Work dossier · summary and historical context
The anonymous Ethiopic malkǝʿ (image poem) in honor of ʾƎda Krǝstos of Dabra Magʷinā survives in a single manuscript witness (betmas). Following the standard malkǝʿ structure, each stanza praises a part of the saint's body or attribute. The work is undated and its liturgical or devotional use is unconfirmed, though it belongs to the Ethiopian Orthodox Täwaḥədo tradition. The edition provides no translation or commentary, so readers without Geʿez must rely on an English draft that may not capture all poetic or theological nuances.
This malkǝʿ is the only known witness to the veneration of ʾƎda Krǝstos of Dabra Magʷinā, a saint otherwise obscure in Ethiopian hagiography. Its survival in a single manuscript highlights the fragility of local devotional traditions. The poem's structure and epithets (e.g., 'Hand of Christ') contribute to the study of malkǝʿ poetics and the theological imagery of divine agency in Ethiopian Orthodox literature.
The malkǝʿ genre flourished in Ethiopian Orthodox literature from at least the 14th century, often composed for saints and angels. ʾƎda Krǝstos ('Hand of Christ') is a saint associated with Dabra Magʷinā, a monastery whose history is poorly documented. The sole witness, manuscript betmas, is not securely dated; paleographic estimates are lacking, so the work cannot be assigned to a specific century. The poem's mention of Takla Haymanot (13th–14th c.) and Saint George suggests a Solomonic monastic milieu, but this does not date the poem itself. The text's limited circulation may indicate a local or ephemeral devotional context. No external evidence confirms its ritual use, and the edition offers no translation or commentary, leaving the Geʿez text largely inaccessible to non-specialists.
Apparatus · what the pipeline recorded
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