**2009**
This article by Wang Yuanlu examines "symbolization" (符号化) in the Naxi Dongba script, a phenomenon in writing systems whereby graphic forms evolve from concrete, pictographic representations toward abstract, stylized symbols. The author first defines symbolization as the process by which script shapes move away from realistic depiction toward abstraction, distinguishing highly pictographic characters from more symbol-like ones per the Shuowen Jiezi's classic categories. Drawing on numerous Dongba examples, the paper classifies symbolization into four types: curved lines becoming straight lines, double strokes becoming single strokes, repositioning of graphic components, and omission of components. It then identifies simplification for ease of recording language as a key, most common driving force behind this process. The study argues that analyzing symbolization in Dongba script offers valuable theoretical insight for broader issues in grapholinguistics, including comparisons with Chinese character evolution.
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