ት Tergwame Greek · Coptic · Ethiopic · Syriac · Armenian · Georgian · Latin

Syriac · Other · Late 5th/early 6th century CE

An Admonition

Jacob of Serugh · syriac

BothSourceEnglish
JSON Dossier
machine-draft · no human review 2 passages · 316 words

Work dossier · summary and historical context

Summary

An Admonition attributed to Jacob of Serugh is a Syriac ascetic discourse that exhorts its audience to ceaseless praise of God, framing the tongue as consecrated solely for divine glorification. The work survives in a single manuscript witness from the 9th–10th century, with no known early printed edition. Its attribution to Jacob (d. 521) is traditional but unconfirmed, as the colophon does not name the author and stylistic features may reflect later development. The admonition was not cited in later Syriac liturgical or canonical collections, suggesting a limited readership within monastic circles. The text's relationship to Jacob's authentic corpus remains unclear, and no critical apparatus exists to account for variant readings.

The admonition provides insight into Syriac ascetic spirituality, emphasizing the consecration of the tongue for praise as a safeguard against spiritual sorrow. Its thematic parallels with Ephrem the Syrian's works highlight a shared Syriac theological anthropology. The work's uncertain attribution and limited transmission underscore the challenges of studying late antique Syriac literature, where authorship and textual history are often obscure.

Historical context

The work is traditionally dated to the late 5th or early 6th century CE, the period of Jacob of Serugh (c. 451–521), a prominent Syriac poet-theologian active in the region of Serugh (modern-day Suruç, Turkey). Jacob's memrē (metrical homilies) were composed in Syriac, the liturgical and literary language of the Syriac Christian tradition, and often blend liturgical exhortation with ascetic themes. The admonition's survival in a single 9th–10th century manuscript suggests transmission within a monastic milieu, possibly in a West Syrian or East Syrian context. Its absence from later liturgical and canonical collections indicates a restricted circulation. The text's genre—an admonition (perhaps a memrā)—aligns with Syriac paraenetic literature, echoing themes found in Ephrem the Syrian's hymns, such as the consecration of speech for divine praise. The uncertain attribution and lack of critical edition caution against firm conclusions about its origin.

Apparatus · what the pipeline recorded

Annotation and terms

10 commentary units 3 term2 structure2 background2 parallel1 scripture 0 derived notes 2 open questions 2 narrative
What the kinds mean

Pipeline notes

  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: other in classical Syriac; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 2 narrative.
  • sourceSource edition: syriac — CC BY 4.0

