ት Tergwame Greek · Coptic · Ethiopic · Syriac · Armenian · Georgian · Latin

Syriac · Other · mid-4th century

Nisibis 3

Ephrem the Syrian · syriac

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machine-draft · no human review 3 passages · 812 words

Work dossier · summary and historical context

Summary

The Nisibis 3 collection comprises madrāšê (teaching hymns) attributed to Ephrem the Syrian, likely composed in Nisibis before its cession to Persia in 363. These hymns, rooted in Syriac liturgical and exegetical traditions, employ poetic imagery to explore divine transcendence, communal repentance, and typological themes such as redemption. The Syriac text survives in 5th–6th-century manuscripts, with later editorial additions possible. The edition presents a single reconstructed text without full critical apparatus. The hymns influenced East Syriac liturgy and were translated into Armenian and Georgian, shaping broader hymnography.

This collection is significant for understanding Syriac hymnography, liturgical theology, and Ephrem's poetic method. It illustrates the use of madrāšê in teaching and worship, and its themes of divine transcendence and communal repentance influenced later East Syriac and Armenian traditions. The hymns also provide insight into the historical and theological concerns of the Nisibene Christian community in the 4th century.

Historical context

The hymns were composed in Nisibis, a major Syriac Christian center in the mid-4th century, during Ephrem's tenure there. The community was part of the East Syriac tradition, using Syriac as a liturgical language. The collection reflects the genre of madrāšê, didactic hymns used in worship and teaching. The text was transmitted in multiple manuscripts, with earliest witnesses from the 5th–6th centuries, indicating ongoing liturgical use. Later translations into Armenian and Georgian show its influence beyond Syriac Christianity. The edition collates several manuscripts but lacks a full critical apparatus, so the reconstruction is tentative. The historical context includes the cession of Nisibis to Persia in 363, which likely shaped the hymns' themes of communal identity and redemption.

Apparatus · what the pipeline recorded

Annotation and terms

18 commentary units 3 term3 background3 scripture3 caution2 structure2 sense1 reception1 parallel 0 derived notes 7 open questions 3 narrative
What the kinds mean

Pipeline notes

  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: other in classical Syriac; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 3 narrative.
  • sourceSource edition: syriac — CC BY 4.0

