Work dossier · summary and historical context
The work is a malkǝʿ-hymn in honor of Fiqṭor, a saint associated with Dabra Bǝsrāt, preserved in a single manuscript (EMML 2053) from that monastery. The Geʿez text is structured as a poetic encomium with stanzas beginning with the saint's name, following the standard malkǝʿ genre used in Ethiopian Orthodox Täwaḥədo liturgy for veneration of saints. The composition cannot be securely dated; the manuscript is likely 18th–19th century, but the hymn may be earlier. The edition relies on this unique witness, with occasional illegible passages and uncertain readings. The poem includes a trinitarian invocation, Marian petition, and salutation stanzas addressing stages of Fiqṭor's life, with allusions to Old Testament geography and monastic traditions linked to Stephen and Antony.
This malkǝʿ is a rare witness to local Ethiopian Orthodox hagiography and liturgical practice, preserving the veneration of a saint otherwise absent from standard printed sources. It exemplifies the malkǝʿ genre's structure and themes, including biblical typology and monastic ideals. The work contributes to understanding regional monastic traditions and the transmission of hagiographic texts in Ethiopia, though its fragmentary survival and uncertain dating caution against overgeneralization.
The work belongs to the Ethiopian Orthodox Täwaḥədo tradition, specifically the monastic community of Dabra Bǝsrāt. The sole witness, EMML 2053, is a manuscript likely dating to the 18th–19th centuries, but the composition may be earlier, possibly medieval. The malkǝʿ genre (image hymn) is a distinctive Ethiopic liturgical form used for saints' veneration, often in monastic settings. Fiqṭor of Dabra Bǝsrāt is a local saint not widely attested in printed liturgical books, suggesting the hymn's use was confined to that monastery. The text's allusions to Mount Gerizim and Sinai echo Old Testament geography (Deuteronomy 11:29; Exodus 19), possibly reflecting the saint's ascetic journey. The reference to Stephen as 'chosen seed' and the mention of Antony's monastic habit link the work to broader Ethiopian hagiographic and monastic traditions. The lack of colophon or internal dating evidence limits precise historical placement.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
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| no glossary terms recorded | |||