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Syriac · Other · mid-4th century

Nisibis 43

Ephrem the Syrian · syriac

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machine-draft · no human review 7 passages · 1,752 words

Work dossier · summary and historical context

Summary

This memrā (metrical homily) attributed to Ephrem the Syrian, likely composed in Nisibis before 363 CE, uses biblical figures—Joseph, Moses, Elisha, and Ezekiel—to explore resurrection and the paradox of life emerging from death. The text reinterprets Joseph's pit as a site of hidden ascetic virtue, contrasts it with the scattering of Moses' bones (a non-biblical haggadic tradition), and invokes Elisha's reviving bones and Ezekiel's valley of dry bones to emphasize relic power and eschatological reunion. Surviving in multiple Syriac manuscripts with fluid stanza order, it was used in East Syriac Lenten liturgy for catechetical purposes. The attribution to Ephrem is traditional but uncertain, and the work may include later editorial expansions.

This memrā is significant for its typological imagination, linking Old Testament figures to resurrection theology in early Syriac Christianity. It illustrates how non-biblical haggadic traditions (e.g., Moses' scattered bones) were integrated into Christian exegesis. The work also highlights the liturgical use of Ephrem's poetry in East Syriac Lenten practices, demonstrating its enduring catechetical role. Its fluid manuscript tradition raises questions about authorship and textual stability in the Ephremic corpus.

Historical context

The memrā is attributed to Ephrem the Syrian (c. 306–373 CE), a prominent theologian and poet of the Syriac tradition. It was likely composed in Nisibis, a city in Roman Mesopotamia that was ceded to the Sasanian Persians in 363 CE, an event that deeply affected Ephrem and his community. The work belongs to the genre of memrā (metrical homily), a verse form used for teaching and liturgy in the Syriac Church. The Syriac text survives in multiple manuscripts with significant variants in stanza order and wording, indicating a fluid transmission history typical of the Ephremic corpus. The work was later incorporated into East Syriac liturgical traditions, often excerpted for Lenten readings, reflecting its catechetical value. The lack of a critical apparatus in this edition means readers must consult Beck's CSCO edition for stemmatic analysis. The attribution to Ephrem is traditional but not securely dated; the work may reflect later editorial expansion within the Ephremic corpus.

Apparatus · what the pipeline recorded

Annotation and terms

40 commentary units 7 structure7 scripture7 background6 term5 parallel4 caution3 sense1 reception 1 derived notes 14 open questions 7 narrative
What the kinds mean

Pipeline notes

  • coverageNo English translation was located by an automated check of the source corpus and one library catalogue. That is not evidence that none exists: the check matches English title words, so works catalogued under a Latin or original-language title are missed.
  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: other in classical Syriac; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 7 narrative.
  • caution1 passage(s) are fragmentary in the source; the English bridges each break and says so in the note.
  • sourceSource edition: syriac — CC BY 4.0

