Work dossier · summary and historical context
The anonymous Ethiopic poem 'Bǝḍuʿa ʾAmlāk' (the elect of God) is a liturgical hymn in the malkǝʿ genre, praising a monastic saint. It survives in the manuscript tradition of Dabra Mǝʿǝwān monastery in northern Ethiopia, likely copied in the 18th–19th centuries. The work is conventionally assigned to the later Solomonic period (15th–17th c.) based on style and manuscript context. The poem consists of four stanzas, each opening with the salutation ሰላም, and employs biblical allusions such as the burning bush and references to Lazarus. It reflects local veneration of Bǝḍuʿa ʾAmlāk and is part of the broader Ethiopic hymnody tradition.
This poem exemplifies the malkǝʿ genre and the local veneration of monastic saints in Ethiopian Christianity. Its biblical allusions and liturgical structure illuminate the theological and poetic traditions of the Solomonic period. The work also provides insight into the manuscript culture of Dabra Mǝʿǝwān, a monastery with ties to the Ark of the Covenant cult, and contributes to the study of Ethiopic hymnody and hagiography.
The poem originates from the Ethiopian Orthodox Tewahedo Church, likely composed in Geʿez during the later Solomonic period (15th–17th centuries). It is preserved in manuscripts from Dabra Mǝʿǝwān, a monastery in northern Ethiopia, with copies dating to the 18th–19th centuries. The malkǝʿ genre, to which this work belongs, is a form of liturgical praise poetry used in the veneration of saints, often performed during feast days. The poem's inclusion in the Dabra Mǝʿǝwān collection indicates local cultic significance. The text survives only in Geʿez, with no known critical edition or translation; the English rendering is modern. The work's transmission is limited to Ethiopian monastic circles, and its authorship remains anonymous, typical of many hagiographic hymns.
Apparatus · what the pipeline recorded
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