Work dossier · summary and historical context
The Malkǝʾ-hymn of the Covenant of Mercy is an anonymous Geʿez acrostic poem from the Ethiopian Orthodox Täwaḥədo tradition, praising Mary under the title 'Covenant of Mercy.' Each stanza begins with a letter of the Geʿez alphabet and a salutation. The hymn survives in a single manuscript witness (RepCh362) within a liturgical collection, with no colophon or author. Its composition is conventionally placed in the later Solomonic period (15th–17th c.) based on genre and liturgical context, but this dating remains uncertain. The hymn likely formed part of the malkǝʾ-cycle, recited during vigils or feasts dedicated to Mary.
This hymn exemplifies the malkǝʾ genre's adaptation to Marian devotion, highlighting Mary's unique role in Ethiopian Orthodox piety as 'Covenant of Mercy.' It preserves a rare liturgical text from a single manuscript, offering insight into medieval Ethiopic poetic and theological traditions. Its acrostic structure and salutation pattern reflect broader Christian hymnographic practices, while the title 'Covenant of Mercy' connects to local legends of Mary's intercession.
The hymn belongs to the malkǝʾ genre, a distinctive Ethiopic poetic form that emerged in the Solomonic period (1270–1974), flourishing especially from the 15th century onward. It was composed for the Ethiopian Orthodox Täwaḥədo Church, where Mary holds a central devotional role as 'Covenant of Mercy' (Kidane Mihret), a title linked to a legendary covenant of intercession. The single manuscript witness, RepCh362, is a liturgical collection of uncertain provenance, likely from a monastic scriptorium in the Ethiopian highlands. The hymn's transmission is precarious: no other copies are known, and the source edition provides only the Geʿez text without translation or commentary. Its liturgical use probably occurred during vigils or feasts of Mary, but specific rubrics are absent. The dating to the later Solomonic period is conventional, based on the genre's peak and the lack of earlier attestations, but the hymn could be later or earlier.
Apparatus · what the pipeline recorded
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