Term index

CopticRenderingCountFirst
no glossary terms recorded
dsc-297:1 · narrativemedium
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ܥܰܠ ܩܳܠܳܐ ܕܒܰܝܰܐܘ ܒܡܽܘܠܟܳܢܳܐ ܫܽܘܪܳܐ ܗ̱ܘܳܐ ܝܰܘܣܶܦ ܠܢܰܦܫܶܗ ܒܓܰܘ ܫܰܝܢܳܐ ܡܽܘܫܶܐ ܛܥܶܢ ܓܰܪ̈ܡܰܘܗ̱ܝ ܕܢܶܗܘܽܘܢ ܠܡܰܫܪܺܝܬܶܗ ܫܽܘܪܳܐ ܒܓܰܘ ܕܰܒܪܳܐ ܕܰܚܙܳܝܗ̱ܝ ܠܗܰܘ ܥܰܡܳܐ ܕܡܺܝܬ ܗܽܘ ܒܰܦܬܰܟܪ̈ܰܘܗ̱ܝ ܠܰܒܪܶܝܗ ܓܰܪ̈ܡܶܐ ܛܥܶܢ ܡܺܝ̈ܬܶܐ ܕܢܶܗܘܽܘܢ ܚܠܳܦ ܚܰܝ̈ܶܐ ܦܺܝܪܡܳܐ ܕܚܽܘܣܳܝܳܐ ܣܢܺܐܓܪܳܐ ܕܬܰܪܥܽܘܬܳܐ ܥܽܘܢܺܝܬܳܐ: ܠܳܐ ܢܶܬܛܰܠܰܡ ܦܰܓܪܳܐ ܕܟܺܐܢ̈ܶܐ ܕܗܰܝܡܶܢܘ̱ ܒܳܟ ܝܰܘܣܶܦ ܒܬܰܘܢܳܐ ܚܙܳܝܗ̱ܝ ܗ̱ܘܳܐ ܠܚܳܙܶܐ ܟܽܠ ܐܰܝܟܳܐ ܕܣܰܒܰܪ ܐ̱ܢܳܫ ܕܠܳܐ ܐܺܝܬ ܕܚܳܙܶܐ ܠܶܗ ܐܰܪܡܺܝ ܒܛܰܠܝܽܘܬܶܗ ܦܓܽܘ̈ܕܶܐ ܕܢܰܟܦܽܘܬܳܐ ܡܽܘܫܶܐ ܛܥܶܢ ܓܰܪ̈ܡܰܘܗ̱ܝ ܕܰܢܒܰܣܪܽܘܢ ܠܥܰܡܳܐ ܕܓܰܠܝܳܐܺܝܬ ܫܰܒܚܳܝܗ̱ܝ ܒܢ̈ܳܬ ܡܳܕܶܝܢ ܩܰܛܪܰܓ ܠܙܰܢܳܝ̈ܶܐ ܒܓܰܪ̈ܡܰܘܗ̱ܝ ܕܢܰܨܺܝܚܳܐ ܡܽܘܫܶܐ ܫܒܰܩ ܚܰܝ̈ܶܐ ܪܗܶܛ ܠܶܗ ܠܘܳܬ ܡܺܝ̈ܬܶܐ ܦܳܥ̈ܠܶܐ ܗ̱ܘܰܘ ܥܰܡܶܗ ܘܰܣܓܰܘ ܬܽܘܪ̈ܥܳܬܶܗ ܕܥܰܡܳܐ ܟܰܪܡܰܐ ܗ̱ܘ ܕܰܬܪܰܥ ܗ̱ܘܳܐ ܣܝܳܓܶܗ ܠܕܺܝܽܘ̈ܫܶܐ ܗܳܝ ܕܶܝܢ ܛܽܘܛܺܝܬܳܐ ܒܪܺܝܟܬܳܐ ܥܶܙܝܰܬ ܒܓܰܘ ܓܽܘܦܢ̈ܰܘܗ̱ܝ ܓܶܢܒܰܬ ܘܰܐܦܰܩܬܳܗ̇ ܡܶܢ ܒܶܝܬ ܚܪ̈ܽܘܒܶܐ ܒܽܘܪܟܬܳܐ ܠܒܶܝܬ ܥܰܡ̈ܡܶܐ ܓܰܪ̈ܡܰܘܗ̱ܝ ܕܶܐܠܺܝܫܰܥ ܣܰܒܪܳܐ ܙܪܰܥܘ̱ ܒܰܫܝܽܘܠ ܚܰܝܠܳܐ ܕܰܟܣܶܐ ܒܓܰܪ̈ܡܶܐ ܠܡܺܝ̈ܬܶܐ ܡܒܰܝܰܐ ܗ̱ܘܳܐ ܡܰܘܬܳܐ ܚܙܳܐ ܠܡܺܝܬܶܐ ܕܰܪܚܶܫ ܘܶܐܣܬܰܪܰܕ ܡܰܢܽܘ ܚܼܙܳܐ ܚܶܙܘܳܐ ܕܦܶܠܳܐܬܳܐ ܕܡܺܝܬܳܐ ܡܶܢ ܦܽܘܡ ܡܰܘܬܳܐ ܫܠܰܕܶܐ ܚܛܰܦ ܘܰܐܚܺܝ ܩܒܺܝܪܳܐ ܠܩܳܒܽܘܪ̈ܰܘܗ̱ܝ ܠܒܰܝܬܳܐ ܡܰܠܘܳܐ ܗ̱ܘܳܐ ܡܶܫܰܬ ܫܝܽܘܠ ܓܰܙܳܗ̇ ܐܰܘܨܪ̈ܶܐ ܕܟܽܠ ܦܰܓܪ̈ܰܝܢ ܬܰܪ̈ܥܶܝܗ̇ ܘܳܐܦ ܡܽܘܟܠܶܝ̈ܗ̇ ܫܪܪܬ ܘܶܐܬܬܰܟܠܰܬ ܠܳܐ ܓܶܝܪ ܚܙܳܬ ܡܶܢ ܡܬܽܘܡ ܓܰܪܡܳܐ ܕܰܪܚܶܫ ܗ̱ܘܳܐ ܩܳܠܶܗ ܕܚܰܙܩܺܝܐܶܝܠ ܐܬܘܗܗ̇
English
On the melody "Beth Av" in the mode of the kukaya. A wall was Joseph to himself within the tumult. Moses scattered his bones that they might become for his camp a wall within the wilderness. He who saw that people that died by his own hands, for his son the dead bones were scattered that they might become a substitute for the living. The fruit of mercy, the seal of chastity, the covenant: the body of the faithful who believed in you was not consumed. Joseph in the pit saw him who sees all, where he thought to hide that there was none who saw him. In his youth he cast the commands of asceticism. Moses scattered his bones that they might flesh out the people who openly praised him in the cities of Media. He contended for the weak with the bones of the righteous one. Moses left life, ran to the dead. Workers were with him, and they multiplied the lamentations of the people. It was a vineyard that had opened its enclosure to the foxes. But that blessed little dove went forth within his