ት Tergwame Greek · Coptic · Ethiopic · Syriac · Armenian · Georgian · Latin

Syriac · Other · mid-4th century

Nisibis 45

Ephrem the Syrian · syriac

BothSourceEnglish
JSON Dossier
machine-draft · no human review 4 passages · 1,094 words

Work dossier · summary and historical context

Summary

Nisibis 45 is a madrāšâ (verse homily) by Ephrem the Syrian, composed in Syriac in the mid-4th century, likely around 350 CE, in response to the siege of Nisibis. The poem employs rhetorical questions and declarative statements to explore themes of fasting, body-soul dualism, and eschatological reward. It survives in 6th-century manuscripts and was later incorporated into the East Syriac liturgical cycle for the Rogation of the Ninevites. The translation smooths Ephrem's dense wordplay; the Syriac original is recommended for full rhetorical effect.

Nisibis 45 exemplifies Ephrem's poetic theology, blending ascetic exhortation with eschatological hope. It provides insight into 4th-century Syriac Christianity's response to political crisis and its liturgical adaptation. The madrāšâ's later use in the Rogation of the Ninevites highlights its lasting influence on East Syriac penitential practice.

Historical context

Ephrem the Syrian (c. 306–373 CE) composed Nisibis 45 in the city of Nisibis (modern Nusaybin, Turkey) during or shortly after the siege by the Sasanian Empire (c. 350 CE). The work belongs to the genre of madrāšâ, a Syriac verse homily used in liturgical and catechetical settings. The community was Syriac-speaking Christian, part of the Church of the East, which valued Ephrem's poetic theology. The text survives in multiple manuscripts, the earliest from the 6th century, indicating a continuous transmission within East Syriac monastic and liturgical traditions. Its incorporation into the Rogation of the Ninevites shows its enduring use in communal penitential prayer. The work reflects Ephrem's engagement with contemporary ascetic and eschatological concerns, drawing on biblical imagery and Syriac theological motifs.

Apparatus · what the pipeline recorded

Annotation and terms

23 commentary units 6 term4 background4 caution4 scripture3 structure1 parallel1 reception 0 derived notes 8 open questions 4 narrative
What the kinds mean

Pipeline notes

  • coverageNo English translation was located by an automated check of the source corpus and one library catalogue. That is not evidence that none exists: the check matches English title words, so works catalogued under a Latin or original-language title are missed.
  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: other in classical Syriac; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 4 narrative.
  • sourceSource edition: syriac — CC BY 4.0

