Work dossier · summary and historical context
Nisibis 67 is a Syriac poem attributed to Ephrem the Syrian (d. 373), associated with the School of Nisibis. The work reflects the Persian-Roman conflict and the cession of Nisibis in 363. It survives in a single manuscript tradition with later East Syriac liturgical use, and variant readings from the 6th–9th centuries. The poem personifies Sheol, contrasts Christ's redemptive death with human sin, and references biblical figures such as Elijah and Elisha. Some stanzas may be later additions, and the critical apparatus is minimal.
Nisibis 67 is significant for its theological contrasts between Christ's singular redemptive death and the many deaths caused by human sin, a common Ephremic device. It also illustrates the use of biblical typology (Elijah, Elisha) and personification of Sheol. The work's transmission history highlights the role of East Syriac liturgy in preserving Ephrem's legacy and its influence on later Syriac exegetes.
The work is attributed to Ephrem the Syrian (d. 373) and linked to the School of Nisibis, a major center of Syriac Christianity in the Persian Empire. The dating is based on internal references to the Persian-Roman conflict and the city's cession to the Sasanian Empire in 363, which forced Ephrem to relocate to Edessa. The Syriac text survives in a single manuscript tradition, with later East Syriac liturgical use in the Hudra cycle. Variant readings in the source edition reflect scribal interventions from the 6th–9th centuries. Excerpts were incorporated into East Syriac liturgy and cited by later exegetes such as Narsai and Isaac of Antioch. The source edition does not collate all known manuscripts, and some stanzas may be later additions. The translation occasionally smooths over ambiguous Syriac syntax.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||