Work dossier · summary and historical context
The Malkǝʾ-hymn to ʾAbrānyos of Dabra Ṭǝllul is an anonymous Geʿez poetic encomium structured around the bodily and spiritual attributes of a little-known Ethiopian Orthodox saint. The hymn survives in a single manuscript from the Dabra Ṭǝllul tradition and is conventionally dated to the later Solomonic period (15th–17th c.) based on the floruit of the malkǝʾ genre. It is still recited on the saint's feast day, primarily at the monastery of Dabra Ṭǝllul. The edition lacks a critical apparatus, and no recensional variants are known.
This hymn is one of the few surviving witnesses to the cult of ʾAbrānyos of Dabra Ṭǝllul, a little-known saint. It exemplifies the malkǝʾ genre's structure and theological themes, including Pauline typology and patristic authority. Its preservation in a single manuscript highlights the fragility of Ethiopic hagiographic traditions and the need for further textual criticism.
The hymn belongs to the malkǝʾ genre, a distinctive Ethiopic hagiographic form that flourished in the Solomonic period (1270–1769), particularly from the 15th to 17th centuries. The work is associated with Dabra Ṭǝllul, a monastery in the Ethiopian Orthodox Täwaḥədo Church, but the saint ʾAbrānyos is otherwise obscure. The text is preserved in a single manuscript (betmas:LIT4919MalkeaAbranyos), with no colophon or internal evidence for precise dating. The hymn's liturgical use continues today, but its transmission is confined to the monastery. The lack of a critical edition or stemma means the stability of the text and its relation to other malkǝʾ-hymns remain unknown. The invocation of Qerlos (Cyril of Alexandria) and Pauline typology reflects the theological and patristic influences typical of Ethiopic hagiography.
Apparatus · what the pipeline recorded
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