐ: ܘܬܸܫܬܿܕܸܐ ܠܚܲܕܼ ܡ̣ܢ ܐܲܬܼܪ̈ܵܘܵܬܼܵܐ ܗܵܢ̇ܘܿܢ ܡܸܬܼܝܲܕܼ̈ܥܵܢܹܐ: ܕܗ̤ܘܝܘܼ ܛܲܪܛܵܪܘܿܣ ܕܐܝܼܬܼܵܘܗܝ ܛܘܼܦܤܵܐ ܕܲܫܝܼܘܿܠ. ܗܵܢܵܘ ܕܹܝܢ: ܚܸܫܟܵܐ ܕܲܠܒܲܪ ܡ̣ܢ ܐܲܠܵܗܵܐ. ܕܐܲܝܠܹܝܢ ܕܲܠܒܲܪ ܡ̣ܢ ܟܝܵܢܵܐ ܢܵܦ̇ܩܝܼܢ ܒܙܵܘ̈ܥܹܐ ܕܗܵܢܘܗܘܿܢ: ܠܬܲܡܵܢ ܡܸܬܬܵܘܫܝܼܢ ܒܲܟܼܝܵܢܵܐ ܗܵܘ̇ ܝܵܕܼܘܿܥܵܐ ܕܲܩܢܹܝܢ. ܡܸܛܠܗܵܢܵܐ ܐܵܦ ܗܵܘ̇ ܕܐܲܡܪܲܚ ܠܡܸܥܲܠ ܒܢܲܚ̈ܬܹܐ ܨܵܐܹ̈ܐ ܠܡܸܫܬܘܼܬܼܵܐ: ܠܗܵܢܵܐ ܚܸܫܟܵܐ ܕܠܒܲܪ ܐܸܬܼܦܩܸܕܼ ܕܢܸܫܬܿܕܹܐ. ܡܸܫܬܘܼܬܼܵܐ ܡܸܬܼܐܲܡܪܵܐ: ܚܙܵܬܼܵܐ ܕܝܼܕܲܥܬܼܵܐ ܪܘܼܚܵܢܵܝܬܼܵܐ. ܬܘܼ̈ܩܵܢܹܐ ܕܒܼܵܗ̇: ܤܒܼܝܼܤܘܼܬܼ ܐ̄ܪ̈ܵܙܹܐ ܐܲܠܵܗܵܝܹ̈ܐ: ܡܲܠܝܼܚ̈ ܚܲܕܼܘܼܬܼܵܐ ܘܲܪܘܵܙܵܐ ܘܒܼܘܼܤܵܡܵܐ ܕܢܲܦܫܵܐ. ܠܒܼܘܼܫܵܐ ܕܡܸܫܬܘܼܬܼܵܐ: ܠܐܸܤܛܠܵܐ ܕܕܲܟܼܝܘܼܬܼܵܐ ܡܫܲܡܲܗ. ܢܲܚ̈ܝܬܹܐ ܕܹܝܢ ܨܵܐܹ̈ܐ: ܠܙܵܘ̈ܥܹܐ ܚܲܫܵܢܵܝܹ̈ܐ ܕܲܡܟܲܬܡܝܼܢ ܒܢܲܦܫܵܐ. ܚܸܫܘܿܟܼܵܐ ܒܲܪܵܝܵܐ: ܠܒܲܪ ܡ̣ܢ ܟ̱ܠܹܗ ܒܘܼܤܵܡܵܐ ܕܝܼܕܲܥܬܼܵܐ ܕܲܫܪܵܪܵܐ ܘܒܲܝܬܵܝܘܼܬܼܵܐ ܐܲܠܵܗܵܝܬܼܵܐ.
English
If you do not cleanse the small opening of your soul, do not hasten to enter the sun, lest you be burned by the sight of the usual light and be cast into one of those well-known places, which is Tartarus, which is the type of Sheol. That is, the darkness outside of God. For those who go out from nature are shaken by the movements of their own, and are completely disturbed by that known cry of the heart. Because of this, even the one whom we said is to enter into the chambers of the pure is commanded to be cast into this outer darkness. The banquet is called the vision of spiritual knowledge. Its delights: the reception of divine mysteries, full of joy, exultation, and the delight of the soul. The garment of the banquet: the glorious stole of purity. The pure chambers: the spiritual movements that are hidden in the soul. The outer darkness: outside of all the delight of the knowledge of truth and divine familiarity.
