Toh 1638 · classical Tibetan · Tengyur edition

A Praise of the Ḍakas of the Five Families

Edition 1.0 · 2026 · not a critical edition machine draft

Catalogue
Toh 1638
Genre
Eulogy
Period
classical Tibetan
Edition
Tengyur vol. 025_རྒྱུད་འགྲེལ།_ཡ.txt
Extent
1 passages · 886 Tibetan characters · 209 English words
Translation
buddhist-nlp/mitra-qwen35-translate (English, machine-assisted)
Status
Edition 1.0 · 2026 · machine draft
Rights
Derge Kangyur/Tengyur e-text, Esukhia/Barom edition — public domain (mechanical reproduction)

This fragmentary text is a liturgical praise directed toward the deity Heruka and the Ḍākinīs of the Five Families. The work functions as a devotional invocation, beginning with a formal homage and prostration to Heruka, who is characterized as the union of skillful means and insight. The text posits that the deity's manifestation is a result of compassion intended for the benefit of sentient beings. By addressing Heruka as the sovereign lord of the three dimensions of existence—body, speech, and mind—the text commits the practitioner to a state of submission and veneration. The fragment concludes as it begins to describe the physical attributes of the deity, specifically mentioning the four faces, suggesting a transition from general praise to a detailed visualization of the deity's iconographic form.

Provenance

About this text

A eulogy dedicated to the Ḍākinīs of the Five Families, this work belongs to the tradition of the Other Wisdom Tantras. It is attributed to the Indian author Kāṇha, also known as Kāṇhapā. The work is preserved in the classical Tibetan Tengyur, specifically within volume ཡ, where it occupies one page. As a liturgical piece, the text enacts a devotional invocation through formal homage and prostration to the deity Heruka. It characterizes Heruka as the embodiment of insight and skillful means, asserting that the deity manifests through compassion to benefit all beings. By addressing Heruka as the sovereign lord of body, speech, and mind, the work facilitates a transition from general veneration to a detailed iconographic visualization, describing the deity's four faces, four arms, and three eyes. A scholar or serious reader consults this text today to examine the specific devotional structures and visualization practices associated with Heruka and the Five Families of Ḍākinīs within the Tibetan canonical corpus.

Sanskrit title
not recorded
Indian author
Kāṇha, Kāṇhapā
Tibetan translators
not recorded
Canonical collection
Other Wisdom Tantras
Genre
Eulogy
Source edition
Tengyur, vol. ཡ
Period
classical Tibetan
Cite thisAnuvāda, “A Praise of the Ḍakas of the Five Families” (Toh 1638), machine draft, 2026.https://naxiai.com/tibetan/works/toh1638
Summary & commentary

Significance

The text is significant for its representation of the Anuttarayoga Tantra tradition, specifically the cult of Heruka. It illustrates the integration of philosophical concepts, such as the union of wisdom and method, into a ritualized praise format.

Structure

PassagesSectionDescription
1Invocation and PraiseA formal homage to Heruka, emphasizing his compassionate nature and his sovereignty over body, speech, and mind, followed by the start of a physical description.

Themes

  • Union of Skillful Means and Insight (1)
  • Compassion and the Benefit of Beings (1)
  • Deity Visualization (1)

Summary, significance and provenance note generated by gemma4:31b from the translation and the catalogue record.

