The Beta Masaheft record carries a single secondary reference (Habtemichael Kidane, 'Zəmmare', Encyclopaedia Aethiopica V, 2014, 175b-176b) and no edition or translation at all (https://raw.githubusercontent.com/BetaMasaheft/Works/master/2001-3000/LIT2610Zemmar.xml). No English translation located: HOLLIS Primo 'Zemmare Ethiopian' returns 0 records (https://hollis.harvard.edu/discovery/search?query=any,contains,Zemmare%20Ethiopian&tab=Everything&search_scope=MyInst_and_CI&vid=01HVD_INST:HVD2&offset=0 and 'Ethiopian church music zema' returns recordings and one Amharic history of Yared's chant, not a translation (https://hollis.harvard.edu/discovery/search?query=any,contains,Ethiopian%20church%20music%20zema&tab=Everything&search_scope=MyInst_and_CI&vid=01HVD_INST:HVD2&offset=0 The general English surveys of Ethiopian chant (Shelemay and Jeffery, Ethiopian Christian Liturgical Chant: An Anthology, A-R Editions 1993-1997, 3 vols, https://hollis.harvard.edu/permalink/f/1s5nto6/alma990036390940203941) present 'a selection of liturgical portions' with facsimiles and notation, not a translation of the Zəmmāre.
The Zəmmāre is a chant collection of the Yaredian tradition rather than a single fixed book; the Beta Masaheft record is a general work record without text divisions, so its exact compass is not established. Shelemay and Jeffery's anthology presents selected liturgical portions in facsimile, notation and recording rather than as translated texts, so it documents the repertoire without translating the Zəmmāre.
| Source and licence |
|---|
| Beta Masaheft · TEI XML · CC BY-SA 4.0 |
| Record | Citation |
|---|---|
| Mermaid Club, Revere House, May 28, 1891 [To] Mr. Howe, [Color Sketch of Harvard Yard attributed to George Santayana on cover of Menu for Mermaid Club Dinner] | Santayana, George 1863-1952, American. "Mermaid Club, Revere House, May 28, 1891 [To] Mr. Howe, [Color Sketch of Harvard Yard attributed to George Santayana on cover of Menu for Mermaid Club Dinner]." 1891. https://id.lib.harvard.edu/via/olvwork222746/catalog |
| Tezeta and Transmission : Éthiopiques (1997) and the Asymmetrical Globalization of Ethiopian Jazz | Aklog, Arsema (AB, Harvard University, 2026). "Tezeta and Transmission : Éthiopiques (1997) and the Asymmetrical Globalization of Ethiopian Jazz." [not published], 2026. https://hollis.harvard.edu/permalink/f/1s5nto6/99162274906503941 |