Term index

CopticRenderingCountFirst
no glossary terms recorded
dsc-261:1 · narrativemedium
Source
ܒ ܒܰܪ ܩܳܠܶܗ ܩܰܒܥܳܗ̇ ܠܡܰܫܡܰܥܬܰܢ ܕܠܳܐ ܬܶܫܬܪܶܐ ܘܬܰܦܗܶܐ ܕܦܰܗܝܳܐ ܠܡܰܥܩܳܒܽܘ ܕܡܰܢܽܘ ܘܰܠܡܼܰܢ ܕܳܡ̇ܐ ܐܰܝܟܰܢ ܡܨܶܝܢ ܚܢܰܢ ܓܶܝܪ ܕܢܶܨܽܘܪ ܕܡܽܘܬܶܗ ܒܰܢ ܕܗܰܘ ܐܺܝܬܝܳܐ ܕܕܳܡ̇ܐ ܠܡܰܕܥܳܐ ܠܰܝܬ ܒܶܗ ܡܶܕܶܡ ܕܰܐܛܺܝܡ ܒܟܽܠܶܗ ܚܳܙܶܐ ܘܫܳܡܰܥ ܟܽܠܶܗ ܐܰܝܟ ܡܰܠܳܠܰܐ ܗ̱ܘ ܟܽܠܶܗ ܒܟܽܠ ܪ̈ܶܓܫܶܐ ܗܽܘ ܥܽܘܢܺܝܬܳܐ : ܫܽܘܒܚܳܐ ܠܚܰܕ ܐܺܝܬܝܳܐ ܕܠܳܐ ܡܶܬܒܨܶܐ ܡܶܢܰܢ ܠܳܐ ܡܶܬܡܺܝܫ ܚܶܙܘܶܗ ܕܢܶܬܨܺܝܪ ܒܪܶܥܝܳܢܰܢ ܫܳܡܰܥ ܕܠܳܐ ܐܶܕ̈ܢܶܐ ܡܡܰܠܶܠ ܕܠܳܐ ܦܽܘܡܳܐ ܥܳܒܶܕ ܕܠܳܐ ܐܺܝ̈ܕܶܐ ܘܚܳܙܶܐ ܕܠܳܐ ܥܰܝ̈ܢܶܐ ܠܳܐ ܟܳܝܫܳܐ ܢܰܦܫܰܢ ܘܫܶܠܝܳܐ ܨܶܝܕ ܡܶܢ ܕܗܳܟܰܢܳܐ ܗ̱ܘ ܠܒܶܫ ܗ̱ܘܳܐ ܒܛܰܝܒܽܘܬܶܗ ܐܶܣܟ̈ܺܡܶܐ ܕܐ̱ܢܳܫܽܘܬܳܐ ܘܟܶܢܫܰܢ ܒܕܶܡ̈ܘܳܬܶܗ ܢܺܐܠܰܦ ܕܰܐܝܟܰܢܳܐ ܕܺܐܝܬܝܰܐ ܗ̱ܘ ܪܽܘܚܳܢܳܐ ܘܶܐܬܚܙܺܝ ܐܰܝܟ ܦܰܓܪܳܢܳܐ ܘܗܳܟܰܢ ܐܳܦ ܫܶܦܝܰܐ ܗ̱ܘ ܘܶܐܬܚܙܺܝ ܐܰܝܟ ܚܰܡܬܳܢܳܐ ܘܗܳܠܶܝܢ ܠܥܽܘܕܪܳܢܳܐ ܐܺܝܬܝܳܐ ܒܕܶܡ̈ܘܳܬܰܢ ܠܰܢ ܕܳܡܶܐ ܕܰܚܢܰܢ ܢܕܰܡܶܐ ܒܶܗ ܚܰܕ ܗ̱ܽܘ ܕܠܶܗ ܕܳܡܶܐ ܝܰܠܕܳܐ ܕܰܢܦܰܩ ܡܶܢܶܗ ܕܰܛܒܺܝܥ ܒܕܶܡ̈ܘܳܬܶܗ ܢܨܺܝܒܺܝܢ ܫܡܼܰܥ ܗܳܠܶܝܢ ܕܰܒܥܶܠܬܶܟܝ̱ ܗܳܠܶܝܢ ܐܶܬܟܬܶܒ ܘܶܐܬܡܰܠܰܠ ܐܳܦ ܠܶܟܝ̱ ܐܳܦ ܠܰܐܚܪ̈ܳܢܶܐ ܗܘܺܝܬ ܥܶܠܬܳܐ ܒܬܺܒܶܝܠ ܠܩܺܐܪ̈ܣܶܐ ܘܰܠܬܽܘܪ̈ܓܳܡܶܐ ܦܽܘܡ̈ܶܐ ܥܠܰܝܟܝ̱ ܐܰܘ ܕܶܐܬܚܰܒܫܰܬܝ̱ ܦܽܘܡ̈ܶܐ ܥܠܰܝܟܝ̱ ܙܡܰܪܘ̱ ܕܰܢܨܰܚܬܝ̱ ܘܶܐܬܦܰܨܶܝܬܝ̱ ܒܶܟܝ̱ ܐܶܬܦܰܬܰܚܘ̱ ܦܽܘܡ̈ܶܐ ܠܺܐܠܝܳܐ ܘܰܠܩܽܘܠܳܣܳܐ ܨܠܽܘܬܳܐ ܕܥܳܡܽܘܪ̈ܰܝܟܝ̱ ܣܶܦܩܰܬ ܠܦܽܘܪܩܳܢܶܟܝ̱ ܠܳܐ ܗ̱ܘܳܐ ܕܙܰܕܺܝܩܺܝܢ ܐܶܠܳܐ ܕܬܰܝܳܒܺܝܢ ܟܡܳܐ ܕܨܳܥܪܺܝܢ ܗܳܟܰܢ ܪܳܗܛܺܝܢ ܬܚܶܝܬ ܫܰܒܛܳܐ ܒܚܽܘ̈ܒܶܐ ܘܰܒܢܶܨ̈ܚܳܢܶܐ ܡܡܰܙܓܺܝܢ
English
By his voice he calls her, so that her hearing may not be slack and idle, for it is fitting to receive the likeness of the one who is like, as far as is possible, for the image of his death is in him, since that being which is like the mind has nothing in it that is hidden; in its entirety it sees and hears, in its entirety it is like a speaker, in its entirety it is with all senses, a spiritual being. Glory to the one being that is not divided from anything, not moved; the vision of the one who is formed in the mind hears without ears, speaks without a mouth, acts without hands, and sees without eyes. Not a body is she, and silent, for from the one