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ܕܐܲܝܢܵܐ ܕܟܲܕܼ ܕܐܲܝܟܼ ܗܵܠܹܝܢ ܠܒܼܘܼ̈ܫܹܐ ܠܒܼܝܼܫ: ܡܲܡܪܲܚ ܠܲܡܗܲܓܵܓܼܘ ܒܡܲܕܥܹܗ ܪ̈ܵܡܵܬܹܗ ܕܐܲܠܵܗܵܐ: ܘܲܠܡܲܥܵܠܘܼ ܘܲܠܡܵܘܬܵܒܼܘܼ ܢܲܦܫܹܗ ܠܓܼܵܘ ܡ̣ܢ ܬܹܐܘܿܪ̈ܝܼܵܣ ܪ̈ܘܼܚܵܢܵܝܵܬܼܵܐ ܕܗܵܝ̇ ܡܸܫܬܘܼܬܼܵܐ ܩܲܕܝܼܫܬܼܵܐ ܕܒܲܕܼܟܼܝ̈ܵܐ ܒܲܠܚܘܿܕܼ ܡܸܬܿܕܲܢܚܵܐ: ܘܲܠܒܼܘܼܤܵܡܵܗ̇ ܟܲܕܼ ܥܦܸܐ ܒܒܼܘܼܤܵܡܵܐ ܕܚܲܫܹ̈ܐ ܨܵܒܹ̇ܐ ܕܢܼܸܫܬܵܘܬܲܦ: ܐܲܝܟܼ ܕܒܲܪ̈ܲܓܼܪ̈ܵܓܼܝܬܼܵܐ ܡܸܕܸܡ ܡܸܬܼܒܠܲܥ ܡܸܢܫܹܠܝ: ܘܡܸܬܿܕܚܸܐ ܡ̣ܢ ܬܲܡܵܢ ܠܐܲܬܼܪܵܐ ܕܠܵܐ ܨܸܼܡܚܵܐ: ܗܵܘ̇ ܕܡܸܫܬܲܡܲܗ ܫܝܘܿܠ ܘܐܲܒܼܕܵܢܵܐ. ܕܐܝܼܬܹܝܗ̇ ܠܵܐ ܝܼܕܲܥܬܼܵܐ: ܘܛܘܼܥܝܲܝ ܕܡ̣ܢ ܐܲܠܵܗܵܐ. ܐܲܡܝܼܪ ܓܹܝܪ: ܕܗܵܠܹܝܢ ܕܲܠܵܗܵܐ: ܡ̣ܢ ܢܲܦܫܗܹܝܢ ܐܵܬܼ̈ܝܵܢ: ܐܸܢ ܢܸܗܘܸܐ ܬܲܢܼܪܵܐ ܕܲܟܼܝܵܐ ܘܠܵܐ ܡܛܵܘܫܵܐ. ܗܵܝ̇ ܕܡ̣ܢ ܢܲܦܫܗܹܝܢ ܐܵܬܼ̈ܝܵܢ: ܕܢܹܐܡܲܪ: ܟܝܵܢܵܐܝܼܬܼ ܐܝܼܬܹܝܗ̇ ܠܕܲܟܼܝܘܼܬܼܵܐ ܕܢܲܙܠܸܓܼ ܒܵܗ̇ ܢܘܼܗܪܵܐ ܫܡܲܝܢܵܐ: ܕܠܵܐ ܥܘܼܩܵܒܼܵܐ ܘܥܲܡܠܵܐ ܕܝܼܠܲܢ. ܒܠܸܒܵܐ ܠܲܡ ܕܲܟܼܝܵܐ: ܫܡܲܝܵܐ ܚܕܲܬܵܐ ܡܸܬܿܛܲܒܼܥܵܐ. ܕܚܸܙܘܹܗ ܢܘܼܗܪܵܐ: ܕܐܲܬܼܪܹܗ ܪܘܼܚܵܢܵܐ. ܐܲܝܟܼ ܕܐܵܦ ܒܕܼܘܼܟܿܬܼܵܐ ܐ̄ܚܪܹܬܼܵܐ: ܐܲܝܟܲܢܵܐ ܕܟܹܐܦܵܐ ܡܲܓܼܢܵܛܝܼܣ ܒܚܲܝܠܵܗ̇ ܟܝܵܢܵܝܵܐ ܩܲܢܝܵܐ ܗܵܝ̇ ܕܬܸܬܿܘܿܦ ܨܹܐܕܹܝܗ̇ ܦܸܪ̈ܕܲܝ ܦܲܪܙܠܵܐ: ܗܵܟܲܢܵܐ ܝܑܼܕܲܥܬܼܵܐ ܪܘܼܚܵܢܵܝܬܼܵܐ ܠܠܸܒܵܐ ܕܲܟܼܝܵܐ. ܐܵܦܸܢ ܡܸܫܬܲܠܡܵܐ ܡ̣ܢ ܫܲܪܝܼܪܹ̈ܐ ܒܚܲܬܿܝܼܬܼܘܼܬܼܵܐ: ܕܠܲܝܬܿ ܪܸܥܝܵܢܵܐ ܠܵܐ ܡܸܬܼܚܲܠܨܵܢܵܐ ܕܠܲܓܼܡܵܪ ܡ̣ܢ ܬܲܚܠܘܼܨܵܐ ܕܓܼܘܼܪ̈ܵܓܹܐ ܚܲܫܵܢܵܝܹ̈ܐ ܒܚܲܝܹ̈ܐ ܕܲܬܢܵܢ. ܐܸܠܵܐ ܐܸܢܵܐ ܒܲܬܼܟܼܝܼܠܘܼܬܼܵܐ ܐܵܡܲ̈ܪ ܐ̄ܢܵܐ ܗܵܕܹܐ: ܘܠܵܐ ܩܵܢܹ̇ܛ ܐ̄ܢܵܐ ܡ̣ܢ ܫܪܵܪܹܗ ܕܢܸܤܝܵܢܵܐ.