limbs, was emptied, and brought forth her offspring from the house of ruins as a blessing to the house of the peoples. The bones of Elisha sowed hope in Sheol. The power that was hidden in the bones was making the dead alive. Death saw the dead that stirred and were restored. He saw a vision of wonders, of a dead one from the mouth of death. He snatched corpses and revived them, the buried one from his burials. He was filling the house with the drink of Sheol's treasury, the storehouses of all bodies. Her gates and her bolts were shaken and confounded, for she had not seen from the beginning a bone that stirred. The voice of Hezekiel terrified her.
dsc-297:2 · narrativemedium
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ܓܰܪ̈ܡܶܐ ܪܚܰܫܘ̱ ܘܰܒܥܰܘ̱ ܚܰܕ ܠܚܰܕ ܘܶܐܬܪܰܟܰܒܘ̱ ܒܪܽܘܟܒܗܽܘܢ ܥܶܦܰܬ ܗܺܝ ܫܝܽܘܠ ܘܶܐܫܬܰܪܝܰܬ ܀܀܀ ܡܰܘܬܳܐ ܡܶܢ ܩܳܠ ܓܰܪ̈ܡܶܐ ܒܢܶܩ̈ܥܰܘܗ̱ܝ ܥܪܰܩ ܘܰܛܫܳܐ ܐܶܬܟܪܶܗ ܡܶܛܽܠ ܡܺܝ̈ܬܶܐ ܣܒܰܪ ܗ̱ܘܳܐ ܕܰܐܘܦܺܝ ܠܶܗ ܩܼܪܳܐ ܦܰܩܕܳܗ̇ ܠܰܫܝܽܘܠ ܘܰܐܘܪܬܳܗ̇ ܦܣܰܩ ܣܰܒܪܳܐ ܐܰܨܰܚ ܕܺܝܬܩܳܐ ܒܙܰܘܰܥܬܶܗ ܐܰܘܕܺܝ ܕܥܳܒܽܘܪܰܐ ܗ̱ܘ ܘܰܐܟܬܶܒ ܕܡܶܣܟܺܢܰܐ ܗ̱ܘ ܕܰܥܬܺܝܕ ܕܓܽܘܥܠܳܢܳܐ ܢܶܦܢܶܐ ܠܝܳܗܽܘܒܶܗ ܡܺܝ̈ܬܶܐ ܠܚܰܝ̈ܶܐ ܩܳܡܘ̱ ܩܒܺܝܪ̈ܶܐ ܠܰܩܒܽܘܪ̈ܶܐ ܪ̈ܡܰܝܳܐ ܠܗ̈ܶܠܟܶܐ ܫܠܰܝ̈ܳܐ ܠܡ̈ܰܠܳܠܶܐ ܕܰܘܺܝܕ ܠܚܶܙܰܩܝܳܐ ܒܩܰܒܪܶܗ ܢܼܛܰܪ ܟܰܪܟܶܗ ܘܓܰܪ̈ܡܶܐ ܠܝܽܘܫܺܝܳܐ ܐܰܦܺܝܣܘ̱ ܗ̱ܘܰܘ ܘܠܳܐ ܩܰܪܶܒܘ̱ ܠܗܰܘ ܣܳܒܳܐ ܒܓܰܪ̈ܡܶܐ ܢܛܰܪܘ̱ ܓܰܪ̈ܡܰܘܗ̱ܝ ܕܰܢܟܼܰܠ ܩܼܛܰܠ ܘܰܩܒܼܰܪ ܘܗܰܝܡܶܢ ܛܦܰܣ ܘܰܦܠܰܛ ܐܶܢ ܓܶܝܪ ܗܰܘ ܣܳܒܳܐ ܐܰܛܥܺܝܗ ܠܬܰܡܺܝܡܳܐ ܘܗܰܝܡܶܢ ܕܡܳܐ ܕܰܣܼܛܳܐ ܡܶܬܩܛܰܠ ܘܦܳܠܶܛ ܒܶܗ ܬܶܡܗܰܐ ܗ̱ܘ ܕܟܰܕ ܩܰܛܠܶܗ ܗܰܝܡܶܢ ܕܢܶܛܦܽܘܣ ܒܶܗ ܡܰܢܽܘ ܚܼܙܳܐ ܬܶܗܪܳܐ ܒܓܰܘ ܫܝܽܘܠ ܩܛܺܝܠܳܐ ܠܩܳܛܽܘܠܶܗ ܀܀܀
English
The bones crept and sought one another, and they were joined together. In their joining, the dust of that Sheol was disturbed and dissolved. Death heard the voice of the bones; in his members he fled and hid. He became ill because of the dead; he thought that his own end had come. He called out, commanded Sheol, and cut off her hope. He produced a testament in his trembling; he confessed that he was a sojourner, and wrote that he was a debtor, who was destined to be redeemed. The dead rose to life for Jacob; the buried rose to the tombs; the sick rose to the healthy; the lame rose to the walkers. David kept his crown for Hezekiah in his tomb. And the bones of Josiah were reconciled, and they did not approach that old man. With bones they kept his bones, of him who ate, killed, and buried. And he trusted, touched, and escaped. For that old man led the perfect one astray, and he trusted that what was hidden would be killed and escape through him. It was a wonder that when he killed him, he trusted that he had touched him. How great a wonder he saw within Sheol: the slain one over his slayer.
