Work dossier · summary and historical context
This anonymous Geʿez malkǝʿ (praise poem) honors ʾAnorewos of Dabra Ṣǝgāǧǧā, a saint venerated in the Ethiopian Orthodox Täwaḥədo tradition. Structured as a series of stanzas each beginning with an honorific title, the poem follows the conventional bodily-praise pattern of the malkǝʿ genre, moving from the saint’s face to his eyebrows and beyond. It survives in a single manuscript from Dabra Ṣǝgāǧǧā, a monastery in the Lake Ṭānā region, paleographically dated to the 18th–19th century, though the composition may be earlier. The text is recited during the saint’s annual feast (26 Yǝkkatit) and features Coptic-derived interjections, cross symbolism, and Nazirite ascetic motifs typical of Ethiopic hagiographic poetry.
The poem exemplifies the malkǝʿ genre, a distinctive form of Ethiopic hagiographic poetry that systematically praises a saint’s body parts. It provides insight into local liturgical practice and the veneration of ʾAnorewos, a saint otherwise poorly attested. The work’s Coptic-derived interjections and cross symbolism connect it to broader Christian traditions, while its survival in a single manuscript highlights the fragility of Ethiopic textual heritage.
The work is an anonymous, undated malkǝʿ (praise poem) in Geʿez, composed for ʾAnorewos of Dabra Ṣǝgāǧǧā, a saint associated with a monastery in the Lake Ṭānā region of Ethiopia. The sole surviving manuscript is paleographically assigned to the 18th–19th century, but the composition could be earlier; no colophon or internal date survives. The poem belongs to the malkǝʿ genre, a structured series of stanzas each beginning with an honorific title, common in Ethiopic hagiographic poetry and used in liturgical settings. It is recited during the saint’s annual feast (26 Yǝkkatit) in the Ethiopian Orthodox Täwaḥədo tradition, as attested in the synaxarion and local practice. The text includes Coptic-derived interjections (e.g., 'Ako, ako'), cross symbolism (e.g., five curves of the cross alluding to Christ’s wounds), and references to the Nazirite vow, linking ʾAnorewos to ascetic renunciation. The source edition (betmas) reproduces the single witness without collation, and no translation or commentary accompanies the Geʿez text, limiting access to its poetic features.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||