Term index

CopticRenderingCountFirst
no glossary terms recorded
dsc-299:1 · narrativemedium
Source
ܓ ܒܰܪ ܩܳܠܶܗ ܐܶܢ ܐܳܟܠܳܐ ܢܰܦܫܳܐ ܘܨܰܝܳܡܳܐ ܘܡܶܬܦܰܪܥܳܐ ܙܳܕܶܩ ܕܳܐܦ ܦܰܓܪܳܐ ܢܶܬܦܪܰܥ ܕܨܳܡ ܥܰܡܳܗ̇ ܘܶܐܢ ܗܽܘ ܕܺܝܕܺܝܥܳܐ ܗ̱ܝ ܕܦܰܓܪܰܐ ܗ̱ܘ ܐܶܟܰܠ ܘܳܐܦ ܨܳܡ ܡܰܟܶܣ ܠܛܳܥܰܝ̈ܳܐ ܟܡܳܐ ܛܥܰܘ ܕܢܰܦܫܳܐ ܕܠܳܐ ܨܳܡܶܬ ܗܺܝ ܬܶܣܒܺܝܘܗ̱ܝ ܠܰܐܓܪܳܐ ܘܢܶܗܘܶܐ ܕܠܳܐ ܐܰܓܪܳܐ ܦܰܓܪܳܐ ܕܨܳܡ ܘܰܠܐܺܝ ܥܽܘܢܺܝܬܳܐ: ܢܩܰܒܶܠ ܒܢܽܘܚܳܡܳܟ ܦܰܓܪܳܐ ܠܒܰܪ̱ܬ ܙܰܘܓܶܗ ܐܰܠܺܝܨܳܐ ܗ̱ܝ ܠܰܡ ܐܳܦ ܗܺܝ ܒܨܰܘܡ̈ܰܘܗ̱ܝ ܘܒܽܐܘܠܨ̈ܳܢܰܘܗ̱ܝ ܘܶܐܢ ܠܳܗ̇ ܛܶܐܒܽܘ ܚ̈ܰܫܶܐ ܫܐܺܝ̈ܠܶܐ ܕܡܶܢ ܨܶܐܕܰܘܗ̱ܝ ܟܡܳܐ ܟܺܝܬ ܢܺܚܰܐ ܗ̱ܘ ܒܢ̈ܶܓܕܶܐ ܕܗܰܕܳܡ̈ܰܘܗ̱ܝ ܗܳܝ ܓܶܝܪ ܥܰܘܠܳܐ ܗ̱ܝ ܠܡܰܫܡܥܳܗ̇ ܕܶܐܢ ܗܽܘ ܕܗܺܝ ܝܶܪܒܰܬ ܒܗܰܘܦܳܐ ܕܢܶܨ̈ܚܳܢܰܘܗ̱ܝ ܟܡܳܐ ܟܺܝܬ ܢܺܐܪܰܒ ܗ̱ܽܘ ܒܰܐܓܪܳܐ ܕܡܰܪ̈ܗܳܛܰܘܗ̱ܝ ܣܰܢܝܳܐ ܗ̱ܝ ܕܗܰܘ ܥܡܰܠ ܘܗܺܝ ܢܳܣܒܳܐ ܐܰܓܪܳܐ ܣܰܢܝܳܐ ܗ̱ܝ ܕܠܶܗ ܢܽܘܪܳܐ ܘܠܳܗ̇ ܡܰܘܕܝܳܢܽܘܬܳܐ ܣܰܟܠܳܐ ܗ̱ܝ ܕܠܶܗ ܣܰܝܦܳܐ ܘܠܳܗ̇ ܬܽܘܒ ܟܠܺܝܠ ܚ̈ܰܝܶܐ ܗܳܢܳܐ ܩܛܺܝܠ ܡܶܛܽܠ ܒܶܪܝܶܗ ܚܰܝ̈ܰܘܗ̱ܝ ܬܢܳܢ ܐܰܘܒܶܕ ܘܢܽܘܚܳܡܬܶܗ ܕܰܠܗܰܠ ܐܰܘ ܡܳܐ ܦܬܺܝܠ ܟܽܠܶܗ ܫܰܪܒܗܽܘܢ ܕܛܳܥ̈ܰܝܳܐ ܕܦܰܓܪܰܐ ܗ̱ܘ ܓܶܝܪ ܟܰܦܢܳܐ ܫܰܗܪܳܐ ܘܳܐܦ ܨܰܗܝܳܐ ܡܠܽܘܐܳܐ ܕܒܶܠܥܳܕܰܘܗ̱ܝ ܠܳܐ ܥܳܬܪܳܐ ܢܰܦܫܳܐ ܛܠܰܡܬܶܗ ܠܬܰܓܳܪܳܐ ܩܰܪܢܳܐ ܘܰܪܒܺܝܬܳܐ ܕܗܳܐ ܥܳܬܪܳܐ ܒܝܽܘܬܪܳܢ ܟܰܟܪ̈ܰܘܗ̱ܝ ܘܰܚܠܳܦ ܝܽܘܬܪ̈ܳܢܰܘܗ̱ܝ ܫܛܳܪܳܐ ܕܚܰܘܒ̈ܳܬܳܐ ܟܬܰܒܘ̱ ܒܳܬܪܶܗ ܣ̈ܰܟܠܶܐ ܕܥܰܒܕܽܘܗ̱ܝ ܕܠܳܐ ܢܽܘܚܳܡ ܥܰܘܠܰܐ ܗ̱ܘ ܕܗܰܘ ܟܦܶܢ ܘܡܶܫܬܰܒܗܪܳܐ ܒܨܰܘܡܶܗ ܥܽܘܠܰܐ ܗ̱ܘ ܕܗܰܘ ܨܐܺܝܦ ܘܡܶܬܩܰܠܣܳܐ ܒܨܶܗܝܶܗ ܐܰܓܰܪ ܦܳܥ̈ܠܰܘܗ̱ܝ ܫܶܩܠܰܬ ܘܠܶܗ ܫܶܡܪܰܬ ܫܶܒܩܰܬ ܘܰܐܝܟ ܕܳܐܡܪܺܝܢ ܒܢܽܘܪܰܐ ܗ̱ܘ ܡܶܬܦܪܶܫ ܛܰܠܡܽܘܗ̱ܝ ܠܰܐܟܳܪܳܐ
English
The son of his voice, the eater is the soul, and fasting and the one who is rewarded, it is right that the body also fasts, and be rewarded, for it fasts with her. And if it is known that the body is the one that eats and also fasts, it deceives the erring ones. How much have they erred, that the soul which does not fast, she