AnuvādaA Praise of the Ḍakas of the Five Families·

༄། ། རིགས་ལྔ་མཁའ་འགྲོའི་བསྟོད་པ་བཞུགས། ༄༅། ། ཨོཾ་རྗེ་བཙུན་ཧེ་རུ་ཀ་ལ་ཕྱག་འཚལ་ལོ། ། ཐབས་དང་ ཤེས་རབ་བདག་ཉིད་ཅན། ། ཐུགས་རྗེས་སྐུར་སྤྲུལ་འགྲོ་དོན་མཛད། ། སྐུ་གསུང་ཐུགས་ཀྱི་དབང་ཕྱུག་གཙོ། ། ཧེ་རུ་ཀ་ལ་ཕྱག་འཚལ་བསྟོད། ། ཞལ་བཞི་ཕྱག་བཞི་སྤྱན་གསུམ་མཛེས། ། ཞབས་གཉིས་ཕྱེད་ཀྲུང་གར་ཚུལ་གྱིས། ། པདྨ་ཉི་མའི་གདན་ལ་བཞུགས། ། མི་བསྐྱོད་ པ་ནི་ཡེ་ཤེས་ཆེ། ། རྡོ་རྗེ་དབྱིངས་ནི་མཁས་ཆེན་པོ། ། རྡོ་རྗེ་གསུམ་(མཚོག་,མཆོག་)དཀྱིལ་འཁོར་གསུམ། ། བུདྡྷ་མཁའ་འགྲོ་ཕྱག་འཚལ་བསྟོད། ། རྣམ་པར་སྣང་མཛད་རབ་ཏུ་དག། རྡོ་རྗེ་ཞི་བ་དགའ་བ་ཆེ། ། རང་བཞིན་གྱིས་ནི་འོད་གསལ་མཆོག། རྡོ་རྗེ་མཁའ་འགྲོ་ཕྱག་འཚལ་ བསྟོད། ། རིན་ཆེན་རྒྱལ་པོ་རབ་ཏུ་ཟབ། ། རྡོ་རྗེ་ནམ་མཁའ་དྲི་མ་མེད། ། དངོས་གཉིས་དག་པས་གོས་པ་མེད། ། རཏྣ་མཁའ་འགྲོ་ཕྱག་འཚལ་བསྟོད། ། རྡོ་རྗེ་མི་འཆིང་འདོད་ཆགས་ཆེ། ། རྣམ་རྟོག་ནམ་མཁའ་རྡོ་རྗེ་འཛིན། ། འདོད་ཆགས་ཕ་རོལ་ཕྱིན་པ་བརྙེས། ། པདྨ་མཁའ་ འགྲོ་ཕྱག་འཚལ་བསྟོད། ། རྡོ་རྗེ་དག་པ་གདོན་མི་ཟ། ། བསམ་པ་ཐམས་ཅད་ཡོངས་རྫོགས་པ། ། སངས་རྒྱས་ངོ་བོ་ཉིད་ལས་བྱུང་། ། སྣ་ཚོགས་མཁའ་འགྲོ་ཕྱག་འཚལ་བསྟོད། ། རིགས་ལྔ་མཁའ་འགྲོའི་བསྟོད་པ་རྫོགས་སོ། །

The Praise to the Ḍākinīs of the Five Families Oṃ. Homage to the venerable Heruka! You who are the embodiment of skillful means and insight, Manifesting in form through compassion to benefit beings, Sovereign lord of body, speech, and mind— To Heruka, I prostrate and offer praise! With four faces, four arms, and beautiful three eyes, With two legs in the posture of the half-lotus dance, You sit upon a lotus and sun-disc seat. Akṣobhya is the great primordial wisdom; The Vajra Expanse is the great sage. To the Buddha-Ḍākinī of the three supreme vajra maṇḍalas, I prostrate and offer praise! Vairocana is utterly pure, The vajra of peace and great joy. Naturally luminous and supreme— To the Vajra-Ḍākinī, I prostrate and offer praise! Ratnarāja is profoundly deep, The vajra of space, stainless and pure. Untainted by the duality of entities— To the Ratna-Ḍākinī, I prostrate and offer praise! Vajra-Immortal is great desire, The vajra-holder of conceptual space. Having attained the perfection of desire— To the Padma-Ḍākinī, I prostrate and offer praise! Vajra-Purity is the Infallible One, Who completely fulfills all intentions. Arisen from the very essence of the Buddha— To the Viśva-Ḍākinī, I prostrate and offer praise! The Praise to the Ḍākinīs of the Five Families is complete.

Terminology used in this text (18)
TermRendering×Note
རིགསfamily1The tantric 'family' (buddha-family); not 'lineage' (which is རྒྱུད་པ or བརྒྱུད་པ).
བསྟོད་པpraise1
ཕྱག་འཚལhomage1
ཤེས་རབinsight1
བདགself1
དབང་ཕྱུགĪśvara1
ཡེ་ཤེསwisdom1Distinguish from ཤེས་རབ (prajñā, 'insight'): ཡེ་ཤེས is the buddhas' non-dual wisdom, ཤེས་རབ the discriminating faculty o
རྡོ་རྗེvajra1
དབྱིངསexpanse1In Dzogchen ཆོས་དབྱིངས is 'the expanse of reality'; earlier texts use it more plainly as 'realm/space'.
དཀྱིལ་འཁོརmaṇḍala1
རྣམ་པར་སྣང་མཛདVairocana1
དགའ་བjoy1
འོད་གསལĀbhāsvara1
རྒྱལ་པོking1
འདོད་ཆགསdesire1
གདོནgraha1
སངས་རྒྱསbuddha1The title, not a name. In Old Tibetan the spelling is usually སངས་རྒྱས already; the plural sense ('the buddhas') is carr
ལསaction184000 uses 'action' where the mechanics matter, 'karma' where it is a fixed term.

Colophon

Source: tengyur vol. 025_རྒྱུད་འགྲེལ།_ཡ.txt. Derge Kangyur/Tengyur e-text, Esukhia/Barom edition — public domain (mechanical reproduction).

Translation status: 84000 catalogue + registry; grade no-translation-known; checked 2026-11-10.

Set in Newsreader and EB Garamond; Tibetan in Noto Serif Tibetan; Chinese in Noto Serif SC.

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