Work dossier · summary and historical context
This anonymous Ethiopic homiletic dossier honors the Archangel Raphael, surviving in multiple manuscripts from the Ethiopian Orthodox Tewahedo Church. The work comprises a collection of miracle narratives and instructions for creating an image of Raphael, likely used in liturgical settings. Its Geʿez text, edited in LIT1297Dersan, lacks critical apparatus or translation, limiting accessibility. The dossier's sequential structure includes distinct miracle units, with incipit markers suggesting compilation from multiple sources, possibly a Coptic or Arabic Vorlage. The dating remains uncertain, and the work's relation to a Coptic pseudo-Chrysostom tradition is unconfirmed for the Ethiopic version.
This dossier is significant as a witness to the veneration of Archangel Raphael in Ethiopian Christianity, a tradition less studied than those of Michael or Gabriel. Its compilation from multiple sources illustrates the transmission of Coptic angelological literature into Ethiopic. The work's liturgical use and miracle narratives provide insight into popular piety and the role of angels in Ethiopian Orthodox practice. It also highlights the challenges of studying anonymous, undated hagiographic texts with limited critical editions.
The dossier is preserved in Ethiopic manuscripts, with witnesses at the Hill Museum & Manuscript Library indicating relatively wide circulation within the Ethiopian Orthodox Tewahedo Church. The work is anonymous and undated; the source edition (betmas) provides no chronological anchor. It may derive from a Coptic pseudo-Chrysostom tradition, but this is not confirmed for the Ethiopic version. The genre of hagiography and liturgical use suggests a medieval Ethiopian context, likely after the 13th century when such dossiers flourished. The incipit markers and references to multiple sources hint at a compilation from Coptic or Arabic originals, reflecting the transmission of angelological traditions from Egypt to Ethiopia. The lack of a critical edition or translation limits precise historical placement, but the manuscript evidence points to a period of active hagiographic production in the Ethiopian Church.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||