will receive the wage, and it will be without wage, the body that fasts and does not eat? A twisted thing: and may the body receive in your strength the partner of its spouse. She is constrained, but not she, in his fasts and his afflictions. And if pains are good for her, they are asked from him. How then does he live by the coverings of his members? For that is unjust to make her hear that if he is the one who grew by the consumption of his limbs, how then did he become lost by the wage of his runs? She is the helper of that labor, and she receives the wage. She is the helper of his strength, and to her belongs the confession. She is the fool of his sword, and to her also the crown of life. This one is killed because of his fellow. His life is taken, he destroyed, and his strength is for the future. Or how is the whole twisted, the story of the erring ones? For the body is the one that hungers, is vigilant, and also thirsts. The fullness without it, not wealth, the soul. His oppression to the merchant, the cold and the moisture, that behold wealth in profit, his talents, and instead of his profits, a document of debts. The fools wrote after him who did him without strength. It is unjust that he hungers and boasts in his fast. It is unjust that he thirsts and is praised in his thirst. She took the wage of his workers, and for him she kept, she left. And as they say, by the strength he is separated, they oppressed the farmer.
dsc-299:2 · narrativemedium
Source
ܕܢܰܫܶܦܘ̱ ܫܩܰܠܘ̱ ܙܰܪ̈ܥܰܘܗ̱ܝ ܘܠܶܗ ܐܰܘܪܬܰܘܗ̱ܝ ܥܽܘܪܳܐ ܘܬܶܒܢܶܐ ܕܢܺܐܩܰܕ ܒܶܗ ܟܺܐܢܳܐ ܗ̱ܝ ܕܗܽܘ ܒܫܽܘܒܚܳܐ ܘܳܐܦ ܗܺܝ ܒܬܶܫܒܽܘܚܬܳܐ ܟܺܐܢܳܐ ܗ̱ܝ ܕܗܽܘ ܒܚ̈ܰܝܶܐ ܘܳܐܦ ܗܺܝ ܒܚܰܝܽܘܬܳܐ ܟܺܐܢܳܐ ܗ̱ܝ ܕܗܽܘ ܒܥܶܕܳܢ ܐܳܦ ܗܺܝ ܒܦܰܪܕܰܝܣܳܐ ܗܳܝ ܓܶܝܪ ܥܰܘܠܳܐ ܗ̱ܝ ܕܳܐܡܪܺܝܢ ܕܦܠܓܶܗ ܕܒܰܪ ܐ̱ܢܳܫܳܐ ܢܺܚܳܐ ܒܡܰܠܟܽܘܬܳܐ ܘܦܰܠܓܶܗ ܕܠܳܐ ܣܟܰܠܘ̱ ܢܶܫܬܕܶܐ ܠܫܽܘܢܳܩܳܐ ܀܀܀ ܥܘܺܝܪܺܝܢ ܒ̈ܢܰܝ ܛܽܘܥܝܰܝ ܠܰܡܚܳܪ ܒܺܐܝܓܽܘܢܳܐ ܕܶܐܢ ܗܽܘ ܕܙܳܟܽܘܬܳܐ ܗ̱ܝ ܩܪܰܐܘܳܗ̇ ܒܫܶܡ ܢܰܦܫܳܐ ܘܶܐܢ ܗܽܘ ܕܟܽܘܐܳܪܰܐ ܗ̱ܘ ܬܰܠܐܽܘܗ̱ܝ ܒܫܶܡ ܦܰܓܪܳܐ ܘܳܐܦ ܠܳܐ ܐܰܝܟ ܚ̈ܰܙܳܝܶܐ ܕܥܳܠܡܳܐ ܕܒܰܙܒܰܢ ܠܕܳܒܽܘܪܳܐ ܡܰܘܪܒܺܝܢ ܕܡܰܪܟܰܒܬܳܐ ܘܒܰܙܒܰܢ ܠܪ̈ܶܟܫܳܐ ܬܽܘܒ ܡܰܘܪܒܺܝܢ ܕܶܐܬܢܰܨܰܚܘ̱ ܐܶܢ ܗܽܘ ܕܡܰܢ ܐܺܝܬܝ̈ܳܐ ܗ̱ܝ ܫ̈ܦܰܝܳܐ ܘܫܰܦܺܝܪ̈ܶܐ ܦܰܓܪܰܐ ܗ̱ܘ ܣܢܶܐ ܡܳܕܶܝܢ ܘܠܳܐܶܐ ܕܢܶܨܛܒܰܬ ܐܶܢ ܐܶܣܬܢܺܝ ܘܳܝ ܠܶܗ ܘܶܐܢ ܫܦܰܪ ܬܪ̈ܶܝܢ ܘܳܝ̈ܝܳܢ ܘܟܰܕ ܗܽܘ ܛܥܶܝܢ ܝܽܘܩܪܳܐ ܕܪܶܓܬܳܐ ܕܢܰܦܫܳܐ ܗ̱ܝ ܒܬܽܘܠܽܘܬܳܐ ܘܰܐܓܪܳܐ ܕܢܰܟܦܽܘܬܳܐ ܐܺܬܝܳܐ ܘܪܳܡ ܩܳܠܳܗ̇ ܒܰܚܕܰܥܣܰܪ ܫ̈ܳܥܺܝܢ ܘܶܐܢ ܗܽܘ ܕܕܺܝܠܳܗ̇ ܗܺܝ ܪܶܓܬܳܐ ܘܝܰܥܢܽܘܬܳܐ ܦܰܓܪܳܐ ܩܒܺܝܠ ܡܶܢܳܗ̇ ܕܶܐܬܚܢܶܩ ܒܣ̈ܰܢܝܳܬܳܗ̇ ܐܶܢ ܟܺܝܬ ܗܺܝ ܫܓܺܝܫܳܐ ܦܰܚܙܳܐ ܘܙܰܠܺܝܠܳܐ ܠܡܳܐ ܐܶܬܥܰܫܰܩ ܦܰܓܪܳܐ ܒܪܶܓܬܳܗ̇ ܀܀܀
English
They took and carried away his seeds, and his heirs are the rootless one. And she seeks to burn with him. She is sad that he is in glory, and she also is in praise. She is sad that he is in life, and she also is in vitality. She is sad that he is in Eden, and she also is in Paradise. For that is wickedness, that they say that half of the son of man is alive in the kingdom, and the other half, without folly, is cast into the street. The children of error are blind, to look tomorrow at the contest. If it is victory, call it by the name of the soul; and if it is defeat, hang it by the name of the body. And not like the spectators of the world, who, when they give to the charioteer, increase the chariot, and when they give to the horses again, increase the trappings. If it is with the signs, the beautiful and fair ones, the