who is thus, he put on, by his grace, the forms of humanity, and he struggled with his likenesses. He taught that as he is a spiritual being, he appeared as a bodily being, and thus also he is pure, and appeared as a material being, and he walked to the Trinity. The being is like the likenesses, for it is fitting that the one who is like him is the one who is like him, the begetter who came forth from him, who is stamped with his likenesses. Hear, O chosen one, he walked, for your sake he walked; he was written and spoken, both for you and for others. You were a cause in the world for preachers and interpreters. Mouths upon you, or were you silent? Mouths upon you sang, for you cried out and were redeemed. In you mouths were opened for praise and glory. The prayer of your inhabitants sufficed for your salvation; it was not of the righteous but of the penitents, as the young ones run thus under the rod, mixing with debts and victories.
dsc-261:2 · narrativemedium
Source
ܕܰܥܫܶܢܘ̱ ܚܛܳܗ̈ܰܝܗܽܘܢ ܢܥܰܫܢܽܘܢ ܦܺܐܪ̈ܰܝܗܽܘܢ ܕܰܢܨܰܚܘ̱ ܒܣܳܩܰܝ̈ܗܽܘܢ ܢܰܨܰܚܘ̱ ܐܳܦ ܟܠܺܝ̈ܠܰܝܗܽܘܢ ܝܰܘܡܳܐ ܕܦܽܘܪܩܳܢܶܟܝ̱ ܡܰܠܟܰܐ ܗ̱ܘ ܕܟܽܠ ܝܰܘܡ̈ܺܝܢ ܫܰܒܬܳܐ ܣܶܚܦܰܬ ܫܽܘܪ̈ܰܝܟܝ̱ ܣܶܚܦܰܬ ܠܟܳܦܽܘܪ̈ܶܐ ܝܽܘܡ ܩܝܳܡܬܶܗ ܕܰܒܼܪܳܐ ܐܰܩܺܝܡܳܗ̇ ܠܡܰܦܽܘܠܬܶܟܝ̱ ܝܽܘܡ ܩܝܳܡܬܳܐ ܐܰܩܺܝܡܶܟܝ̱ ܐܰܝܟ ܫܡܶܗ ܩܰܠܣܶܗ ܠܟܽܘܢܳܝܶܗ ܫܪܳܬ ܫܰܒܬܳܐ ܢܰܛܪܳܗ̇ ܒܥܰܡܠܳܐ ܕܬܽܘܪ̈ܥܳܬܳܗ̇ ܗܺܝ ܟܰܐܪܰܬ ܢܰܫܦܳܗ̇ ܒܫܳܡܪܺܝܢ ܥܫܶܢ ܟܰܦܢܳܐ ܒܶܟܝ̱ ܕܶܝܢ ܥܫܶܢ ܣܰܒܥܳܐ ܠܫܳܡܪܺܝܢ ܓܣܼܳܐ ܥܰܠ ܠܳܗ̇ ܣܰܒܥܳܐ ܡܶܢ ܫܶܠܝܳܐ ܠܶܟܝ̱ ܕܶܝܢ ܢܗܼܰܡ ܥܰܠ ܠܶܟܝ̱ ܝܰܡܳܐ ܕܡܶܢ ܫܶܠܝܳܐ ܒܗܳܝ ܐܶܬܶܐܟܶܠ ܥܽܘܠܳܐ ܘܰܐܚܝܳܗ̇ ܒܶܟܝ̱ ܐܶܬܶܐܟܶܠ ܦܰܓܪܳܐ ܚܰܝܳܐ ܘܡܰܚܶܐ ܟܽܠ ܡܶܢ ܫܶܠܝ ܦܪܰܩ ܐܶܢܽܘܢ ܐܟܺܝܠܳܐ ܠܳܐܟܽܘ̈ܠܶܐ ܝܺܕܺܝܥܳܐ ܗ̱ܝ ܕܠܰܘ ܛܳܒܰܐ ܗ̱ܘ ܨܒܼܳܐ ܗ̱ܘܳܐ ܒܽܐܘ̈ܠܨܳܢܶܐ ܕܰܗܘܰܘ ܒܟܽܠ ܕܳܪ̈ܺܝܢ ܟܰܕ ܗܼܽܘ ܥܒܼܰܕ ܐܶܢܽܘܢ ܚܰܘܒܰܝ̈ܢ ܗܽܘ ܗܳܘܶܝܢ ܥܶܠܬܳܐ ܕܒܽܘܣܒ̈ܳܣܺܝܢ ܠܳܐ ܐ̱ܢܳܫ ܩܒܶܠ ܡܶܢܶܗ ܕܰܒܪܰܝܢ ܗܽܘܝܽܘ ܩܒܺܝܠ ܡܶܢܰܢ ܕܰܚܛܰܝܢ ܘܰܐܠܶܨܢܳܝܗ̱ܝ ܕܢܶܪܓܰܙ ܕܠܳܐ ܨܒܼܳܐ ܗ̱ܘܳܐ ܘܢܶܡܚܶܐ ܕܠܳܐ ܪܥܳܐ ܗ̱ܘܳܐ ܐܰܪܥܳܐ ܟܰܪܡܳܐ ܘܙܰܝܬܳܐ ܣܢܺܝܩܺܝܢ ܥܰܠ ܡܰܪܕܽܘܬܳܐ ܡܳܐ ܕܶܐܬܚܒܶܛ ܙܰܝܬܳܐ ܟܶܢ ܥܳܬܪܺܝܢ ܦܶܪ̈ܥܰܘܗ̱ܝ ܡܳܐ ܕܶܐܬܟܣܰܚ ܟܰܪܡܳܐ ܟܶܢ ܫܳܦܪܺܝܢ ܦܺܐܪ̈ܰܘܗ̱ܝ ܡܳܐ ܕܶܐܬܦܠܰܚ ܥܰܦܪܳܐ ܫܦܼܰܪܘ̱ ܐܶܕܫ̈ܰܘܗ̱ܝ ܡܳܐ ܕܶܐܬܪܕܺܝ ܝܰܡܳܐ ܒܠܺܐܩ̈ܶܐ ܐܳܫܬܺܝܢ ܠܶܗ ܢܚܳܫܳܐ ܟܶܣܦܳܐ ܘܕܰܗܒܳܐ ܡܳܐ ܕܶܐܣܬܩܶܠܘ̱ ܐܰܦܪܶܓܘ̱ ܐܶܢ ܗܽܘ ܕܒܰܪ ܐ̱ܢܳܫܳܐ ܪܳܕܶܐ ܘܡܰܫܦܰܪ ܟܽܠ ܘܶܐܢ ܗܽܘ ܕܰܒܣܼܳܐ ܘܰܐܗܡܺܝ ܡܣܰܬܢܳܐ ܘܡܳܪܶܕ ܟܽܠ