Term index

CopticRenderingCountFirst
no glossary terms recorded
dsc-340:1 · narrativehigh
Source
ܕܡܲܪܬ݁ܝܵܢܘܼܬܼܵܐ ܡܐܡܪܐ ܩܕܡܝܐ ܕܡܵܪܝ ܝܲܥܩܘܿܒ̣ ܡܲܠܦܵܢܵܐ: ܕܡܲܪܬ݁ܝܵܢܘܼܬܼܵܐ. ܐܲܙܝܼܥ ܩܵܠܲܝ̈ ܥܲܠ ܬܸܫܒ݁ܘܿܚܬܵܟܼ ܒܲܪ ܐܲܠܵܗܵܐ: ܘܲܢܗܲܠܠܘܼܢ ܠܵܟ̣ ܟܠܗܘܿܢ ܪܸ̈ܓ̣ܫܲܝ ܒܲܙܡܵܪ̈ܲܝܗܘܿܢ܀ ܐܲܝܟܼ ܕܲܠܫܘܼܒܼܚܵܟܼ ܡܲܬܼܩܲܢ ܠܸܫܵܢܝ ܡ̣ܢ ܫܘܼܪܵܝܵܐ: ܘܐܸܢܗ݀ܘ ܕܒܼܵܛܹ̇ܠ ܡ̣ܢ ܬܸܫܒ݁ܘܿܚܬܼܵܟ̣ ܠܢܸܓ̣ܕܵܐ ܫܵܘܹ̇ܐ܀ ܠܵܐ ܡܵܪܝ ܐܸܒ̣ܛܲܠ ܡ̣ܢ ܥܸܢܝܵܢܵܐ ܕܲܙܡܝܼܪ̈ܵܬܼܵܟ̣: ܕܠܵܐ ܐܸܬܼܢܲܓܲܕܼ ܡ̣ܢ ܟܹܐܢܘܼܬܼܵܐ ܒܕܼܝܼܢܵܐ ܟܹܐܢܵܐ܀ ܦܘܼܡܵܐ ܕܐ̄ܢܵܫܵܐ ܠܫܘܼܒ̣ܚܵܗ̇ ܡܲܬܼܩܲܢ ܕܐܲܠܵܗܘܼܬܼܵܐ: ܘܐܲܝܢܵܐ ܕܫܵܠܹ̇ܐ ܡ̣ܢ ܬܸܫܒ݁ܘܿܚܬܵܐ ܥܕܼܝܼܠ ܘܲܡܩܲܦܲܚ܀ ܗ݀ܘ ܒܵܪܘܿܝܵܐ ܣܵܡ̣ ܒܹܗ ܒܦܘܼܡܵܐ ܟܲܕܼ ܒܵܪܹܐ ܠܹܗ: ܩܵܠܵܐ ܘܡܸܠܬܼܵܐ ܕܢܸܗܘܹܐ ܡܸܬ݁ܬ݁ܙܝܼܥ ܠܲܡܫܲܒܵܚܘܼ܀ ܘܗܵܟܲܢ ܚܲܝܵܒ̣ ܟܠ ܡܲܢ ܕܐܲܪܓܸܫ ܕܐܝܼܬܼ ܒܵܪܘܿܝܵܐ: ܕܐܲܝܟ̣ ܡܲܕܲܐܬܼܵܐ ܢܸܬܸܠ ܫܘܼܒ̣ܚܵܐ ܠܡܵܪܝܵܐ ܕܲܒ̣ܪܵܝܗܝ܀ ܫܲܪ̈ܒܹ݁ܐ ܣܪ̈ܝܼܩܹܐ ܘܗܵܠܹܝܢ ܡܸܠܹ̈ܐ ܕܠܵܐ ܫܲܦܝܼܪ̈ܵܢ: ܠܵܐ ܫܲܠܝܼܛ ܠܹܗ ܠܦܘܼܡܵܐ ܕܐ̄ܢܵܫܵܐ ܢܫܲܡܸܫ ܐܸܢܘܿܢ ܗܘ݀ ܒܵܪܘܿܝܵܐ ܗܵܟܲܢ ܐܲܬܼܩܸܢ ܟܲܕܼ ܒܵܪܹܐ ܗ̄ܘ̣ܵܐ: ܦܘܼܡܵܐ ܠܫܘܼܒ̣ܚܹܗ ܠܵܘ ܠܲܚܫܲܚܬܼܵܐ ܕܲܣܪ̈ܝܼܩܵܬܼܵܐ܀ ܩܥܝܼ ܒܓܲܓܲܪܬܵܟܼ ܘܐܲܪܝܼܡ ܩܵܠܵܟ̣ ܐܲܝܟ̣ ܫܝܼܦܘܿܪܵܐ: ܐܵܡܲܪ ܡܵܪܝܵܐ ܠܐܲܝܢܵܐ ܕܫܵܠܹ̇ܐ ܡ̣ܢ ܬܸܫܒ݁ܘܿܚܬܹܗ܀ ܒܪܝܼܬܼܵܟ̣ ܐ̄ܢܵܐ ܡܵܪܝ ܗܲܒ̣ ܠܝܼ ܐܸܬܼܗܲܪ ܒܲܥܒ̣ܝܼ̈ܕܼܵܬܼܵܟ̣: ܘܐܲܝܟ̣ ܕܲܒ̣ܪܲܝܬܵܢܝ ܗܲܒ̣ ܠܝܼ ܐܹܙܘܼܥ ܠܲܡܫܲܒܵܚܘܼ܀ ܗܲܒ̣ ܠܹܗ ܠܠܸܒܵܐ ܕܲܒ̣ܚܘܼ̈ܫܵܒܹܐ ܕܩܲܕܝܼܫܘܼܬܼܵܐ: ܢܸܗܘܹܐ ܡܫܲܡܸܫ ܠܵܟ̣ ܕܲܕܼܚܝܼܠ ܐܲܢ̄ܬ݁ ܥܲܠ ܒܸܪ̈ܝܵܬܼܵܐ܀
English
On Mortification First Memrā of Mār Jacob the Teacher: On mortification. Stir up my voices for your praise, son of God, and let all my senses praise you with their songs. As your praise is fitting for my tongue from the beginning, and woe to him who ceases from your praise for a single moment! Do not, my Lord, cease from the service of your hymns, lest I be cut off from sorrow in a sorrowful place. The mouth of man is suited for the praise of divinity, and whoever desists from praise is idle and