dsc-297:3 · narrativemedium
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ܒܩܰܒܪܳܐ ܡܢܰܛܰܪ ܗ̱ܘܳܐ ܟܡܳܐ ܢܶܛܪܽܘܢ ܐܰܚ̈ܰܝ ܩܛܺܝ̈ܠܶܐ ܕܒܰܡܫܺܝܚܳܐ ܬܽܘܒ ܣܳܡ ܐܶܠܺܝܫܰܥ ܐܺܝܕ̈ܰܘܗ̱ܝ ܟܪ̈ܺܝܗܳܬܳܐ ܥܰܠ ܐܺܝܕ̈ܶܐ ܚܠܺܝ̈ܡܳܬܳܐ ܕܡܰܠܟܳܐ ܕܰܢܚܶܬ ܣܰܥܪܶܗ ܚܰܝܠܳܐ ܩܢ̈ܰܝ ܘܰܫܕ̈ܰܝ ܓܶܐܪܳܐ ܕܦܽܘܪܩܳܢܳܐ ܠܡܶܬܗܰܪ ܒܟܽܘܪܗܳܢܳܐ ܕܟܶܫܪ̈ܶܐ ܕܢܶܒܥܶܐ ܗܽܘ ܕܚܽܘܠܡܳܢܳܐ ܠܦܰܓܪܳܐ ܕܣܳܥܽܘܪ̈ܰܘܗ̱ܝ ܠܣܽܘܥܪܳܢܗܽܘܢ ܐܰܫܘܳܢܝ̱ ܣܳܥܰܪ ܠܣܳܥܽܘܪ̈ܰܘܗ̱ܝ ܟܽܘܪܗܳܢܗܽܘܢ ܗܳܟܺܝܠ ܠܡ̈ܰܠܟܶܐ ܝܰܗ̱ܒ ܚܰܝܠܳܐ ܬܠܳܬܳܐ ܫܡܳܗܰܝ̈ܗܽܘܢ ܠܫܶܬܡܳܐܐ ܐܰܠܦܺܝ̈ܢ ܥܰܕܰܪܘ̱ ܒܥܶܠܕܰܪܝ̱ ܣܳܛܳܢܳܐ ܒܗܽܘܢ ܢܶܣܬܟܰܪ ܦܽܘܡܶܗ ܕܣܢܺܐܓܪ̈ܰܝ ܛܳܒܺܝ̈ܢ ܘܡܰܚܨܦܺܝܢ ܡܠܺܝ̈ܠܺܝܢ ܘܣܰܓܺܝ̈ܐܺܝܢ ܘܰܡܨܶܝܢ ܕܒܶܝܬ ܕܺܝܢܼܳܐ ܢܫܰܗܽܘܢ ܒܥܶܠ ܕܺܝܢܼܳܐ ܘܢܺܚܽܘܢ ܠܚܰܝܳܒܳܐ ܢܶܬܗܰܪ ܒܗܽܘܢ ܐܰܚ̈ܰܝ ܕܗܽܘ ܙܰܝܢܗܽܘܢ ܫܶܬܩܰܐ ܗ̱ܘ ܒܫܶܬܩܰܐ ܗ̱ܘ ܡܦܺܝܣܺܝܢ ܠܶܗ ܠܫܳܡܰܥ ܠܫܰܬܺܝܩ̈ܶܐ ܫܶܬܩܳܐ ܕܦܽܘܪܫܳܢܳܐ ܨܠܽܘܬܰܐ ܗ̱ܘ ܠܝܳܕܰܥ ܟܽܘܠ ܒܩܰܠܺܝܠ ܡܶܬܰܐܓܪܺܝܢ ܣܢܺܐܓܪ̈ܰܝ ܘܰܣܓܺܝ ܗܽܘ ܡܶܫܬܰܚܩܺܝܢ ܒܒܶܟܝܳܐ ܫܚܺܝܕܺܝܢ ܠܺܝ ܒܕܶܡ̈ܥܶܐ ܐܰܓܺܝܪܺܝܢ ܠܺܝ ܕܐܫܶܦܥܶܬ ܥܰܠ ܩܰܒܪ̈ܰܝܗܽܘܢ ܢܶܪܗܰܛ ܠܩܰܒܪ̈ܰܝܗܽܘܢ ܕܢܺܚܶܐ ܒܡ̈ܰܘܬܰܝܗܽܘܢ ܓܰܪ̈ܡܰܘܗ̱ܝ ܕܶܐܠܺܝܫܰܥ ܣܳܗܕܺܝܢ ܠܓܰܪ̈ܡܰܝܗܽܘܢ ܕܚܰܝ̈ܶܐ ܝܰܗ̱ܒ ܕܰܒܗܽܘܢ ܡܰܘܬܳܐ ܕܚܶܠ ܘܺܝܠܶܦ ܘܰܫܪܺܝ ܡܝܰܩܰܪ ܗ̱ܘܳܐ ܒܓܰܘ ܫܝܽܘܠ ܠܓܰܪ̈ܡܶܐ ܕܙܰܕܺܝ̈ܩܶܐ ܕܰܢܟܶܣ ܠܟܳܦܽܘܪ̈ܶܐ ܕܠܳܐ ܚܰܫܘ̱ ܒܢܽܘܚܳܡܳܐ ܕܳܐܦ ܫܝܽܘܠ ܪܓܺܝܫܳܐ ܒܶܗ ܠܳܐ ܓܶܝܪ ܐܺܝܬ ܡܶܕܶܡ ܕܡܺܝܬܰܐ ܗ̱ܘ ܠܡܰܚܶܐ ܟܽܠ ܐܶܠܳܐ ܐܶܢ ܗܰܘ ܡܰܘܬܳܐ ܕܝܰܡܳܐ ܥܠܰܘܗ̱ܝ ܘܶܐܡܰܪ ܕܠܳܐ ܐܶܨܛܒܺܝ ܡܶܡܬܽܘܡ ܒܡܰܘܬܶܗ ܕܚܰܛܳܝܳܐ ܘܟܰܕ ܟܽܠ ܠܡܳܪܳܐ ܟܽܠ ܦܫܺܝܩ ܗ̱ܽܘ ܥܛܰܠ ܗ̱ܽܘ ܠܰܡܰܚܳܝܽܘ
English
In the grave he was watching, how many years did the bones of the dead in Christ wait? Again Elisha placed his sick hands upon the strong hands of the king whose hair fell out. He gathered and cast the arrow of the Redeemer to be disturbed in the fever of the fevers of the ribs that he desired for the sake of health for the body of his lepers. For their leprosy I cast, he did for his lepers; their fever therefore gave strength to the kings. Their three names helped the six hundred thousand. In my helper the adversary, in them his mouth was hidden, of the good and reproachful scribes, eloquent and many, and those able in the house of judgment, they rejoiced in the adversary of judgment, and they lived for the sinner. He was disturbed in them, the bones of my brother, for their