English
their sins have been shaken off, and their fruits have been shaken off. They have rejoiced in their ascents, and they have also rejoiced in their crowns. The day of your redemption is the king who is over all days. The Sabbath has overwhelmed your beginnings; it has overwhelmed the atonements. The day of the Son's resurrection has raised up your repentance. The day of resurrection has raised you up according to its name. Praise your conqueror; the Sabbath began and kept its vigil. By the labor of its gates, it struck and cast down. Among the watchers, scarcity has grown weary; in you, however, abundance has grown weary. For the watchers, abundance has passed over her from silence. For you, however, the sea from silence has also passed over you. By that, the wicked one and his sister have been consumed. In you, the living body that gives life to all has been consumed. From silence, the consumed one has saved the eaters from the eaters. It is known that it was not good that will was in the afflictions that were in all generations, when he made the sign. The sins are the cause of the consolations. He did not feel from the Son. They received from the sins and their constraints of anger that was not willed and of a blow that was not intended. The land, the vine, and the olive are distressed over rebellion. When the olive is beaten, its fruits become rich. When the vine is pruned, its fruits become beautiful. When the soil is cultivated, its furrows become beautiful. When the sea is stirred, the sailors drink it. And silver and gold, when they are refined, they shine. If he is the one who is of the son of man, he rules and beautifies all. And if he is the one who is of flesh, he humbles and subdues the rebellious and rules all.
