Toh 1222 · classical Tibetan · Tengyur edition

Praise of Hevajra

Edition 1.0 · 2026 · not a critical edition machine draft

Catalogue
Toh 1222
Genre
Eulogy
Period
classical Tibetan
Edition
Tengyur vol. 009_རྒྱུད་འགྲེལ།_ཉ.txt
Extent
1 passages · 690 Tibetan characters · 168 English words
Translation
buddhist-nlp/mitra-qwen35-translate (English, machine-assisted)
Status
Edition 1.0 · 2026 · machine draft
Rights
Derge Kangyur/Tengyur e-text, Esukhia/Barom edition — public domain (mechanical reproduction)

This short liturgical fragment serves as a devotional invocation and praise of the deity Hevajra, framing the figure as the embodiment of ultimate reality. The text employs a symbolic color palette to map metaphysical concepts onto the deity's form: blue represents the unchanging nature of phenomena (dharmatā), while red signifies the continuous flow of compassion. By identifying Hevajra with the non-dual reality of all Tathāgatas, the text positions the deity not as a separate entity, but as the personification of the supreme nature of all things. The passage commits the reader to a meditative visualization where the deity's physical attributes, such as the upward-bristling hair, are understood as instruments for leading sentient beings toward liberation. The structure is a series of celebratory epithets and homages that collapse the distinction between the practitioner's devotion and the ontological nature of the universe.

Provenance

About this text

A devotional praise of Hevajra and Heruka, the kye rdo rje'i bstod pa belongs to the classical Tibetan tradition. This work is preserved in the Tengyur, volume ཉ, where it comprises two pages and is situated within the Non-dual Tantra collection. The text enacts a meditative visualization of the deity, employing a symbolic color palette to map metaphysical concepts onto a divine form: blue represents the unchanging nature of phenomena, or dharmatā, while red signifies the uninterrupted stream of compassion. By identifying the deity with the non-dual reality of all Tathāgatas, the work frames Hevajra as the personification of the supreme nature of all things. A scholar or serious reader consults this text to examine how the deity's physical attributes, such as the three eyes and upward-bristling hair, are conceptualized as instruments for liberation and the leading of sentient beings.

Sanskrit title
not recorded
Indian author
not recorded
Tibetan translators
not recorded
Canonical collection
Non-dual Tantra
Genre
Eulogy
Source edition
Tengyur, vol. ཉ
Period
classical Tibetan
Cite thisAnuvāda, “Praise of Hevajra” (Toh 1222), machine draft, 2026.https://naxiai.com/tibetan/works/toh1222
Summary & commentary

Significance

The work is significant for its illustration of how Anuttarayoga Tantra utilizes deity yoga to synthesize emptiness and compassion into a single visual form. For the modern reader, it demonstrates the technical use of color and iconography as a shorthand for complex philosophical positions regarding non-duality.

Structure

PassagesSectionDescription
1Homage to HevajraA series of praises identifying the deity with the non-dual nature of reality and the qualities of compassion and dharmatā.

Themes

  • Non-duality (1)
  • Iconographic symbolism (1)
  • Compassion (1)

Summary, significance and provenance note generated by gemma4:31b from the translation and the catalogue record.