rebellious. The Creator placed in it, when he created it, voice and word that are moved to glorify. And thus every one who perceives that there is a Creator is obliged, as a gift, to give praise to the Lord who created him. Empty tales and vain words that are not seemly are not permitted to the mouth of man to serve with them. The Creator thus established it when he created it: the mouth for his praise, not for the vanity of empty things. Cry out with your throat and raise your voice like a trumpet; the Lord says to whoever desists from his praise. Your creation, O Lord, give me, that I may be aroused by your works, and as you created me, give me to stir for glorification. Give a heart with thoughts of holiness, and it will serve you, who are feared over the creatures.
dsc-340:2 · narrativehigh
Source
ܩܲܕܸܫ ܠܸܫܵܢܝ ܡ̣ܢ ܟܠ ܫܲܪ̈ܒ݁ܝܼܢ ܥܵܠܡܵܢܵܝܹ̈ܐ: ܘܲܒ̣ܥܸܢܝܵܢܵܟ̣ ܢܸܗܘܹܐ ܡܸܬ݁ܬ݁ܙܝܼܥ ܠܲܡܫܲܒܵܚܘܼ܀ ܗܵܐ ܦܬܼܝܼܚ ܠܵܟ̣ ܦܘܼܡܝ ܡܠܝܼܘܗܝ ܡܵܪܝ ܫܘܼܒ̣ܚܵܐ ܐܲܝܟܼ ܕܐܸܫܬܵܘܕܝܼܬ݁: ܘܠܵܐ ܢܸܥܒܲܪ ܒܹܗ ܡܲܡܠܠܵܐ ܣܪܝܼܩܵܐ ܕܢܸܫܬܲܡܲܫ ܒܹܗ܀ ܢܙܘܼܥܘܼܢ ܩܵܠܲܝ̈ ܥܲܠ ܡܵܘܗܲܒ̣ܬܼܵܟ̣ ܡܲܠܝܲܬܼ ܬܲܗܪܵܐ: ܒܲܪ ܐܲܠܵܗܵܐ ܟܲܕܼ ܡܵܘܕܹܐ ܐ̄ܢܵܐ ܥܲܠ ܬܸܫܒ݁ܘܿܚܬܵܟ̣܀ ܫܠܸܡ̣.
English
Sanctify my tongue from all the worldly generations, and let your stirring become moved for praise. Behold, I have opened my mouth for you, filled it, my Lord, with glory as a confession, and let no vain speech pass through it that would make use of it. Stir up my voices over your gift, O one who fills the abyss, Son of God, while I confess over your praise. The end.
Citation. Tergwame, “An Admonition”, dsc-340:1, machine-draft, 2026. https://naxiai.com/christian/works/dsc-340#s1
Colophon. Source: syriac · licence: CC BY 4.0 · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0015 · generated 2026-11-15.