weapon was silence. In silence they appease him, to hear the silent ones, the silence of separation. Prayer is for the knower of all. In a little they are hired, the scribes, and much they are ground down. In weeping they are martyred for me, in tears they are hired for me, that I poured upon their graves. He ran to their graves of the living in their deaths. The bones of Elisha testify to your bones, that he gave life to those in whom death learned and dwelt, and he was heavy within Sheol for the bones of the righteous, which hid from the deniers who did not think of the resurrection. Sheol also, sensitive to him, for there is nothing that is dead to revive all, except that death that said to the sea over him, that he was not willing to be moved by the death of the sinner. And when all to the Lord all, it was easy, it was ready to revive.
dsc-297:4 · narrativehigh
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ܡܰܘܬܳܐ ܕܚܺܐܪܽܘܬܳܐ ܕܡܺܝܬܶܐ ܒܨܶܒܝܳܢܶܗ ܡܰܘܬܳܐ ܕܒܰܚܛܳܗܶܐ ܐܳܦ ܓܶܝܪ ܗܽܘ ܦܰܓܪܳܐ ܡܳܐܢܳܐ ܕܚܰܝܘܳܬܳܗ̇ ܗܺܝ ܩܛܰܠܬܶܗ ܗܘܳܬ ܒܪܺܝܫܺܝܬ ܒܦܰܪܕܰܝܣܳܐ ܕܰܫܪܳܬ ܒܫܽܘܠܛܳܢܳܗ̇ ܣܝܳܓܶܗ ܕܢܳܡܽܘܣܳܐ ܠܳܐ ܓܶܝܪ ܨܒܼܳܐ ܟܺܐܢܳܐ ܕܰܐܡܠܟܳܗ̇ ܕܢܶܥܨܳܝܗ̇ ܒܰܩܛܺܝܪܳܐ ܠܗܳܕܶܐ ܡܫܰܠܰܛܬܳܐ ܕܰܫܪܳܬ ܠܨܶܒܝܳܢܶܗ ܘܡܺܝܬܰܬ ܒܨܶܒܝܳܢܳܗ̇ ܣܰܓܺܝ ܗܽܘ ܚܰܒܺܝܒܳܐ ܫܶܢܬܳܐ ܠܡܰܢ ܕܠܳܐܶܐ ܘܰܠܡܰܢ ܕܨܳܐܶܡ ܘܫܳܗܰܪ ܡܰܘܬܳܐ ܪܚܽܘܡܶܗ ܗܽܘ ܠܳܐ ܩܳܛܠܳܐ ܠܕܰܡ̈ܟܶܐ ܫܶܢܬܳܐ ܕܒܰܟܝܳܢܳܐ ܐܳܦ ܠܳܐ ܫܝܽܘܠ ܩܶܛܠܰܬ ܘܩܳܛܠܳܐ ܫܶܢܬܳܐ ܕܒܽܘܣܳܡܳܐ ܗ̱ܝ ܐܳܦ ܫܝܽܘܠ ܕܢܽܘܚܳܡܳܐ ܗ̱ܝ ܠܡܰܘܬܳܐ ܗܰܘ ܬܶܢܝܳܢܳܐ ܕܠܳܐ ܐܺܝܬ ܠܶܗ ܦܽܘܪܣܳܐ ܠܳܐ ܟܺܝܡܳܐ ܡܶܢ ܡܬܽܘܡ ܫܶܢܬܳܐ ܕܥܰܪ̈ܣܳܬܳܐ ܥܰܠ ܡܰܢ ܕܢܳܡ ܘܰܕܡܼܶܟ ܕܬܽܘܒ ܡܶܬܬܥܺܝܪ ܒܰܥܓܰܠ ܐܳܦ ܠܳܐ ܫܝܽܘܠ ܟܶܡܰܬ ܐܰܘ ܟܺܝܡܳܐ ܐܰܚ̈ܰܝ ܗܳܐ ܫܶܢܬܳܐ ܠܰܫܝܽܘܠ ܡܟܰܣܶܐ ܕܨܰܦܪܳܐ ܡܥܺܝܪ ܕܰܡ̈ܟܶܐ ܘܩܳܠܳܐ ܡܩܺܝܡ ܡܺܝ̈ܬܶܐ ܡܰܘܬܰܐ ܗ̱ܘ ܕܚܺܐܪܽܘܬܳܐ ܕܒܺܐܝܕ̈ܰܘܗ̱ܝ ܦܣܼܰܩ ܣܰܒܪܶܗ ܀܀܀
English
The death of freedom, of those who die by His will. The death of sins— for that body, the vessel of its life, it was that killed it. In the beginning, in Paradise, she [the will] settled in her dominion, the boundary of the law. For the bitter one did not wish to counsel her, that her wood be cut short. To this ruler, who settled for His will, and died by her will, great was the beloved. An hour for the weary, and for the one who fasts and keeps vigil, death is his mercy. It is not a slayer of the sleeping. An hour of weeping— even Sheol did not kill, and a slayer. An hour of consolation— even Sheol is of consolation. To that death, the