English
of the sort that, when one is clothed in such garments, he hastens to discourse in his intellect upon the high things of God, and to enter and seat his soul within those spiritual theories of that holy feast which is partaken only by the pure, and to delight in its fragrance, when he is anointed with the fragrance of the passions, desiring to share in it, like those who are gluttonous, something is swallowed from me, and is cast from there to a place without growth, that which is called Sheol and Abaddon, which is ignorance and error from God. For it is said: Those who are of God, from themselves come the signs, if there is a pure and unclouded window. That which from themselves comes the signs: it is said that it is naturally the purity through which the heavenly light shines, without hindrance or effort on our part. In a pure heart, a new heaven is imprinted, whose vision is light, whose place is spiritual. As also in another place, like the magnet stone, which by its natural power draws iron filings to itself, so spiritual knowledge draws the pure heart. Moreover, it is completed by the faithful with confidence, that there is no thought that cannot be resolved without the resolution of the great and wise ones in the life of the world. But I say this with confidence, and I do not cut off from the truth of the mystery.
dsc-467:4 · narrativemedium
Source
ܕܐܲܝܢܵܐ ܕܲܡܥܲܛܲܦ ܠܒܼܘܼܫܵܐ ܕܐܸܒܼܠܵܐ ܒܬܲܪܥܝܼܬܹܗ: ܠܵܘ ܒܲܠܚܘܿܕܼ ܠܵܐ ܡܸܬܼܚܲܤܢܵܢܵܐ ܐܝܼܬܼܵܘܗܝ ܠܓܼܘܼܪ̈ܵܓܲܝ ܚܲܫܹ̈ܐ: ܐܵܘ ܓܲܢ̄ܒܵܪ ܒܲܩܪܵܒܼܵܐ ܕܥܲܡܗܘܿܢ ܘܙܲܟܵܝ: ܐܵܘ ܟܹܝܬܼ ܠܲܓܼܡܵܪ ܠܵܐ ܡܲܡܪܚܝܼܢ ܢܲܦܫܗܘܿܢ ܠܲܡܚܵܘܵܝܘܼ ܒܢܝܫܵܐ ܕܬܲܟܼܬܘܼܫܵܐ: ܐܸܠܵܐ ܕܐܵܦܠܵܐ ܡ̣ܢ ܪܘܼܚܩܵܐ ܠܡܸܚܠܲܦ ܩܕܼܵܡܹܝܗ̇ ܡܲܡܪܚܝܼܢ: ܕܐܲܝܟܵܐ ܕܐܝܼܬܹܝܗ̇ ܢܲܦܫܵܐ ܐܲܒܼܝܼܠܬܼܵܐ: ܕܲܥܒܼܝܼܕܼܵܐ ܗ̤ܝ ܠܵܗ̇ ܒܹܝܬܼ ܡܲܪܩܘܼܕܬܵܐ ܒܐܘܿܠ̈ܝܵܬܼܵܐ ܡܦܲܬܼ̈ܟܼܵܬܐ ܕܥܲܠ ܚܛܵܗܹ̈ܝܗ̇. ܘܐܲܝܟܼ ܗܵܝ̇ ܕܐܲܡܝܼܪܵܐ ܡ̣ܢ ܛܘܼܒܼܵܢܵܐ ܝܲܥܩܘܿܒܼ: ܒܩܲܒܼܪܵܐ ܥܵܒܼܕܵܐ ܥܘܼܡܪܵܗ̇: ܥܕܲܡܵܐ ܕܢܸܦܓܲܥ ܬܘܼܒܼ ܒܚܲܒܿܝܼܒܼܵܬ ܝܵܘܤܸܦ. ܐܲܝܟܵܐ ܕܐܝܼܬܹܝܗ̇ ܡܲܪܝܼܪܘܼܬܼܵܐ ܕܐܲܒܼܝܼܠܘܼܬܼܵܐ: ܕܬܸܥܘܿܠ ܗܲܢܝܼܐܘܼܬܼܵܐ ܕܚܲܫܹ̈ܐ ܕܐܹܡܲܪ: ܠܵܐ ܡܸܬܿܛܦܝܼܣ ܐ̄ܢܵܐ. ܐܸܢܵܐ ܕܹܝܢ ܐܵܡܲ݁ܪ ܐ̄ܢܵܐ: ܕܒܲܙܗܝܼܪܘܼܬܼܵܐ ܐܝܼܬܼܵܘܗܝ ܦܘܼܠܚܵܢܹܗ ܕܗܵܢܵܐ ܘܬܼܘܼܟܼܠܵܢܵܐ: ܘܲܠܥܸܠ ܡ̣ܢ ܩܸܢܛܵܐ. ܗܵܢܵܐ ܕܐܲܡܝܼܢ ܒܐܸܒܼܠܵܐ ܡܸܛܠ ܩܸܢܛܵܐ ܟܹܐܡܲܬܼ ܕܠܵܐ ܝܵܕܲܥ ܠܐܲܝܟܵܐ ܫܵܪܟܵܐ ܚܲܪܬܼܵܐ ܕܪܲܗܛܹܗ: ܝܲܬܼܝܼܪ ܡ̣ܢ ܗܵܘ̇ ܐܲܝܢܵܐ ܕܐܲܡܝܼܢ ܒܕܼܘܼܒܵܪܵܐ ܕܚܲܕܼܘܼܬܼܵܐ: ܡܸܛܠ ܗܵܝ̇ ܕܐܲܪܓܸܫ ܡܸܟܵܐ ܒܤܲܒܼܪܵܐ ܕܦܘܼܠܚܵܢܹܗ. ܐܘܿ ܕܲܟܼܒܼܝܼܫܵܐ ܡܕܼܝܼܢ̄ܬܹܗ ܡ̣ܢ ܚܲܫܹ̈ܐ ܕܲܠܓܼܵܘ: ܐܸܙܕܲܝܲܢ ܒܙܲܝܢܵܐ ܕܐܸܒܼܠܵܐ ܘܲܪܕܼܘܿܦ ܒܵܬܲܪܗܘܿܢ: ܘܐܲܥܕܝܼ ܐܸܢܘܿܢ ܠܲܒܼܢܲܝ̈ܟ ܡ̣ܢ ܐܝܼܕܲܝ̈ܗܘܿܢ. ܠܵܐ ܡܸܬܼܚܲܤܢܵܢܵܐ ܗ̄ܘ̣ ܓܹܝܪ ܙܲܝܢܵܐ ܗܵܢܵܐ ܘܲܕܿܬܼܘܼܟܼܠܵܢܵܐ ܒܟܼܠܙܒܲܢ: ܘܲܡܢܲܤܲܝ ܠܫܲܪܝܼܪܹ̈ܐܘ
English
of the sort that, when one is clothed in such garments, he hastens to discourse in his intellect upon the high things of God, and to enter and seat his soul within those spiritual theories of that holy feast which is partaken in mourning. Not only is he not to be found among the great ones of the passions, or a champion in the battle against them and victorious, or even that they do not dare to show themselves in the evil of the contest; but rather, from afar they do not dare to pass before her, where the soul is a mourner, which has made for itself a dancing-place in the alleys of the variegated flowers of its sins. And as it is said by the blessed Jacob: she makes her dwelling in the grave, until she again meets the beloved ones of Joseph. Where there is the bitterness of mourning: that the sweetness of the passions might enter, which said: "Man is not to be trusted." But rather, man says: that his labor and hope are in vigilance, and above the limit. This which is said in mourning because of the limit, for it is known that he does not know where the final end of his course remains, more than that one who is said in the conduct of joy, because he perceives there in the hope of his labor. Or he whose city is subdued by the passions within, is shaken by the terror of mourning and pursues after them, and removes them from your hands. For this terror and hope are not to be found at all times, and they strengthen the true ones.
Citation. Tergwame, “Discourse 76”, dsc-467:1, machine-draft, 2026. https://naxiai.com/christian/works/dsc-467#s1
Colophon. Source: syriac · licence: CC BY 4.0 · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0031 · generated 2026-11-15.