body is the one that errs, and it is weary that it is not adorned. If it is drunk, woe to it; and if it is beautiful, two woes. And when the weight of desire is heavy, that the soul is in virginity and the reward of asceticism, the sign comes and raises its voice in eleven hours. And if it is that desire and weariness belong to her, the body receives from her that it may be choked by her helps. If she is troubled, the face and the countenance are disturbed. Why is the body occupied with her desire?
dsc-299:3 · narrativemedium
Source
ܝܰܘܣܶܦ ܥܫܺܝܩ ܘܰܫܠܶܐ ܘܩܳܠ ܡܳܪܬܶܗ ܥܰܙܺܝܙ ܠܢܳܒܽܘܬ ܡܼܛܳܐ ܝܰܓܪܳܐ ܘܠܺܐܝܙܒܶܠ ܟܰܪܡܳܐ ܘܰܐܝܟܰܢ ܡܼܨܶܐ ܦܰܓܪܳܐ ܡܶܬܫܺܝܓ ܒܟܽܠ ܦܽܘܪ̈ܣܺܝܢ ܐܶܢ ܗܽܘ ܕܰܡܦܰܠܦܶܠ ܗܽܘ ܒܬܶܛܪܳܐ ܕܺܐܝܬܽܘܬܶܗ ܘܰܐܝܟܰܢ ܕܠܰܚ ܫܰܦܝܳܐ ܟܝܳܢܳܗ̇ ܕܗܳܝ ܢܰܦܫܳܐ ܠܳܐ ܓܶܝܪ ܡܨܶܐ ܦܰܓܪܳܐ ܕܢܶܕܠܚܶܝܗ̇ ܕܠܳܐ ܡܶܬܕܰܠܰܚ ܢܽܘܗܪܳܐ ܡܶܢܗܽܘܢ ܕܛܶܠܳـ̈ܠܶܐ ܐܶܠܳܐ ܕܰܡܪܰܩ ܠܶܗ ܒܕܶܢܚܶܗ ܠܛܶܠܳܠܳܐ ܣܰܟ̈ܠܶܐ ܕܗܳܦܟܳܝܺܝܢ ܗܦܰܟܽܘܗ̇ ܠܫܽܘܥܺܝܬܳܐ ܕܚܶܫܟܰܐ ܗ̱ܘ ܠܰܡ ܐܰܚܨܶܦ ܘܕܰܠܚܶܗ ܠܢܰܗܺܝܪܳܐ ܦܫܺܝܩܳܐ ܗ̱ܝ ܕܢܶܬܟܰܣܣܽܘܢ ܡܶܢ ܣܳܗ̈ܕܶܐ ܕܐܰܝܬܺܝܘ ܬܪ̈ܰܝܗܽܘܢ ܓܶܝܪ ܥܰܡܰܢ ܡܗܰܠܟܺܝܢ ܘܠܳܐ ܡܶܨܛܒܰܥ ܡܶܡܬܽܘܡ ܢܽܘܗܪܳܐ ܒܚܶܫܽܘܟܳܐ ܐܶܠܳܐ ܕܨܳܒܰܥ ܠܶܗ ܒܕܶܢܚܶܗ ܠܽܐܘܟܳܡܳܐ ܚܕܳܐ ܗ̱ܝ ܓܶܝܪ ܡܶܢ ܬܰܪ̈ܬܶܝܢ ܢܶܓܒܽܘܢ ܒ̈ܢܰܝ ܛܽܘܥܝܰܝ ܕܶܐܠܳܐ ܡܨܶܐ ܦܰܓܪܳܐ ܀܀܀
English
Joseph was distressed and ceased, and the voice of his lord was strong. To the abyss of the deep the body descends, and to Jezebel the vineyard. And as the body is able, it is troubled in all its divisions. If it is he who disputes, in the fortress of his own essence, and as the pure one pressed, the course of that soul. For the body is not able to disturb her, who is not disturbed by the light. From the shadows, but he who polished it, by his disturbance, to the shadow. The fools of the reversers turned the lamentation of darkness, which was not harsh, and his disturbance to the shining one. It is easy that they be covered from the martyrs who came. For both of them with her walk, and the light is not dyed from any place in darkness, but he dyes it, by his disturbance, to the black one. One of the two is she, chosen by the sons of error, that the body is not able.
dsc-299:4 · narrativemedium
Source
ܕܢܶܫܦܰܪ ܘܢܶܬܚܰܠܶܠ ܚܢܺܝܩܳܐ ܗ̱ܝ ܒܰܣܝܳܢܶܗ ܢܰܦܫܳܐ ܕܫܳܪܝܳܐ ܒܶܗ ܘܺܐܝܩܺܐ ܗܽܘ ܡܶܫܬܰܚܩܳܐ ܕܬܶܬܡܪܶܩ ܘܶܐܢ ܕܶܝܢ ܗܽܘ ܦܰܓܪܳܐ ܟܝܳܢܰܐ ܗ̱ܘ ܕܡܶܫܬܰܦܶܐ ܒܺܝܫܳܐ ܕܠܰܚ ܐܶܢܽܘܢ ܕܥܰܒܕܽܘܗ̱ܝ ܕܠܳܐ ܢܽܘܚܳܡ ܢܫܰܐܶܠ ܠܟܳܦܽܘܪ̈ܶܐ ܕܡܶܕܶܡ ܕܡܺܝܬܳܐ ܗ̱ܘܳܐ ܡܰܢܽܘ ܪܟܶܒ ܗ̱ܘܳܐ ܥܶܠܬܳܐ ܠܚܰܝܽܘܬܶܗ ܒܗܳܝ ܥܶܠܬܳܐ ܕܚܰܝܳܐ ܡܨܶܐ ܗ̱ܘܳܐ ܕܢܺܚܳܐ ܒܳܗ̇ ܘܶܐܢ ܕܶܝܢ ܕܫܳܪܽܘܬܶܝܢ ܐܰܚܝܶܗ ܝܰܬܺܝܪ ܡܢܰܚܶܡ ܠܶܗ ܕܰܐܛܥܶܡ ܒܚܰܝܽܘܬܳܐ ܢܶܒܗܬܽܘܢ ܒܥ̈ܶܛܳܠܳܬܳܐ ܟܳܦܪ̈ܰܝ ܒܰܕܦܫ̈ܺܝܩܳܢ ܗܰܘ ܕܰܐܚܝܶܗ ܩܰܠܺܝܠ ܠܳܐ ܡܚܺܝܠ ܕܳܐܦ ܣܰܓܺܝ ܘܕܰܩܪܳܝܗ̱ܝ ܡܶܢ ܩܰܒܪܳܐ ܠܳܐ ܠܐܺܝ ܕܬܽܘܒ ܢܶܩܪܶܝܘܗ̱ܝ ܘܰܕܛܳܒ ܒܬܽܘܩܳܢܶܗ ܟܡܳܐ ܟܐܺܝܢ ܒܢܽܘܚܳܡܶܗ ܕܶܐܢ ܐܰܚܝܶܗ ܡܰܓܳܢ ܡܶܢ ܩܕܺܝܡ ܟܡܳܐ ܟܰܝ ܡܢܰܚܶܡ ܠܶܗ ܟܺܐܢܳܐ ܕܦܳܪܰܥ ܠܶܗ ܐܶܬܟܣܶܣܘ̱ ܒܛܰܝܒܽܘܬܳܐ ܓܰܠـ̈ܙܰܝ ܠܟܺܐܢܽܘܬܳܐ ܀܀܀ ܐܶܢ ܕܶܝܢ ܗܰܘ ܦܰܓܪܳܐ ܟܝܳܢܰܐ ܗ̱ܘ ܕܠܳܐ ܡܶܫܟܰܚ ܕܢܺܐܬܶܐ ܠܢܽܘܚܳܡܳܐ ܢܫܰܐܶܠ ܩܕܳܡ ܗܳܕܶܐ ܕܰܐܝܟܰܢ ܗ̱ܘܳܐ ܦܽܘܪܣܳܐ ܕܢܺܚܳܐ ܒܝܰܕ ܢܰܦܫܳܐ ܗܰܘ ܓܶܝܪ ܨܶܒܝܳܢܳܐ ܕܰܐܚܝܶܗ ܐܰܝܟܰܢ ܣܦܰܩ ܐܰܚܺܝ ܠܡܶܕܶܡ ܕܠܳܐ ܚܝܳܐ ܐܶܙܕܰܟܺܝܘ ܒܚܰܝܽܘܬܶܗ ܟܳܦܪ̈ܰܝ ܒܢܽܘܚܳܡܶܗ ܐܳܦ ܗܰܘ ܓܰܝܳܣܳܐ ܕܰܐܪܓܶܫ ܒܰܣܺܝܡ̈ܳܬܳܟ ܣܢܺܐܓܪܳܐ ܗܳܘܶܐ ܗ̱ܘܳܐ ܠܶܗ ܠܫܶܬܩܳܟ ܡܰܙܟܶܐ ܟܽܠ ܘܰܥܬܰܪ ܒܝܰܡܺܝܢܳܐ ܕܰܐܟܣܳܗ̇ ܠܣܶܡܳܠܳܐ ܚܽܘܢ ܡܳܪܝ̱ ܠܚܰܛܳܝܽܘܬܝ̱ ܕܗܰܡܢܶܬ ܘܰܐܟܣܶܬ ܠܟܳܦܽܘܪ̈ܶܐ ܩ̈ܳܝܡܰܝ ܒܣܶܡܳܠܳܐ ܗܳܢܰܘ ܐܰܓܰܪ ܡ̈ܶܠܰܝ ܕܠܳܐ ܬܶܬܒܥܰܢܝ̱ ܚܽܘܒܝ
English