return, which has no end, it is not a sleep from rising. An hour of bridal chambers— over one who stands and sleeps, that he might again be awakened quickly. Even Sheol did not darken, or a sleep revive. Behold, an hour for Sheol, concealing, of the morning that awakens the sleeping, and a voice that raises the dead. It is the death of freedom, in whose hands his hope is cut off.
dsc-297:5 · narrativemedium
Source
ܗܳܢܳܐ ܕܗܳܐ ܟܶܐܡܰܬ ܥܛܶܠ ܗ̱ܽܘ ܠܟܺܐܢܽܘܬܶܗ ܝܰܗܒܶܗ ܒܛܰܝܒܽܘܬܶܗ ܟܰܕ ܕܰܠܺܝܠ ܠܨܶܒܝܳܢܰܢ ܕܪܽܘܚܳܐ ܚܢܰܢ ܢܺܚܶܐ ܘܦܰܓܪܳܐ ܢܢܰܚܶܡ ܗ̱ܽܘ ܕܟܰܕ ܢܶܐܟܠܺܝܘܗ̱ܝ ܪܰܚܫܳܐ ܘܚܰܝܽܘܬܳܐ ܠܰܐܪܥܰܐ ܗ̱ܘ ܡܶܬܦܢܶܝܢ ܐܰܟܺܝ̈ܠܶܐ ܘܳܐܟܽܘ̈ܠܶܐ ܘܡܶܬܦܪܶܫ ܐܰܝܟ ܕܰܒܟܽܘܪܳܐ ܥܰܦܪܗܽܘܢ ܒܢܽܘܚܳܡܳܐ ܐܶܢ ܓܶܝܪ ܬܶܫܦܰܪ ܠܶܗ ܗܳܕܶܐ ܠܽܐܘܡܳܢܳܐ ܕܢܶܫܚܽܘܩ ܘܢܶܫܕܶܐ ܬܽܘܒ ܕܰܗܒܳܐ ܒܓܰܘ ܐܰܪܥܳܐ ܦܪܰܫ ܘܰܫܩܰܠ ܠܶܗ ܡܶܢܳܗ̇ ܒܓܰܘ ܟܽܘܪܳܐ ܟܡܳܐ ܟܺܝܬ ܒܳܪܽܘܝܳܐ ܢܨܰܠܠܺܝܘܗ̱ܝ ܠܦܰܓܪܐ ܒܢܽܘܚܳܡܳܐ ܒܟܽܘܪܶܗ ܡܰܦܪܶܫ ܟܽܠ ܟܰܕ ܡܓܶܝܠ ܘܫܳܕܶܐ ܠܶܗ ܠܥܰܦܪܳܐ ܕܚܰܝ̈ܘܳܬܳܐ ܗܳܐ ܓܶܝܪ ܒܬܰܪܥܺܝܬܶܗ ܕܺܝܠܶܗ ܕܰܥܒܽܘܕܳܢ ܡܰܦܪܰܫ ܪܫܺܝܡ ܗ̱ܘܳܐ ܒܳܗ̇ ܥܰܦܪܶܗ ܕܒܰܪ ܐ̱ܢܳܫܳܐ ܦܪܰܫ ܫܩܼܰܠ ܥܰܦܪܶܗ ܕܳܐܕܳܡ ܘܓܰܒܠܶܗ ܗ̱ܘܳܐ ܗܳܟܰܢ ܦܪܺܝܫ ܘܰܪܫܺܝܡ ܒܡܰܕܥܶܗ ܥܰܦܪܳܗ̇ ܕܐ̱ܢܳܫܽܘܬܳܐ ܘܠܶܗ ܗܼܽܘ ܡܩܺܝܡ ܒܰܠܚܽܘܕ ܘܰܚܙܰܘ ܠܫܽܘܪܳܝܳܐ ܕܣܳܗܶܕ ܠܫܽܘܠܳܡܳܐ ܢܚܳܫܳܐ ܕܥܳܒܽܘܪܰܐ ܗ̱ܘ ܦܪܺܝܫ ܗ̱ܽܘ ܒܓܰܘ ܥܰܦܪܶܗ ܘܰܩܕܳܡ ܕܢܶܫܬܰܠܰܚ ܡܶܬܚܙܶܐ ܠܽܐܘܡܳܢܶܗ ܘܶܐܢ ܦܼܢܳܐ ܢܦܼܰܠ ܒܰܐܪܥܶܗ ܕܢܺܝܚ ܗܽܘ ܒܓܰܘܳܗ̇ ܬܽܘܒ ܟܡܳܐ ܟܺܝܬ ܠܝܳܕܰܥ ܟܽܠ ܦܪܺܝܫ ܟܽܠ ܟܽܠ ܥܦܰܪ ܠܓܶܢܣ̈ܳܢܰܘܗ̱ܝ ܘܡܶܢ ܟܽܠܗܽܘܢ ܪܰܒ ܠܶܗ ܥܰܦܪܶܗ ܕܒܰܪܢܳܫܳܐ ܕܶܐܣܛܠܰܐ ܗ̱ܘ ܕܚܰܒܺܝܒܶܗ ܠܦܰܓܪܳܐ ܥܛܺܝܦ ܒܽܘܟܪܳܐ ܦܪܺܝܣܰܐ ܗ̱ܘ ܕܬܶܫܒܽܘܚܬܶܗ ܚܰܬܢܳܐ ܕܠܳܐ ܡܳܐܶܬ ܒܗܳܝ ܐܶܣܛܠܳܐ ܡܦܰܪܶܓ ܙܡ̈ܺܝܢܶܐ ܒܶܐܣܛܰܠܗܽܘܢ ܠܗܳܝ ܐܰܣܛܠܶܗ ܢܶܕܡܽܘܢ ܦܰܓܪ̈ܶܐ ܠܒܽܘܫܰܝ̈ܟܽܘܢ ܢܦܰܪܓܽܘܢ ܕܰܦܟܪܽܘܗ̱ܝ ܠܗܰܘ ܓܰܒܪܳܐ ܕܦܰܓܪܶܗ ܡܟܰܬܰܡ ܗ̱ܘܳܐ ܚܽܘܪ ܒܡܶܫܬܽܘܬܳܟ ܟܽܘܬܡ̈ܳܬܝ̱ ܒܙܰܠܺܝܩ̈ܰܝܟ ܚܙܰܘ ܕܶܝܢ ܟܡܳܐ ܥܽܘܒܺܝ̈ܢ
English
This one, when he was troubled in his poverty, gave in his goodness, while he was humble to the will of the spirit, he sinned against life, and the body was warming him, that when the reptile and the beasts devoured him, he is dissolved to the earth, eaters and eaten, and is separated like a firstborn, their dust in a furnace. For if this pleases him, for the days that were crushed and cast again, gold within the earth, he separated and took it from within the furnace. As also the Creator, he cast the body into a furnace, in his furnace he separates all, while he rolls and casts it to the dust of the beasts. For in his intention, his own of making, he was separating and marking in it the dust of the son of man. He