AnuvādaPraise of Hevajra·

ཐམས་ ཅད་དངོས་པོའི་རང་བཞིན་མཆོག། གདོད་ནས་ཐམས་ཅད་དེ་བཞིན་གཤེགས། ། གཉིས་མེད་དོན་གྱི་བདག་ཉིད་ཅན། ། ཀྱེ་ཡི་རྡོ་རྗེ་ཕྱག་འཚལ་བསྟོད། ། སྔོན་པོ་ཆོས་ཉིད་མི་འགྱུར་བ། ། དམར་པོ་ཐུགས་རྗེ་རྒྱུན་མི་འཆད། ། གྱེན་བརྫེས་འགྲོ་བ་འདྲེན་པ་ སྟེ། ། ཧེ་རུ་ཀ་ལ་ཕྱག་འཚལ་བསྟོད། ། སྤྱན་གསུམ་རྣམ་པར་ཐར་པ་གསུམ། ། དམར་བ་ཆོས་ཉིད་ཆགས་པའི་དོན། ། ཧཱུཾ་སྒྲོགས་སྐྱེ་བ་མེད་པ་སྟེ། ། ཀུན་གྱི་གཙོ་ལ་ཕྱག་འཚལ་བསྟོད། ། གཡས་ན་གདུག་འཇོམས་རྡོ་རྗེ་སྟེ། ། གཡོན་ན་བདེ་སྐྱོང་ཀ་པཱ་ལ། ། ཤེས་རབ་ མཚོན་པ་ཁཊྭཱཾ་ག། ལོངས་སྤྱོད་རྫོགས་ལ་ཕྱག་འཚལ་བསྟོད། ། ཐོད་པ་ཡེ་ཤེས་ལྔ་ཡི་དངོས། ། ཕྱག་རྒྱ་ལྔ་ནི་རིགས་ལྔ་སྟེ། ། དོ་ཤལ་ཕྲེང་བ་འདུ་བྱེད་སྤངས། ། སྤྲུལ་སྐུ་ཁྱོད་ལ་ཕྱག་འཚལ་བསྟོད། ། ཉོན་མོངས་མ་གོས་པདྨའི་གདན། ། རྣམ་རྟོག་མི་མངའ་ཚངས་པའི་རོ། ། མ་ རིག་སྲེག་པའི་ཉི་མ་སྟེ། ། གོས་མེད་སྐུ་ལ་ཕྱག་འཚལ་བསྟོད། ། རྫོགས་སོ། ། ། །

The supreme nature of all things, Primordially all Tathāgatas, Possessing the identity of non-dual reality— Homage and praise to Hevajra! Blue is the unchanging dharmatā; Red is the uninterrupted stream of compassion. With hair bristling upward, he leads all beings— Homage and praise to Heruka! The three eyes are the three doors of liberation; The red color is the meaning of passion for dharmatā. Proclaiming "Hūṃ" is the unborn— Homage and praise to the Lord of All! In the right hand is the vajra that subdues the wicked; In the left is the kapāla that sustains bliss. The khaṭvāṅga symbolizes wisdom— Homage and praise to the Sambhogakāya! The skull is the essence of the five wisdoms; The five mudrās are the five families. The necklace and garland signify the abandonment of formations— Homage and praise to you, the Nirmāṇakāya! The lotus seat is unstained by afflictions; The Brahma-sound is free from conceptual thought. The sun burns away ignorance— Homage and praise to the naked body! It is complete.

Terminology used in this text (14)
TermRendering×Note
བདགself1
རྡོ་རྗེvajra1
ཕྱག་འཚལhomage1
ཆོས་ཉིདthe nature of phenomena1Not 'dharma-nature' in running prose; 84000 harmonises on 'the nature of phenomena'.
ཐུགས་རྗེcompassion1
ཆོསdharma1In Abhidharma lists (སྐྱེ་མཆེད, ཁམས) ཆོས is 'phenomena', the objects of mind — not the Buddhist teaching. Same word, two
སྐྱེ་བbirth1
ཤེས་རབinsight1
ཡེ་ཤེསwisdom1Distinguish from ཤེས་རབ (prajñā, 'insight'): ཡེ་ཤེས is the buddhas' non-dual wisdom, ཤེས་རབ the discriminating faculty o
ཕྱག་རྒྱmudrā1
རིགསfamily1The tantric 'family' (buddha-family); not 'lineage' (which is རྒྱུད་པ or བརྒྱུད་པ).
འདུ་བྱེདformations1
ཉོན་མོངསaffliction1
ཉི་མĀditya1

Colophon

Source: tengyur vol. 009_རྒྱུད་འགྲེལ།_ཉ.txt. Derge Kangyur/Tengyur e-text, Esukhia/Barom edition — public domain (mechanical reproduction).

Translation status: 84000 catalogue + registry; grade no-translation-known; checked 2026-11-10.

Set in Newsreader and EB Garamond; Tibetan in Noto Serif Tibetan; Chinese in Noto Serif SC.

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