He was beautiful and was adorned. The narrow one is in his help. The soul that dwells in him, and where is the one who is rubbed away to be cleansed? And if that body is a nature that is healed, the evil one who looked at those who made him without feeling, he asked the villages for something that was dead. How did he ride a cause for his life? By that cause of life he was able to live in it. And if of his beginning he revived him, more he comforts him, that he might taste life. And they were ashamed of the delays, the villages of the hard-pressed. He who revived him a little, not weak, but also much, and he who called him from the grave, not I, that he might again call him. And he who is good in his strength, how is he afflicted in his feeling? If he revived him as a stranger from before, how then does he comfort him? The affliction that repays him was covered by grace, the limbs for affliction. But if that body is a nature that cannot come to feeling, he asks before this: how was the distribution of life by the soul? For that will that revived him, how did it suffice, my brother, for something not living? They were justified in his life, the villages in his feeling. Also that mocker who perceived your pleasant things, a seal would be for him. For your silence conquers all, and he became rich in the right hand that covered the left. Show, my lord, my sinfulness, that I erred, and I covered the villages, those standing on the left. Now I will gather my words, that my guilt may not pursue me.
Citation. Tergwame, “Nisibis 45”, dsc-299:1, machine-draft, 2026. https://naxiai.com/christian/works/dsc-299#s1
Colophon. Source: syriac · licence: CC BY 4.0 · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0031 · generated 2026-11-15.