dsc-261:3 · narrativemedium
Source
ܒܡܶܕܶܡ ܕܪܳܕܶܐ ܗܽܘ ܢܺܐܠܰܦ ܠܗܰܘ ܕܰܪܕܳܝܗ̱ܝ ܟܰܕ ܗܼܽܘ ܐܶܢܗܽܘ ܕܪܳܕܶܐ ܕܢܶܬܗܢܶܐ ܟܽܠܶܗ ܕܪܳܕܶܐ ܓܶܝܪ ܥܰܒܕ̈ܰܘܗ̱ܝ ܕܢܶܩܢܶܐ ܐܶܢܽܘܢ ܛܳܒܳܐ ܪܕܳܐ ܠܥܰܒܕ̈ܰܘܗ̱ܝ ܕܗܶܢܽܘܢ ܠܗܽܘܢ ܢܶܩܢܽܘܢ ܢܶܗܘܽܘܢ ܐܽܘܠܨܳܢܰܝ̈ܟܝ̱ ܣܳܦܪ̈ܶܐ ܠܥܽܘܗܕ̈ܳܢܰܝܟܝ̱ ܚܒܺܝ̈ܫܶܐ ܬܠܳܬܳܐ ܓܶܝܪ ܣܳܦܩܺܝܢ ܕܢܶܗܘܽܘܢ ܠܶܟܝ̱ ܣܶܦܪ̈ܶܐ ܕܬܶܬܗܰܓܺܝܢ ܟܽܘܠ ܫܳܥ ܒܫܰܪ̈ܒܰܝܗܽܘܢ ܕܬܰܪ̈ܬܶܝܢ ܕܺܝܰܬܺܩ̈ܺܝܢ ܫܳܛܬܝ̱ ܗܘܰܝܬܝ̱ ܕܬܶܩܪܶܝܢ ܒܗܶܝܢ ܚܰܝ̈ܰܝܟܝ̱ ܒܰܕܓܽܘܢ ܟܬܼܰܒ ܗ̱ܘܳܐ ܠܶܟܝ̱ ܬܠܳܬܳܐ ܣܶܦܪ̈ܺܝܢ ܥܰܣܩ̈ܺܝܢ ܕܬܶܩܪܶܝܢ ܒܗܽܘܢ ܢܰܓ̈ܕܶܝܟܝ̱ ܢܶܒܼܛܰܠ ܒܡܳܐ ܕܰܗܘܳܐ ܡܶܕܶܡ ܕܬܽܘܒ ܗ̇ܘܶܐ ܢܶܬܪܕܶܐ ܒܗܰܘ ܕܶܐܬܳܐ ܕܢܶܬܟܣܰܗ ܠܗܰܘ ܕܳܐܬܶܐ ܢܶܥܗܰܕ ܠܗܰܘ ܕܰܥܼܒܰܪ ܕܢܶܫܪܶܝܘܗ̱ܝ ܠܗܰܘ ܕܰܥܬܺܝܕ ܕܩܰܕܡܳܝܬܳܐ ܡܚܽܘܬܳܐ ܛܥܰܝܢ ܗܘܰܝܢ ܡܶܨܥܳܝܬܳܐ ܬܟܰܒܬܰܢ ܕܡܶܨܥܳܝܬܳܐ ܛܥܰܝܢܰܢ ܬܠܺܝܬܳܝܬܳܐ ܥܡܰܠܬܰܢ ܡܰܢܽܘ ܕܬܽܘܒ ܢܶܛܥܼܶܐ
English
In that which is the course, he taught that which is the course of his generation. When that which is the course of the sign was shaken, the entire course, for its servants of the sign, were seen. A good course for its servants, that they might see their signs. Their signs became the scribes of your memorials. For three books suffice, that they might become for you. Books that you may read every hour in their accounts, of the two Testaments I have drunk, that you may read in them your life, for in the day he wrote for you. Three difficult books, that you may read in them your festivals. It ceased in what was something that would again be. It will be driven in that which came, which was covered for that which comes. It will remember that which passed, which loosed that which is future. For the first type was mistaken, the middle type was pressed, for the middle was mistaken. The third type labored, that it might again be mistaken.
Citation. Tergwame, “Nisibis 3”, dsc-261:1, machine-draft, 2026. https://naxiai.com/christian/works/dsc-261#s1
Colophon. Source: syriac · licence: CC BY 4.0 · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0026 · generated 2026-11-15.