separated and took the dust of Adam and formed him. Thus separated and marked in his mind the dust of humanity. And to him alone he raises and shows the beginning that witnesses to the end. The pain of the passer-by was separated within his dust, and before he was sent, he appears to his days. And if he falls upon his earth, he is pressed within it again. As also the knower of all, he separates all, all the dust to his kinds, and from all he is greater, the dust of the son of man, which is the stole of his beloved, wrapped to the body in the furnace. It is spread, the praise of his, the seal that does not die. In that stole he completes the movements in their stoles, to that stole of his they resemble, bodies to your garments, and complete that you may reject him, that man whose body was sealed. Look in your drinking, my seals in your flashes, see then how they are pressed.
dsc-297:6 · narrativemedium
Source
ܦܰܓܪܳܐ ܨܪܳܐ ܘܰܢܦܰܩ ܠܟܰܪܣܳܐ ܒܡܰܘܠܳܕܶܗ ܠܩܰܒܪܳܐ ܒܢܽܘܚܳܡܶܗ ܠܓܽܘܒܳܐ ܕܚܰܝ̈ܘܳܬܳܐ ܙܟܼܳܐ ܗ̱ܘܳܐ ܘܠܰܐܬܽܘܢܳܐ ܢܽܘܢܳܐ ܕܒܰܠܥܶܗ ܬܽܘܒ ܦܰܢܝܶܗ ܗܰܠܶܟ ܒܓܰܘ ܝܰܡܳܐ ܘܰܦܼܪܰܚ ܘܛܳܣ ܒܳܐܐܰܪ ܝܺܬܶܒ ܥܰܠ ܝܰܡܺܝܢܳܐ ܡܟܰܠܰܠ ܒܬܶܫܒܽܘܚܬܳܐ ܡܰܢܽܘ ܕܰܚܒܰܫ ܠܶܗ ܡܰܢܽܘ ܕܶܐܣܰܪ ܠܶܗ ܐܰܝܢܰܘ ܟܰܝ ܥܽܘܒܳܐ ܕܡܶܫܟܰܚ ܡܣܰܝܒܰܪ ܠܶܗ ܐܶܢ ܗܽܘ ܕܥܰܠ ܟܰܪܣܳܐ ܠܳܐ ܚܳܣ ܕܺܝܠܶܕܬܶܗ ܒܚܶܒܠܰܘ̈ܗ̱ܝ ܬܼܪܰܥ ܘܰܢܦܰܩ ܘܰܐܪܦܝܳܗ̇ ܘܗܳܐ ܨܶܕܝܳܐ ܡܶܢܶܗ ܕܠܳܐ ܬܽܘܒ ܦܢܳܐ ܥܰܠ ܠܳܗ̇ ܟܡܳܐ ܢܶܚܪܒܶܝܗ̇ ܠܰܫܝܽܘܠ ܡܰܦܩܶܗ ܘܢܽܘܚܳܡܶܗ ܠܰܡܗܰܝ̈ܡܢܶܐ ܡܰܠܶܦ ܡܰܣܩܶܗ ܕܶܐܠܺܝܳܐ ܕܰܐܟܚܰܕ ܣܠܶܩܘ̱ ܗ̱ܘܰܘ ܒܳܗ̇ ܬܪ̈ܰܝܗܽܘܢ ܒܡܰܪܟܰܒܬܳܐ ܦܰܓܪܳܐ ܐܳܦ ܢܰܦܫܳܐ ܠܗܰܘ ܡܰܥܡܪܳܐ ܕܰܠܥܶܠ ܘܰܕܠܳܐ ܫܠܰܚ ܦܰܓܪܶܗ ܫܕܳܐ ܒܕܽܘܟ ܓܰܒܪ̈ܶܐ ܕܰܢܦܼܰܩܘ̱ ܘܰܒܥܰܘ̱ ܕܠܳܐ ܐܶܫܟܚܽܘܗ̱ܝ ܐܰܠܶܦܘ̱ ܕܟܽܠܶܗ ܣܠܼܶܩ ܒܦܰܓܪ ܕܩܰܕܺܝܫ ܗ̱ܘܳܐ ܒܦܰܓܪ ܘܳܐܦ ܗܼܽܘ ܥܰܦܪܶܗ ܬܽܘܒ ܡܰܠܶܦ ܕܶܐܠܺܝܳܐ ܕܶܐܬܦܪܶܫ ܘܦܳܫ ܡܶܢܶܗ ܫܐܺܝܠܳܐ ܘܥܳܒܽܘܪܳܐ ܘܶܐܬܟܣܶܣ ܦܼܪܰܫ ܘܰܢܦܼܰܠ ܕܺܐܝܬܰܘܗ̱ܝ ܠܒܽܘܫ ܙܰܒܢܳܐ ܕܰܢܦܺܝܣ ܥܰܠ ܦܰܓܪܳܐ ܕܶܐܬܚܛܰܦ ܕܰܗܘܳܝܶܗ ܠܒܽܘܫ ܩܽܘܫܬܳܐ ܕܰܠܘܳܐ ܠܰܠܒܽܘ̈ܫܰܘܗ̱ܝ ܥܰܦܪܳܐ ܦܼܪܰܫ ܘܰܢܦܼܰܠ ܘܦܰܓܪܳܐ ܦܼܪܰܚ ܘܰܣܼܠܶܩ ܐܳܦ ܝܽܘܪܕܢܳܢ ܐܰܪܡܺܝ ܦܓܽܘ̈ܕܶܐ ܒܡܰܪܕܺܝܬܶܗ ܢܰܦܫܗܽܘܢ ܬܟܰܣܘ̱ ܡܰܝ̈ܳܐ ܚܰܕ ܠܚܰܕ ܛܥܶܢܘ̱ ܫܶܦܥܰܘ̈ܗ̱ܝ ܫܰܒܩܳܗ̇ ܠܡܰܪܕܺܝܬܶܗ ܫܪܺܝܬܳܐ ܕܒܰܟܝܳܢܶܗ ܘܰܪܕܳܐ ܕܠܳܐ ܟܝܳܢܶܗ ܠܒܶܣܬܪܶܗ ܕܰܢܦܺܝܣ ܟܰܕ ܣܳܒܶܟ ܘܣܳܠܶܩ ܒܦܽܘܩܕܳܢܳܐ ܕܦܰܓܪܳܐ ܒܢܰܨ̈ܺܝܚܶܐ ܠܪܰܘܡܳܐ ܦܼܳܪܚܳܐ ܘܰܣܼܠܶܩ ܐܶܢ ܕܶܝܢ ܥܼܛܰܠ ܕܰܢܩܽܘܡ ܦܰܓܪܶܗ ܕܢܽܘܚ ܕܰܒܠܺܝ ܣܰܓܺܝ ܥܣܶܩ ܕܰܚܢܽܘܟ
English
