Work dossier · summary and historical context
This anonymous Geʿez praise poem (malkeʾ) survives only in Ethiopic manuscripts with no known Vorlage. Its title alludes to a legendary council of seventy kings, a motif found in Ethiopic apocryphal traditions. The poem is undated, but its language and themes suggest a late medieval or early modern Ethiopic origin. It is used in the Ethiopian Orthodox Täwaḥədo liturgy, likely as a hymn for feasts of the Cross or the Archangel Michael, though its exact liturgical placement is not recorded. The edition provides no critical apparatus or translation; the Geʿez text alone is given, with no variant readings or manuscript base described.
This poem is significant as a witness to the malkeʾ genre in Ethiopian Orthodox liturgy, reflecting the integration of apocryphal motifs into liturgical poetry. Its allusions to legendary councils and figures like Dadianos (Diocletian) connect it to broader hagiographic traditions, particularly the martyrdom of Saint George. The work also illustrates the use of biblical imagery in Ethiopic praise poetry, reinforcing themes of martyrdom and divine counsel.
The work is preserved only in Geʿez, the classical liturgical language of the Ethiopian Orthodox Täwaḥədo Church. Its title references a legendary council of seventy kings, a motif found in Ethiopic apocryphal traditions, possibly linked to the martyrdom of Saint George. The poem is undated; no colophon or external witness fixes a terminus ante quem. Its language and themes suggest a late medieval or early modern Ethiopic origin, but the evidence is thin. The poem belongs to the malkeʾ genre, a type of praise poetry used in Ethiopian liturgy. It likely functioned as a hymn for feasts of the Cross or the Archangel Michael, though its exact liturgical placement is not recorded. The edition provides no critical apparatus or translation, and the manuscript base is not described, leaving questions about textual transmission and variant readings.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||