The body was pressed and came out to the belly at his birth, to the grave at his death, to the pit of beasts. He was victorious and did not sink; the pit that swallowed him returned him. He walked within the sea and flew and soared in the air. He sat on the right hand, crowned with praise. The one who confined him was confined; the one who bound him was bound. Like a locust that can be borne, is it the one that on the belly did not spare his mother? Through his pains he broke through and came out and abandoned her. And behold, the righteous one from her, that he might not again return to her. How many times did she strip Sheol, bringing out her dead? And his death teaches the faithful. Elijah ascends, for they both ascended in it, the two of them in the chariot: body and soul to that upper dwelling. And without sending his body, he cast it into a place. The men who went out and sought, not finding him, they learned that he had ascended entirely in body. He was holy in body, and also that his dust again teaches that Elijah was separated and remained from him: a shawl and a mantle, and he was covered, separated and fell, that he is a garment of glory that was fitting for the body that was snatched away. That his waist is a garment of holiness that was fitting for his garments. Dust separated and fell, and the body flew and ascended. Also the Jordan cast commands in his descent. Their souls were covered by waters. One to another they tasted his abundance. He left his descent, the camp of his weeping, and a rose not of his nature, for his covering, that was fitting when he was old and ascended by the command of the body in triumphs to the height, flying and ascending. If, however, the one who delayed that he might stand, his body of death that wears out, much did he labor that he might be hidden.
dsc-297:7 · narrativemedium
Source
ܕܠܳܐ ܐܶܫܬܪܺܝ ܦܰܓܪܶܗ ܕܡܺܝ̈ܬܶܐ ܒܐ̱ܪܳܙ ܚܰܢܽܘܟ ܐܰܠܦܰܢ ܕܚܰܝܰܝܢ ܠܶܗ ܒܡܽܘܫܶܐ ܘܒܶܐܠܺܝܳܐ ܕܶܐܬܚܙܺܝܘ ܐܰܟܶܣ ܠܟܳܦܽܘܪ̈ܶܐ ܕܚܰܝܰܝ̈ܢ ܕܡܶܬܩܰܒܪܺܝܢ ܘܦܳܪܚܺܝܢ ܕܡܶܫܬܰܚܪܺܝܢ ܐܰܫܘܳܢܝ̱ ܠܡܶܐܬܺܝܬܳܟ [ܫܠܶܡ]
English
His body was not dissolved among the dead, in the mystery of your bosom. He taught the living to him through signs and Elijah, who were seen. He concealed the deniers of the living who are buried and fly, who are delayed. I awaited your coming. [The End]
Citation. Tergwame, “Nisibis 43”, dsc-297:1, machine-draft, 2026. https://naxiai.com/christian/works/dsc-297#s1
Colophon. Source: syriac · licence: CC BY 4.0 · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0047 · generated 2026-11-15.